 | This article may be too technical for most readers to understand.(August 2023) |
In semiotics and discourse analysis, floating signifiers (also referred to as empty signifiers, [1] although these terms have been made distinct [2] ) are signifiers without a referent. The term open signifier is sometimes used as a synonym due to the empty signifier's nature to "resist the constitution of any unitary meaning", enabling its ability to remain open to different meanings in different contexts. [3]
Daniel Chandler defines the term as "a signifier with a vague, highly variable, unspecifiable or non-existent signified". [4] The concept of floating signifiers originates with Claude Lévi-Strauss, who identified cultural ideas like mana as "represent[ing] an undetermined quantity of signification, in itself void of meaning and thus apt to receive any meaning". [5]
As such, a "floating signifier" may "mean different things to different people: they may stand for many or even any signifieds; they may mean whatever their interpreters want them to mean". [6] Such a floating signifier—which is said to possess "symbolic value zero"—necessarily results to "allow symbolic thought to operate despite the contradiction inherent in it". [7]
Roland Barthes, while not using the term "floating signifier" explicitly, referred specifically to non-linguistic signs as being so open to interpretation that they constituted a "floating chain of signifieds." Jacques Derrida also described the "freeplay" of signifiers, arguing that they are not fixed to their signifieds but point beyond themselves to other signifiers in an "indefinite referral of signifier to signified." [4]
In Emancipation(s), Ernesto Laclau frames the empty signifier in the context of social interactions. For Laclau, the empty signifier is the hegemonic representative of a collection of various demands, constituting a chain of equivalence whose members are distinguished through a differential logic (as in elements exist only in their differences to one another) but combine through an equivalential one. This chain of unsatisfied demands create an unfulfilled totality, inside of which one signifier subordinates the rest and assumes representation of the rest via a hegemonic process. The signifiers "empty" versus "floating" are distinct conceptually yet in practice meld as explained by Laclau: "As we can see, the categories of ‘empty’ and ‘floating’ signifiers are structurally different. The first concerns the construction of a popular identity once the presence of a stable frontier is taken for granted; the second tries conceptually to apprehend the logic of the displacements of that frontier." [2] In an interview in December 2013, Laclau clarified the distinction with an example:
Laclau exemplified an empty signifier with the case of the Solidarność movement led by Lech Walesa at the Lenin shipyards in Gdansk, Poland, in 1980. At the beginning, the demands of this movement were linked to a set of precise demands of the workers of the ship industry. However, they started to be employed in the context in which many other demands in different areas were also articulated. At the end, Solidarność became the signifier of something much broader. When this universality comes about, it cuts off the connection between the signifier and the signified. In the case of Solidarność, in the beginning it had a signifier but then, because the appeal increased too much, the reference to a particular signified was diluted. A floating signifier is different. It can be connected to different contexts, so the function of meaning therein is fully realized. Even when it is ambiguous, it is not empty. It fluctuates between different forms of articulation in different projects. [8]
The notion of floating signifiers can be applied to concepts such as race [9] and gender, as a way of asserting that the word is more concrete than the concept it describes, where the concept may not be stable, but the word is.
It is often applied to non-linguistic signs, such as the example of the Rorschach inkblot test. The concept is used in some more textual forms of postmodernism, which rejects the strict anchoring of particular signifiers to particular signifieds and argues against the concept that there are any ultimate determinable meanings to words or signs.
In his 2003 book City of Gold, David A. Westbrook refers to money as a "perpetually floating signifier" of pure potential, noting that "its promise to represent anything in particular is never fulfilled." [10]
The Oxford Dictionary of Critical Theory gives the example that "Fredric Jameson suggests that the shark in the Jaws series of films is an empty signifier because it is susceptible to multiple and even contradictory interpretations, suggesting that it does not have a specific meaning itself, but functions primarily as a vehicle for absorbing meanings that viewers want to impose upon it." [11]
The following outline is provided as an overview of and topical guide to critical theory:
Structuralism is an intellectual current and methodological approach, primarily in the social sciences, that interprets elements of human culture by way of their relationship to a broader system. It works to uncover the structural patterns that underlie all the things that humans do, think, perceive, and feel.
A sign is an object, quality, event, or entity whose presence or occurrence indicates the probable presence or occurrence of something else. A natural sign bears a causal relation to its object—for instance, thunder is a sign of storm, or medical symptoms a sign of disease. A conventional sign signifies by agreement, as a full stop signifies the end of a sentence; similarly the words and expressions of a language, as well as bodily gestures, can be regarded as signs, expressing particular meanings. The physical objects most commonly referred to as signs generally inform or instruct using written text, symbols, pictures or a combination of these.
Semiotics is the systematic study of sign processes and the communication of meaning. In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter.
