This article needs additional citations for verification .(November 2018) |
Folk-Legacy Records was an independent record label specializing in traditional and contemporary folk music [1] of the English-speaking world. It was founded in 1961 by Sandy and Caroline Paton and Lee Baker Haggerty.
The label recorded Frank Proffitt and released a memorial album after his death. Folk-Legacy has produced more than 120 recordings. Recording and cover photographs were done by Sandy Paton while Haggerty was the business manager. Sandy and Caroline were singers in their own right, having been designated the Connecticut State Troubadours for 1993–1994. They lived in Sharon, Connecticut until Sandy's death in 2009.
In 2019, the label's collection was transferred to Smithsonian Folkways. [2]
This section is empty. You can help by adding to it. (March 2024) |
FL No. | YEAR | ARTIST | RECORDING TITLE |
---|---|---|---|
1 | 1962 | Frank Proffitt | Frank Proffitt, Reese, North Carolina |
2 | 1962 | Joseph Able Trivett | Joseph Able Trivett, Butler, Tennessee |
3 | 1962 | Edna Ritchie | Edna Ritchie, Viper, Kentucky |
4 | 1962 | Fleming Brown | Fleming Brown |
5 | 1963 | Howie Mitchell | Howie Mitchell |
6 | 1962 | Richard Chase | Richard Chase tells three "Jack" Tales |
7 | 1963 | Paddy Tunney | The Man of Songs |
8 | 1963 | Peg Clancy Power | Down By the Glenside |
9 | 1962 | Marie Hare | Marie Hare, Strathadam, New Brunswick, Canada |
10 | 1963 | Tom Brandon | The Rambling Irishman |
11 | 1963 | Max Hunter | Ozark Songs and Ballads |
12 | 1963 | Eugene Rhodes | Talkin' About My Time |
13 | 1963 | Hank Ferguson | Behind These Walls |
14 | 1964 | Ray Hicks | Ray Hicks Telling Four Traditional "Jack Tales" |
15 | 1964 | Lawrence Older | Lawrence Older, Middle Grove, NY |
16 | 1964 | Golden Ring | Golden Ring: A Gathering of Friends for Making Music |
17 | 1964 | Hobart Smith | Hobart Smith, Saltville, Virginia |
18 | 1964 | Arnold Keith Storm | Take the News to Mother |
19 | 1964 | Bob and Ron Copper | English Shepherd and Farming Songs |
20 | 1965 | Harry Cox | Traditional English Love Songs |
21 | 1965 | Bill Meek | Traditional and Original Songs of Ireland |
22 | 1964 | Beech Mountain | The Traditional Music of Beech Mountain, NC, Volume 1 |
23 | 1965 | Beech Mountain | The Traditional Music of Beech Mountain, NC, Volume 2 |
24 | 1965 | Dock/DrakeWalsh, Garley Foster | The Carolina Tar Heels |
25 | 1964 | Hector Lee | The Folklore of the Mormon Country |
26 | 1965 | Sarah Ogan Gunning | Girl of Constant Sorrow |
27 | 1965 | Grant Rogers | Songmaker of the Catskills |
28 | 1966 | Sandy and Jeanie Darlington | Songs and Ballads |
29 | 1965 | Howie Mitchell | The Mountain Dulcimer, How to Make It and Play It |
30 | 1966 | Sandy and Caroline Paton | Sandy and Caroline Paton |
31 | 1967 | Rosalie Sorrels | If I Could Be the Rain |
32 | 1968 | Hedy West | Old Times and Hard Times |
33 | 1968 | Sarah Cleveland | Ballads and Songs of the Upper Hudson Valley |
34 | 1968 | Norman Kennedy | Ballads and Songs of Scotland |
35 | 1968 | Michael Cooney | The Cheese Stands Alone |
36 | 1968 | Frank Proffitt | Memorial Album |
37 | 1970 | Tony and Irene Saletan | Folk Songs and Ballads |
38 | 1970 | Sara Grey | Sara Grey with Ed Trickett |
39 | 1971 | Joe Hickerson | Joe Hickerson with a Gathering of Friends |
40 | 1970 | Gordon Bok | A Tune for November |
41 | 1971 | New Golden Ring | Five Days Singing, Volume 1 |
42 | 1971 | New Golden Ring | Five Days Singing, Volume 2 |
43 | 1976 | Howie Mitchell | The Hammered Dulcimer, How to Make It and Play It |
44 | 1972 | Gordon Bok | Peter Kagan and the Wind |
45 | 1972 | John Wilcox | Stages of My Life |
