Graphic medicine connotes the use of comics in medical education and patient care. [1] [2]
The phrase graphic medicine was coined by Dr. Ian Williams, [3] [4] founder of GraphicMedicine.org, to denote "the intersection between the medium of comics and the discourse of healthcare". [5] Comics offer an engaging, powerful, and accessible method of delivering illness narratives. [6] The academic appraisal of graphic fiction is in its infancy, but its examination by academics involved in healthcare-related studies is increasing, with work emerging in journals. [4]
It is notable that the medical humanities movement in many medical schools advocates the framework and use of literature in exploring illness, from practitioner and patient perspectives. [4] [7]
A late-2010s entry to the scholarly study of graphic medicine is the PathoGraphics Research Group, an Einstein Foundation-funded project at the Free University of Berlin (2016–2019) under the direction of Irmela Marei Krüger-Fürhoff, and with the collaboration of Susan M. Squier of the Pennsylvania State University. [8] The group is concerned with the study of illness narratives, or "pathographies," and works of graphic medicine. [9]
Comic books centered around public health originated in the 1940s; the earliest examples averaged around twelve pages and were aimed at preventive instruction for children. Early newsstand comics that focused on medical topics included EC's Psychoanalysis (1955) and Archie's Adventures of Young Dr. Masters (1964). [10] Other early notable works of graphic medicine include the Strip AIDS anthologies (1987-1988); Al Davison's The Spiral Cage (1990); Milligan & McCarthy's Skin (1992); Pekar, Brabner, and Stack's Our Cancer Year (1993); and Bryan Talbot's The Tale of One Bad Rat (1994–1995).
Since the turn of the 21st century, dozens of comics and graphic novels have been published that address such health topics as depression, drug abuse, and PTSD. The genre has evolved and such graphic novels are now commonly at least 150 pages long and focus more on adult struggles with physical or mental illness. [11]
In 2007, while writing a master's dissertation on medical narratives in comics and graphic novels, [12] Ian Williams set up the Graphic Medicine website. [3] During this period, he found two essays by Susan M. Squier on the topic; Squier is Penn State's Brill Professor of English and Women's, Gender, and Sexuality Studies, and she teaches graphic medicine to Ph.D. students at Penn State. [13] Scholars from around the world who were interested in comics and healthcare began to get in touch, notably Professor Michael Green, who had recently set up a graphic narratives course at Hershey Medical School at Penn State University, [14] and MK Czerwiec, a.k.a. "Comic Nurse", who had, for many years, been recording her experiences as an HIV/AIDS hospice nurse in comics form. [15]
Green invited his colleagues Kimberley Myers, of the Medical Humanities Program at Penn State Milton Hershey Medical School, and Susan M. Squier, whose work Williams had encountered earlier, to the discussion group, and Williams introduced Maria Vaccarella, Giskin Day, and Columba Quigley. [7] The group decided to hold a conference, in 2010 at The University of London, [16] which led to a series of annual international conferences with presentations that are frequently posted as podcasts after the conference.
In 2014, the first American Library Association Will Eisner Graphic Novel Growth Grant was awarded to Ypsilanti District Library, (Ypsilanti, Michigan) for its proposal to build a collection of graphic medicine narratives. [17] (Author MK Czerwiec lectured in the fall of 2014 at Ypsilanti's St. Joseph Mercy Hospital in support of this grant.) [18] To date, the Ypsilanti District Library collection contains over 200 graphic medicine titles. [19]
Penn State University Press published The Graphic Medicine Manifesto in 2015, which was nominated for the Eisner Award for Best Academic/Scholarly Work in 2016. [20] [21] [3] The Graphic Medicine Manifesto was the inaugural volume in the ongoing Graphic Medicine series at Penn State University Press, [22] which was originally co-edited by Susan M. Squier and Ian Williams. As of 2023, the series includes more than 20 titles. [23] [24]
In 2018, the United States National Library of Medicine launched the exhibition, "Graphic Medicine: Ill-Conceived and Well Drawn!", curated by Ellen Forney, which included a special display, traveling banner exhibition, and online exhibition. [25]
In 2020, Technical Communications Quarterly published a special issue on comics and graphic storytelling. This issue included a category of research articles examining graphic health communication.