A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences. All communication is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas, or visual images and are used to convey other ideas and beliefs. For example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals.
In semiotics, a sign is anything that communicates a meaning that is not the sign itself to the interpreter of the sign. The meaning can be intentional, as when a word is uttered with a specific meaning, or unintentional, as when a symptom is taken as a sign of a particular medical condition. Signs can communicate through any of the senses, visual, auditory, tactile, olfactory, or taste.
Ernesto Laclau was an Argentine political theorist and philosopher. He is often described as an 'inventor' of post-Marxist political theory. He is well known for his collaborations with his long-term partner, Chantal Mouffe.
In semiotics, syntagmatic analysis is analysis of syntax or surface structure as opposed to paradigms. This is often achieved using commutation tests.
Structural anthropology is a school of sociocultural anthropology based on Claude Lévi-Strauss' 1949 idea that immutable deep structures exist in all cultures, and consequently, that all cultural practices have homologous counterparts in other cultures, essentially that all cultures are equatable.
Decoding, in semiotics, is the process of interpreting a message sent by an addresser (sender) to an addressee (receiver). The complementary process – creating a message for transmission to an addressee – is called encoding.
In social theory and philosophy, antihumanism or anti-humanism is a theory that is critical of traditional humanism, traditional ideas about humanity and the human condition. Central to antihumanism is the view that philosophical anthropology and its concepts of "human nature", "man" or "humanity" should be rejected as historically relative, ideological or metaphysical.
Difference is a key concept of philosophy, denoting the process or set of properties by which one entity is distinguished from another within a relational field or a given conceptual system. In the Western philosophical system, difference is traditionally viewed as being opposed to identity, following the Principles of Leibniz, and in particular, his Law of the identity of indiscernibles. In structuralist and poststructuralist accounts, however, difference is understood to be constitutive of both meaning and identity. In other words, because identity is viewed in non-essentialist terms as a construct, and because constructs only produce meaning through the interplay of differences, it is the case that for both structuralism and poststructuralism, identity cannot be said to exist without difference.
The Symbolic is the order in the unconscious that gives rise to subjectivity and bridges intersubjectivity between two subjects; an example is Jacques Lacan's idea of desire as the desire of the Other, maintained by the Symbolic's subjectification of the Other into speech. In the later psychoanalytic theory of Lacan, it is linked by the sinthome to the Imaginary and the Real.
Contingency, Hegemony, Universality: Contemporary Dialogues on the Left is a collaborative book by the political theorists Judith Butler, Ernesto Laclau, and Slavoj Žižek published in 2000.
Hegemony and Socialist Strategy: Towards a Radical Democratic Politics is a 1985 work of political theory in the post-Marxist tradition by Ernesto Laclau and Chantal Mouffe. Developing several sharp divergences from the tenets of canonical Marxist thought, the authors begin by tracing historically varied discursive constitutions of class, political identity, and social self-understanding, and then tie these to the contemporary importance of hegemony as a destabilized analytic which avoids the traps of various procedures Mouffe and Laclau feel constitute a foundational flaw in Marxist thought: essentializations of class identity, the use of a priori interpretative paradigms with respect to history and contextualization, the privileging of the base/superstructure binary above other explicative models.
Trace is one of the most important concepts in Derridian deconstruction. In the 1960s, Jacques Derrida used this concept in two of his early books, namely Writing and Difference and Of Grammatology.
Systems theory in anthropology is an interdisciplinary, non-representative, non-referential, and non-Cartesian approach that brings together natural and social sciences to understand society in its complexity. The basic idea of a system theory in social science is to solve the classical problem of duality; mind-body, subject-object, form-content, signifier-signified, and structure-agency. Systems theory suggests that instead of creating closed categories into binaries (subject-object), the system should stay open so as to allow free flow of process and interactions. In this way the binaries are dissolved.
Visual semiotics is a sub-domain of semiotics that analyses the way visual images communicate a message.
The Essex School of discourse analysis, or simply 'The Essex School', refers to a type of scholarship founded on the works of Ernesto Laclau and Chantal Mouffe. It focuses predominantly on the political discourses of late modernity utilising discourse analysis, as well as post-structuralist and psychoanalytic theory, such as may be found in the works of Lacan, Foucault, Barthes, and Derrida. Discourse analysis, according to its own terms at least, seeks to "unfix and destabilise" the accepted meanings of everyday language, and to reveal how the dominant discourse "marginalises and oppresses... equally valid claims to the question of how power could and should be exercised."
In semiotics, signified and signifier are the two main components of a sign, where signified is what the sign represents or refers to, known as the "plane of content", and signifier which is the "plane of expression" or the observable aspects of the sign itself. The idea was first proposed in the work of Swiss linguist Ferdinand de Saussure, one of the two founders of semiotics.