46 | 1972 | Ed Trickett | The Telling Takes Me Home |
47 | 1972 | Jim Ringer | Waitin' for the Hard Times to Go |
48 | 1972 | Gordon Bok | Seal Djirl's Hymn |
49 | 1973 | Jean Redpath | Frae My Ain Countrie |
50 | 1974 | Helen Schneyer | Ballads, Broadsides and Hymns |
51 | 1974 | Bob Zentz | Mirrors and Changes |
52 | 1975 | Sandy and Caroline Paton | I've Got a Song |
53 | 1975 | Betty Smith | Songs Traditionally Sung in North Carolina |
54 | 1975 | Gordon Bok | Bay of Fundy |
55 | 1975 | Rick and Lorraine Lee | Living in the Trees |
56 | 1975 | Bok, Muir, Trickett | Turning Toward the Morning |
57 | 1976 | Kendall Morse | Lights Along the Shore |
58 | 1976 | Joe Hickerson | Drive Dull Care Away, Volume 1 |
59 | 1976 | Joe Hickerson Drive | Drive Dull Care Away, Volume 2 |
60 | 1976 | Joan Sprung | Ballads and Butterflies |
61 | 1976 | Archie Fisher | The Man With a Rhyme |
62 | 1976 | Margaret Christie and Ian Robb | The Barley Grain for Me |
63 | 1976 | Harry Tuft | Across the Blue Mountains |
64 | 1977 | Ed Trickett | Gently Down the Stream of Time |
65 | 1977 | John Roberts and Tony Barrand | Dark Ships in the Forest, Ballads of the Supernatural |
66 | 1977 | Bill Staines | Just Play One Tune More |
67 | 1978 | Bob Zentz | Beaucatcher Farewell |
68 | 1978 | Bok, Muir, Trickett | The Ways of Man |
69 | 1978 | Cilla Fisher and Artie Trezise | For Foul Day and Fair |
70 | 1979 | Bill Staines | The Whistle of the Jay |
71 | 1979 | Ian Robb | Ian Robb and Hang the Piper |
72 | 1979 | Gordon Bok | Another Land Made of Water |
73 | 1980 | Joan Sprung | Pictures to My Mind |
74 | 1980 | Howard Bursen | Cider in the Kitchen |
75 | 1981 | Various Artists | The Continuing Tradition Sampler, Volume 1: Ballads |
76 | 1981 | Ron Kane and Skip Gorman | Powder River |
77 | 1980 | Jerry Rasmussen | Get Down Home |
78 | 1980 | Seamus and Manus McGuire | Humours of Lissadell |
79 | 1980 | Kendall Morse | Seagulls and Summer People |
80 | 1980 | Bok, Muir, Trickett | A Water Over Stone |
81 | |||
82 | 1981 | Jonathan Eberhart | Life's Trolley Ride |
83 | 1981 | Cindy Kallet | Working on Wings to Fly |
84 | 1981 | Gordon Bok | Jeremy Brown and Jeannie Teal |
85 | 1981 | Helen Bonchek Schneyer | On the Hallelujah Line |
86 | 1982 | Amidon, Simpson, Rock Creek | Sharon Mountain Harmony: A Golden Ring of Gospel |
87 | 1983 | Paul Van Arsdale | Dulcimer Heritage |
88 | 1985 | Lorre Wyatt | Roots and Branches |
89 | |||
90 | 1983 | Art Thieme | That's the Ticket |
91 | 1982 | Ray Fisher | Willie's Lady |
92 | 1982 | Ed Trickett | People Like You |
93 | 1983 | Cliff Haslam | The Clockwinder |
94 | 1983 | Gordon Bok | A Rogue's Gallery of Songs for 12-String |
95 | 1983 | Skip Gorman | New Englander's Choice |
96 | 1983 | Bok, Muir, Trickett | All Shall Be Well Again |
97 | 1983 | Boarding Party | Tis Our Sailing Time |
98 | 1983 | Cindy Kallet | Cindy Kallet 2 |
99 | 1985 | Ann Mayo Muir | So Goes My Heart |
100 | 1987 | Sandy and Caroline Paton | New Harmony |
101 | 1985 | Jerry Rasmussen | The Secret Life of Jerry Rasmussen |
102 | |||
103 | 1987 | Skip Gorman | Trail to Mexico |
104 | 1985 | Bok, Muir, Trickett | Fashioned in the Clay |
105 | 1986 | Art Thieme | On the Wilderness Road |
106 | 1985 | Ian Robb | Rose and Crown |
107 | 1986 | Cathy Barton and Dave Para | On a Day Like Today |
108 | |||
109 | 1987 | Boarding Party | Fair Winds and a Following Sea |
110 | 1987 | Bok, Muir, Trickett | Minneapolis Concert |
111 | |||
112 | 1989 | Gordon Bok, et al | Ensemble |
113 | |||
114 | 1989 | Barton, Para, Paton | Twas On a Night Like This: A Christmas Legacy |
115 | 1989 | Ed Miller | Border Background |
116 | 1990 | Bok, Muir, Trickett | And So Will We Yet |
