| "Flowers of Edinburgh" | |
|---|---|
 Published in 477 tune books | |
| Song | |
| Songwriter(s) | Unknown |
"Flowers of Edinburgh" is a traditional fiddle tune, of eighteenth century Scottish lineage. It is also prominent in American fiddle, Canadian fiddle and wherever old time fiddle is cultivated. The tune is also the basis for a Morris Dance, in the Bledington style.
According to a self-deprecating secondary report in A Native's Guide to Edinburgh by Tom Mc Rae, [1] the stench from the loch permeated the old city and probably gave rise to the traditional tune "The Flowers of Edinburgh." However, The "Traditional Tune Archives" website gives a more convincing explanation of the genesis of the title, such as that it probably was originally "The Flower (singular) of Edinburgh" and referred to a woman. [2] A 2011 blogspot for "gdaeblogspot" also gives several possible explanations for the title. [3]
The author of this blog suggests the author was the publisher James Oswald. The "Traditional Tune Archives" website gives an earlier date of c 1737 by John Walsh in "Caledonian Country Dances Vol 2".
In America, William Rebbeck published a version of the dance in 1788. [4]
A piper of the Royal Regiment of Scotland played "Flowers of Edinburgh" while the Duke of Edinburgh's coffin was lowered into the vault at Windsor. [5]
G Major (one sharp)
A few of the many notable recordings of a tune by this name:
Blata Duin-Eudain, Knuckle Down, My Love was Once a Bonnie Lad, My Love's Bonny When She Smiles on Me, To the Battle Men of Erin, The Weobley Hankie Dance, The Weobley Hanky Dance. [6]
It is also included in Cecil Sharp's "Country Dance Tunes" (1922) [7]
The Donegal fiddle tradition is the way of playing the fiddle that is traditional in County Donegal, Ireland. It is one of the distinct fiddle traditions within Irish traditional music.
The Great Highland bagpipe is a type of bagpipe native to Scotland, and the Scottish analogue to the Great Irish Warpipes. It has acquired widespread recognition through its usage in the British military and in pipe bands throughout the world.
The Northumbrian smallpipes are bellows-blown bagpipes from North East England, where they have been an important factor in the local musical culture for more than 250 years. The family of the Duke of Northumberland have had an official piper for over 250 years. The Northumbrian Pipers' Society was founded in 1928, to encourage the playing of the instrument and its music; Although there were so few players at times during the last century that some feared the tradition would die out, there are many players and makers of the instrument nowadays, and the Society has played a large role in this revival. In more recent times the Mayor of Gateshead and the Lord Mayor of Newcastle have both established a tradition of appointing official Northumbrian pipers.
Scotland is internationally known for its traditional music, which remained vibrant throughout the 20th century and into the 21st, when many traditional forms worldwide lost popularity to pop music. In spite of emigration and a well-developed connection to music imported from the rest of Europe and the United States, the music of Scotland has kept many of its traditional aspects; indeed, it has itself influenced many forms of music.
Scottish folk music is a genre of folk music that uses forms that are identified as part of the Scottish musical tradition. There is evidence that there was a flourishing culture of popular music in Scotland during the late Middle Ages, but the only song with a melody to survive from this period is the "Pleugh Song". After the Reformation, the secular popular tradition of music continued, despite attempts by the Kirk, particularly in the Lowlands, to suppress dancing and events like penny weddings. The first clear reference to the use of the Highland bagpipes mentions their use at the Battle of Pinkie Cleugh in 1547. The Highlands in the early seventeenth century saw the development of piping families including the MacCrimmons, MacArthurs, MacGregors and the Mackays of Gairloch. There is also evidence of adoption of the fiddle in the Highlands. Well-known musicians included the fiddler Pattie Birnie and the piper Habbie Simpson. This tradition continued into the nineteenth century, with major figures such as the fiddlers Niel and his son Nathaniel Gow. There is evidence of ballads from this period. Some may date back to the late Medieval era and deal with events and people that can be traced back as far as the thirteenth century. They remained an oral tradition until they were collected as folk songs in the eighteenth century.
Flowers of the Forest, or The Fluuers o the Forest, is a Scottish folk tune and work of war poetry commemorating the defeat of the Scottish army, and the death of James IV, at the Battle of Flodden in September 1513. Although the original words are unknown, the melody was recorded c. 1615–1625 in the John Skene of Halyards Manuscript as "Flowres of the Forrest", although it might have been composed earlier.