In 2021, Menopause: A Comic Treatment, published as part of the Graphic Medicine/Penn State University Press series, and edited by MK Czerwiec, [26] won the Eisner Award for Best Anthology. In addition, Mimi Pond won the Eisner Award for Best Short Story for her contribution to the book, "When the Menopausal Carnival Comes to Town." [27]
In 2022, the nonprofit Graphic Medicine International Collective debuted the Graphic Medicine Award, presented annually at the Graphic Medicine Conference. The GMIC Awards... are an initiative to spotlight work in the comics field published in the previous calendar year which shines a light on issues of mental and physical wellbeing. Initially a single award, it expanded into a two-category award [long-form and short-form] in 2023." [28]
Graphic medicine’s popularity keeps growing across the world.[ citation needed ] In some clinical settings, graphic medicine is being used to explore therapeutic possibilities. [29] Beyond the US and UK, graphic medicine is practiced and studied in Spain, [30] Taiwan, Germany, India, Singapore, and a host of other nations; for example: Monica Lalanda's Medicina Grafica, [31] the Japan Graphic Medicine Association (JGMA), and the Graphic Medicine Lab in India.
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: CS1 maint: multiple names: authors list (link)William Erwin Eisner was an American cartoonist, writer, and entrepreneur. He was one of the earliest cartoonists to work in the American comic book industry, and his series The Spirit (1940–1952) was noted for its experiments in content and form. In 1978, he popularized the term "graphic novel" with the publication of his book A Contract with God. He was an early contributor to formal comics studies with his book Comics and Sequential Art (1985). The Eisner Award was named in his honor and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame.
A graphic novel is a long-form work of sequential art. The term graphic novel is often applied broadly, including fiction, non-fiction, and anthologized work, though this practice is highly contested by comics scholars and industry professionals. It is, at least in the United States, typically distinct from the term comic book, which is generally used for comics periodicals and trade paperbacks.
In comics studies, sequential art is a term proposed by comics artist Will Eisner to describe art forms that use images deployed in a specific order for the purpose of graphic storytelling or conveying information. The best-known example of sequential art is comics.
Comics are a medium used to express ideas with images, often combined with text or other visual information. It typically takes the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus among theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common means of image-making in comics. Photo comics is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and tankōbon have become increasingly common, along with webcomics as well as scientific/medical comics.
Understanding Comics: The Invisible Art is a 1993 non-fiction work of comics by American cartoonist Scott McCloud. It explores formal aspects of comics, the historical development of the medium, its fundamental vocabulary, and various ways in which these elements have been used. It expounds theoretical ideas about comics as an art form and medium of communication, and is itself written in comic book form.
Mom's Cancer is an autobiographical graphic medicine webcomic by Brian Fies which describes his mother's fight against metastatic lung cancer, as well as his family's reactions to it. Mom's Cancer was the first webcomic to win an Eisner Award, winning in 2005. Its print collection, published in 2006, won a Harvey Award and a Deutscher Jugendliteraturpreis.
Phoebe Louise Adams Gloeckner is an American cartoonist, illustrator, painter, and novelist.
Frederick Luis Aldama is an American author, editor, and academic. He is the Jacob & Frances Sanger Mossiker Chair in the Humanities and founder and director of the Latinx Pop Lab at the University of Texas, Austin. At UT Austin is also affiliate faculty in Latino Media Arts & Studies and LGBTQ Studies. He continues to hold the title Distinguished University Professor as adjunct professor at The Ohio State University. He teaches courses on Latino pop culture, especially focused on the areas of comics, TV, film, animation, and video games in the departments of English and Radio-Television-Film at UT Austin. At the Ohio State University he was Distinguished University Professor, Arts & Humanities Distinguished Professor of English, University Distinguished Scholar, and Alumni Distinguished Teacher as well as recipient of the Rodica C. Botoman Award for Distinguished Teaching and Mentoring and the Susan M. Hartmann Mentoring and Leadership Award. He was also founder and director of the award-winning LASER/Latinx Space for Enrichment Research and founder and co-director of the Humanities & Cognitive Sciences High School Summer Institute. In has been inducted into the National Academy of Teachers, National Cartoonist Society, the Texas Institute of Letters, the Ohio State University's Office of Diversity & Inclusion Hall of Fame, and as board of directors for The Academy of American Poets. He sits on the boards for American Library Association Graphic Novel and Comics Round Table, BreakBread Literacy Project, and Ad Astra Media. He is founder and director of UT Austin's BIPOC POP: Comics, Gaming & Animation Arts Expo & Symposium as well as Founder and Editor-in-Chief of the Latinx Pop Magazine.