117 | |||
118 | 1990 | Gordon Bok | Return to the Land |
119 | |||
120 | 1992 | David Paton | Music From the Mountain |
121 | 1992 | Barton, Para, Trickett, Tuft, Paton | For All the Good People, A Golden Ring Reunion |
122 | 1993 | Larry Kaplan | Worth All the Telling |
123 | 1995 | Rick Fielding | Lifeline |
124 | 1998 | Dan Milner | Irish Ballads and Songs of the Sea |
125 | 2000 | Various Artists | Ballads and Songs of Tradition |
126 | 1999 | Carol Barney, John Sherman | Ceol Anam |
127 | 1999 | David Paton, et al | All Hands Around |
128 | 2001 | D. Cowan, A. Cargill, S. Brown | The Songs and Ballads of Hattie Mae Tyler Cargill |
129 | 2001 | Dan Milner and Bob Conroy | Irish in America |
130 | 2001 | Howie Bursen | Banjo Manikin |
131 | 2003 | Boarding Party | Too Far From the Shore |
132 | 2003 | Various Artists | Irish Songs From Old New England |
133 | 2004 | Johnson Girls | "On the Rocks" |
134 | 2004 | Poor Old Horse | The Curates Egg |
135 | Art Thieme | Chicago Town and Other Points West | |
136 | 2007 | Bill Shute and Lisa Null | The Feathered Maiden and Other Ballads |
137 | 2007 | Bill Shute and Lisa Null | American Primitve |
138 | Johnson Girls | Fire Down Below | |
139 | 2010 | Horizons | Bob Zentz |
140 | 2010 | Called Away | Chris Koldewey |
1001 | 1983 | Gordon Bok | Clear Away in the Morning |
1002 | 1989 | Sandy and Caroline Paton | When the Spirit Says Sing |
1003 | 1992 | Bok, Muir, Trickett | The First Fifteen Years, Volume 1 |
1004 | 1992 | Bok, Muir, Trickett | The First Fifteen Years, Volume 2 |
1005 | 1995 | Gordon Bok | North Wind's Clearing |
1006 | 2000 | Ann Mayo Muir | The Music of Ann Mayo Muir |
Huddie William Ledbetter, better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Goodnight, Irene", "Midnight Special", "Cotton Fields", and "Boll Weevil".
Gordon Bok is an American folklorist and singer-songwriter, who grew up in Camden, Maine and is associated with music from New England.
Transatlantic Records was a British independent record label. The company was established in 1961, primarily as an importer of American folk, blues and jazz records by many of the artists who influenced the burgeoning British folk and blues boom. Within a few years, the company had started recording British and Irish artists. The company's philosophy was intentionally eclectic.
Hugh Blumenfeld is an American folk musician and singer-songwriter from Connecticut. He was born in Jamaica, Queens, New York City, graduated with degrees in Biology and Humanities from M.I.T. in 1980, and got a master's degree in English Literature from the University of Chicago in 1981. He was active in the Greenwich Village music scene in the 1980s, attending the Cornelia Street Songwriters Exchange and performing at Folk City and Speak Easy while working on a PhD in Poetics from New York University. He also helped to edit the Fast Folk Musical Magazine and recorded songs for a dozen issues. After earning his PhD in 1991, he worked as an English professor until 1994, when he began writing and performing full-time. Over the next 10 years he toured mainly in the Northeast and Midwest, with several short tours in Europe and one in Israel. In 1999 he was appointed Connecticut State Troubadour.
The New Lost City Ramblers, or NLCR, was an American contemporary old-time string band that formed in New York City in 1958 during the folk revival. Mike Seeger, John Cohen and Tom Paley were its founding members. Tracy Schwarz replaced Paley, who left the group in 1962. Seeger died of cancer in 2009, Paley died in 2017, and Cohen died in 2019. NLCR participated in the old-time music revival, and directly influenced many later musicians.