Battlefield Band were a Scottish traditional music group. Founded in Glasgow in 1969, they have released over 30 albums and undergone many changes of lineup. As of 2010, none of the original founders remain in the band.
Here Northumbria is defined as Northumberland, the northernmost county of England, and County Durham. According to 'World Music: The Rough Guide', "nowhere is the English living tradition more in evidence than the border lands of Northumbria, the one part of England to rival the counties of the west of Ireland for a rich unbroken tradition. The region is particularly noted for its tradition of border ballads, the Northumbrian smallpipes and also a strong fiddle tradition in the region that was already well established in the 1690s. Northumbrian music is characterised by considerable influence from other regions, particularly southern Scotland and other parts of the north of England, as well as Irish immigrants.
Cape Breton fiddling is a regional violin style which falls within the Celtic music idiom. Cape Breton Island's fiddle music was brought to North America by Scottish immigrants during the Highland Clearances. These Scottish immigrants were primarily from Gaelic-speaking regions in the Scottish Highlands and the Outer Hebrides. Although fiddling has changed considerably since this time in Scotland, it is widely held that the tradition of Scottish fiddle music has been better preserved in Cape Breton.
Celtic music is primarily associated with the folk traditions of Ireland, Scotland, Brittany and Wales, as well as the popular styles derived from folk culture. In addition, a number of other areas of the world are known for the use of Celtic musical styles and techniques, including Newfoundland, and much of the folk music of Canada's Maritimes, especially on Cape Breton Island and Prince Edward Island.
Pibroch, piobaireachd or ceòl mòr is an art music genre associated primarily with the Scottish Highlands that is characterised by extended compositions with a melodic theme and elaborate formal variations. Strictly meaning "piping" in Scottish Gaelic, piobaireachd has for some four centuries been music of the Great Highland Bagpipe. Music of a similar nature, pre-dating the adoption of the Highland pipes, has historically been played on the wire-strung Gaelic harp and later on the Scottish fiddle, and this form is undergoing a revival.
Appalachian music is the music of the region of Appalachia in the Eastern United States. Traditional Appalachian music is derived from various influences, including the ballads, hymns and fiddle music of the British Isles, the African music and blues of early African Americans, and to a lesser extent the music of Continental Europe.
Scottish fiddling may be distinguished from other folk fiddling styles by its particular precision of execution and energy in the delivery, for example, the rendering of the dotted-quaver/semi-quaver rhythmic patterns, commonly used in the Strathspey. Christine Martin, in her Traditional Scottish Fiddling players guide, discusses the techniques of "hack bowing", "the Scottish Snap", and "snap bowing". These techniques contrast quite sharply with the most common bowing patterns of Irish fiddling. The style has a very large repertoire consisting of a great variation of rhythms and key signatures. There is also a strong link to the playing of traditional Scottish bagpipes which is better known throughout the world.
James Oswald (1710–1769) was a Scottish composer, arranger, cellist, and music publisher, who was appointed as Chamber Composer for King George III and also wrote and published many Scottish folk tunes.
Malinky is a Scottish folk band specialising in Scots song, formed in autumn 1998.
"Country Gardens" is regarded as an old English folk tune traditionally used for Morris dancing, but it is unlikely to be of folk origin as it was first composed for an opera. It was introduced by traditional folk musician William Kimber to Cecil Sharp near the beginning of the twentieth century, then popularised by a diverse range of musicians from Percy Grainger to Jimmie Rodgers.
Dancing Days is an album by Chris Leslie, released in 2004.
Irish traditional music is a genre of folk music that developed in Ireland.
Colin Ross was an English folk musician who played fiddle and Northumbrian smallpipes. He was a noted maker of Northumbrian smallpipes, border pipes and Scottish smallpipes, and one of the inventors of the modern Scottish smallpipes.
American fiddle-playing began with the early settlers who found that the small viol family instruments were portable and rugged. According to Ron Yule, "John Utie, a 1620 immigrant, settled in the North and is credited as being the first known fiddler on American soil". Early influences were Irish fiddle styles as well as Scottish and the more refined traditions of classical violin playing. Popular tunes included "Soldier's Joy", for which Robert Burns had written lyrics, and other such tunes as "Flowers of Edinburgh" and "Tamlin," which were claimed by both Scottish and Irish lineages.