Floyd Collins | |
---|---|
Music | Adam Guettel |
Lyrics | Adam Guettel |
Book | Tina Landau |
Basis | The life and death of Floyd Collins |
Productions | 1994 Philadelphia 1996 Off-Broadway 1999 Tour 1999 London 2003 Concert 2012 London 2025 Broadway |
Floyd Collins is a musical with music and lyrics by Adam Guettel, and book by Tina Landau. The story is based on the death of Floyd Collins near Cave City, Kentucky in the winter of 1925.
The musical opened Off-Broadway on February 9, 1996, where it ran for 25 performances. There have been subsequent London productions as well as regional U.S. productions.
The show will premiere on Broadway for the first time in 2025 at the Vivian Beaumont Theater as part of Lincoln Center Theatre’s 2024-25 season.
Floyd Collins, exploring Sand Cave, Kentucky in January 1925, uses the echoes of his voice to sound out the region, and falls through a tight passageway when his foot became trapped, wedged in position by a small rock. His family and his fellow cavers try to free him; when it becomes clear that his rescue will not be easy, his brother Homer spends the night in the cave with him. William Burke "Skeets" Miller, a small man, is able to squeeze through and visit with Floyd, relaying stories which were printed in the news. Despite efforts by miners, the National Guard and the Red Cross, attempts at rescue fail, and the crowd grows outside the cave as a media circus ensues. Seventeen days after Floyd had entered the cave, a shaft finally reaches him. He had died three days earlier.
Adam Guettel and Tina Landau were students at Yale University when they first met and decided to collaborate on a project together. Looking for inspiration, Landau proposed to Guettel a musical about Floyd Collins after reading about the story in a Reader's Digest issue. The project was originally called Deathwatch Carnival before it was decided to name the musical after the titular character. After a series of research, small readings and workshops, the completed piece premiered at the American Music Theater Festival, in Philadelphia, in 1994. [1]
After revisions in 1995, the show next opened Off-Broadway at Playwrights Horizons, New York City, on February 9, 1996 and closed on March 24, 1996 after 25 performances. Directed by Landau, the cast included Christopher Innvar as Floyd Collins, Martin Moran as Skeets Miller, Jason Danieley as Homer Collins, and Theresa McCarthy as Nellie Collins, Cass Morgan as Miss Jane, and Brian d'Arcy James, Matthew Bennett and Michael Mulheren in the ensemble.
In 2003, a reunion concert was held at Playwrights Horizons with Romain Frugé as Floyd Collins and most of the original cast.
After a three-stop mini US tour in 1999, including San Diego's Old Globe Theatre, Chicago's Goodman Theatre, and Philadelphia's American Music Theatre Festival, where it had first premiered. [2]
The show had its first independent regional production at New Line Theatre in St. Louis, Missouri, in November 1999.
The show made its London and European debut at the Bridewell Theatre in July 1999, with Nigel Richards as Floyd, Anna Francolini as Nellie and Craig Purnell as Homer. The highly acclaimed production was directed by Clive Paget. [3]
A London revival was produced at The Vault, Southwark Playhouse in February and March 2012. [4] The production was directed by Derek Bond, with Glenn Carter as Floyd, Robyn North as Nellie, Gareth Chart as Homer and Ryan Sampson as Skeets. The production was produced by Peter Huntley and was long-listed for the Ned Sherrin Award for Best Musical at the Evening Standard Awards [5] and won Best Musical Production at The Offies (Off West End Theatre Awards). [6]
A Chicago revival was produced at BoHo Theatre in June and July 2012. [7] The production was directed by Peter Marston Sullivan, with Jim DeSelm as Floyd, Jon Harrison as Homer, and Sarah Bockel as Nellie. Other regional productions include Actors Theatre of Louisville (2001), [8] Aurora Theatre (2002), Carolina Actors Studio Theatre (2011), [9] and Ophelia Theatre Group (2015). [10]
On June 10, 2024, it was announced that the musical would make its Broadway debut at the Vivian Beaumont Theater as part of Lincoln Center Theater's 2024-25 season. Landau will once again direct the production. Previews will begin March 27, 2025 before an opening date of April 21. [11]
Character | Philadelphia [12] | Off-Broadway [13] | Tour [14] | Concert [15] |
---|---|---|---|---|
1994 | 1996 | 1999 | 2003 | |
Floyd Collins | Jim Morlino | Christopher Innvar | Romaine Fruge | |
Homer Collins | Jason Danieley | Clarke Thorell | Jason Danieley | |
Nellie Collins | Theresa McCarthy | Kim Huber | Theresa McCarthy | |
Lee Collins | Nick Plakias | Don Chastain | John Taylor | Terrence Mann |
Miss Jane | Mary Beth Peil | Cass Morgan | Anne Allgood | Cass Morgan |
Skeets Miller | Martin Moran | Guy Adkins | Martin Moran |
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The original cast recording was released by Nonesuch Records on March 18, 1997. [16]
The following songs are not included on the recording:
The finale song is the title track of Audra McDonald's 2000 album How Glory Goes and was also included on Brian Stokes Mitchell's 2006 self-titled album and Kelli O'Hara's 2011 album Always.
Despite having a run of only 25 performances, the show left a strong impression on contemporary theatre. John Simon, writing for New York Magazine , proclaimed that Floyd Collins was "the original and daring musical of our day." He also wrote that "Floyd Collins reestablishes America's sovereignty in a genre it created, but has since lost hold of: it is the modern musical's true and exhilarating ace in the hole." [17] Reviewing a 2016 production, Terry Teachout, writing for the Wall Street Journal, called it "the finest work of American musical theater, not excluding opera, to come along since Stephen Sondheim’s Sweeney Todd ". [18]
Ben Brantley, in his review for The New York Times , wrote, "Mr. Guettel establishes himself as a young composer of strength and sophistication." [19]
The 1996 Off Broadway production was nominated for six Drama Desk Awards including Outstanding Musical, Outstanding Director of a Musical, Outstanding Lyrics, Outstanding Music, Outstanding Orchestrations, and Outstanding Sound Design. [20] At the Obie Awards, the show was given the award for Best Music. [21] The show won Best Musical at the 1996 Lucille Lortel Awards. [22] At the 1996 Outer Critics Circle Awards, the show was nominated for Best Off-Broadway Musical, losing to Rent. [23]
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