Aaron David Lewis is an American comic book and graphic novel writer. He is also a comics scholar focusing on literary theory, religious studies, and graphic medicine.
The Penn State University Press, also known as The Pennsylvania State University Press, is a non-profit publisher of scholarly books and journals. Established in 1956, it is the independent publishing branch of the Pennsylvania State University and is a division of the Penn State University Library system.
Gene Luen Yang is an American cartoonist. He is a frequent lecturer on the subjects of graphic novels and comics, at comic book conventions and universities, schools, and libraries. In addition, he was the Director of Information Services and taught computer science at Bishop O'Dowd High School in Oakland, California. In 2012, Yang joined the faculty at Hamline University as a part of the Low-Residency Master of Fine Arts in Writing for Children and Young Adults (MFAC) program. In 2016, the U.S. Library of Congress named him Ambassador for Young People's Literature. That year he became the third graphic novelist, alongside Lauren Redniss, to receive a MacArthur Fellowship.
The use of comics in education is based on the concept of creating engagement and motivation for students.
Skim is a Canadian graphic novel written by Mariko Tamaki and drawn by Jillian Tamaki. Set in 1993, in a Toronto Catholic girls high school, it is about an outsider girl called Skim.
Comics studies is an academic field that focuses on comics and sequential art. Although comics and graphic novels have been generally dismissed as less relevant pop culture texts, scholars in fields such as semiotics, aesthetics, sociology, composition studies and cultural studies are now re-considering comics and graphic novels as complex texts deserving of serious scholarly study.
Comic book therapy is a form of art therapy in which those undergoing rehabilitation or those who have already completed rehabilitation express their experiences through personal narratives within a comics format. The combination of text and image enables patients to process their memories and emotions through two different, yet compatible mediums. Comic book therapy can also be used in a psychotherapeutic setting, whereby clients are encouraged to read specific comic books, often surrounding topics similar to their own diagnoses. Clients are encouraged to present their thoughts and feelings they experienced while reading as well as to draw parallels with their own lived experiences based on the events that occur within the books. This is done in an effort to reach a cathartic moment of clarity and understanding of one's own life.
Jillian Tamaki is a Canadian American illustrator and comic artist known for her work in The New York Times and The New Yorker in addition to the graphic novels Boundless, as well as Skim, This One Summer and Roaming written by her cousin Mariko Tamaki.
Comics has developed specialized terminology. Several attempts have been made to formalize and define the terminology of comics by authors such as Will Eisner, Scott McCloud, R. C. Harvey and Dylan Horrocks. Much of the terminology in English is under dispute, so this page will list and describe the most common terms used in comics.
Nicola Streeten is an academic, illustrator, cultural anthropologist, historian of British cartoonists, expert in the history of women cartoonists and British graphic novelist. Streeten is the co-founder of Laydeez Do Comics, author of Billy, Me & You: A memoir of grief and recovery and co-author of The Inking Woman: the history of British female cartoonists with Cath Tate.
The Bad Doctor is a 2014 graphic novel by Ian Williams, published by Myriad Editions. Williams is a doctor in Wales. It was the first graphic novel published by the author.
Canadian Society for the Study of Comics (CSSC), also known as Société Canadienne pour l'Étude de la Bande Dessinée (SCEBD), is a bilingual community of academics focused in discuss all aspects of comics as an art form and cultural phenomenon. The society was founded in October 2010 by University of Regina professor Sylvain Rheault.
The new imprint will build on the press's Graphic Medicine series...
Funded by an American Library Association Carnegie-Whitney Grant
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: CS1 maint: multiple names: authors list (link)Here are a few selective examples of graphic medicine works available in the University of Michigan Libraries and online.