Gilbert Vandine "Cisco" Houston was an American folk singer and songwriter, who is closely associated with Woody Guthrie due to their extensive history of recording together.
Victoria Regina Spivey, sometimes known as Queen Victoria, was an American blues singer, songwriter, and record company founder. During a recording career that spanned 40 years, from 1926 to the mid-1960s, she worked with Louis Armstrong, King Oliver, Clarence Williams, Luis Russell, Lonnie Johnson, and Bob Dylan. She also performed in vaudeville and clubs, sometimes with her sister Addie "Sweet Peas" Spivey, also known as the Za Zu Girl. Among her compositions are "Black Snake Blues" (1926), "Dope Head Blues" (1927), and "Organ Grinder Blues" (1928). In 1961, she co-founded Spivey Records with one of her husbands, Len Kunstadt.
Paul Clayton was an American folksinger and folklorist who was prominent in the folk music revival of the 1950s and 1960s.
Samuel Barclay Charters IV was an American music historian, writer, record producer, musician, and poet. He was a widely published author on the subjects of blues and jazz. He also wrote fiction.
Smithsonian Folkways is the nonprofit record label of the Smithsonian Institution. It is a part of the Smithsonian's Smithsonian Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways Records, donated the entire Folkways Records label to the Smithsonian. The donation was made on the condition that the Institution continue Asch's policy that each of the more than 2,000 albums of Folkways Records remain in print forever, regardless of sales. Since then, the label has expanded on Asch's vision of documenting the sounds of the world, adding six other record labels to the collection, as well as releasing over 300 new recordings. Some well-known artists have contributed to the Smithsonian Folkways collection, including Pete Seeger, Ella Jenkins, Woody Guthrie, and Lead Belly. Famous songs include "This Land Is Your Land", "Goodnight, Irene", and "Midnight Special". Due to the unique nature of its recordings, which include an extensive collection of traditional American music, children's music, and international music, Smithsonian Folkways has become an important collection to the musical community, especially to ethnomusicologists, who utilize the recordings of "people's music" from all over the world.
The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.
American singer-songwriter Woody Guthrie's published recordings are culled from a series of recording sessions in the 1940s and 1950s. At the time they were recorded they were not set down for a particular album, so are found over several albums not necessarily in chronological order. The more detailed section on recording sessions lists the song by recording date.
The Asch Recordings, recorded between 1944 and 1949, are a series of albums featuring some of the most famous recordings of US folk musician Woody Guthrie. These sessions were recorded by Moses "Moe" Asch in New York City.
Frank Noah Proffitt was an Appalachian old time banjoist who preserved the song "Tom Dooley" in the form we know it today and was a key figure in inspiring musicians of the 1960s and 1970s to play the traditional five-string banjo.
Folkways Records was a record label founded by Moses Asch that documented folk, world, and children's music. It was acquired by the Smithsonian Institution in 1987 and is now part of Smithsonian Folkways.
Moses Asch was an American recording engineer and record executive. He founded Asch Records, which then changed its name to Folkways Records when the label transitioned from 78 RPM recordings to LP records. Asch ran the Folkways label from 1948 until his death in 1986. Folkways was very influential in bringing folk music into the American cultural mainstream. Some of America's greatest folk songs were originally recorded for Asch, including "This Land Is Your Land" by Woody Guthrie and "Goodnight Irene" by Lead Belly. Asch sold many commercial recordings to Verve Records; after his death, Asch's archive of ethnic recordings was acquired by the Smithsonian Institution, and released as Smithsonian Folkways Records.
Horton Barker was an Appalachian traditional singer.
Charles Alexander "Sandy" Paton was a folksinger and folksong collector, a recording engineer, and a record label executive. As a performer, Paton was hailed by critic John Greenway as "the best interpreter of traditional singing in the English-speaking world, with the possible but not probable exception of Ewan MacColl." As a song-collector and field-recorder, Paton recorded folk singers in both the US and the UK, including Jeannie Robertson, Jean Redpath, Horton Barker, and Frank Proffitt, whose song "Tom Dooley" later became a million-selling record by the Kingston Trio. Paton believed that modern high fidelity recording technology offered listeners the chance to experience the "richness" and "musicality" of folk music performances in a way that earlier, less-sophisticated recording technologies did not.
Play Parties in Song and Dance is an album by Lead Belly recorded in 1941 and released a few months later by Asch Recordings.
Negro Folk Songs is an album by Lead Belly, recorded in 1943 and released as an album in early 1946.