Lorenzo di Pietro, known as Vecchietta, was an Italian Sienese School painter, sculptor, goldsmith, and architect of the Renaissance. He is among the artists profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori.
Francesco Camilliani was a Tuscan sculptor of the Renaissance period. He studied in Florence under Baccio Bandinelli. His son Camillo Camilliani was later a sculptor too, working in Palermo, where he also worked as an architect and held the post as well of ingegniere del Regno, "engineer to the Kingdom of Sicily".
Baccio da Montelupo, born Bartolomeo di Giovanni d'Astore dei Sinibaldi, was a sculptor of the Italian Renaissance. He is the father of another Italian sculptor, Raffaello da Montelupo. Both father and son are profiled in Vasari's Le Vite delle più eccellenti pittori, scultori, ed architettori.
Antonio Veneziano, was an Italian painter who was active mainly in Siena, Florence and Pisa, documented between 1369 and 1419.
Simone Ghini, also known as Simone Ghini I and as Simone I di Giovanni di Simone Ghini, was an Italian Renaissance sculptor from Florence who was born in 1406 or 1407. He is best known for his funeral monument to Pope Martin V, in the Basilica of St. John Lateran, in Rome. Together with Antonio Filarete, Simone also made a set of bronze doors for St. Peter's Basilica in Rome. Giorgio Vasari in his Lives of the Most Excellent Painters, Sculptors, and Architects erroneously stated that Simone was the brother of Donatello. Simone Ghini died in 1491.
Chimenti Camicia was an Italian renaissance architect who was born in Florence in 1431. He had his own workshop by 1464. In 1479 he went to work for King Matthias Corvinus of Hungary for whom Camicia designed palaces, gardens, fountains, churches, and fortifications. He also supervised the rebuilding of Buda Castle.
Stefano di Francesco was an Italian (Florentine) painter, who probably died young, as he left a five-year-old son, and was outlived twenty years by his father-in-law, the painter Giuliano Pesello (1367–1446). His son was the painter Francesco Pesellino (1422–1457), the most distinguished of the three. Nothing is known of Stefano di Francesco's painting.
Guillaume de Marcillat was a French painter and stained glass artist.
Davide Ghirlandaio (1452–1525), also known as David Ghirlandaio and as Davide Bigordi, was an Italian painter and mosaicist, active in his native Florence.
Alfonso Lombardi, also known as Lombardi da Lucca, Alfonso da Ferrara and as Alfonso Lombardo, was an Italian sculptor and medalist who was born in Ferrara, Italy in 1497, and died in Bologna in 1537. He was very active in Bologna where he created a number of works that are still present in the most important churches of that city. Giorgio Vasari dedicated a chapter to Lombardi in his Vite.
Pierino da Vinci, born Pier Francesco di Bartolomeo di Ser Piero da Vinci, was an Italian sculptor, born in the small town of Vinci in Tuscany; he was the nephew of Leonardo da Vinci.
Simone Mosca (1492–1554) was an Italian sculptor who was born in Settignano. His sons were sculptors Francesco Mosca, called Il Moschino and Simone Simoncelli, also known as Simone Moschino (1533-1610). During the late 1520s and early 1530s Simone worked with Michelangelo on the Medici Chapel in Florence. A Venus by Francesco Moschino was described in 1782 in the Royal Palace of Turin. Simone Mosca died in Orvieto, Italy in 1554.
Lo Zuccone, which translates from Italian as "large head" or "bald head", is the popular name given to a marble statue by Donatello. It was commissioned for the bell tower of the Cathedral of Florence, Italy and completed between 1423 and 1425. It is also known as the Statue of the Prophet Habakkuk, as many believe it depicts the Biblical figure Habakkuk, though Vasari says that it is a portrait of Giovanni di Barduccio Cherichini.
Piazza Pretoria is at the limits of the district of Kalsa, near the corner of Cassaro with Via Maqueda, just a few meters from the Quattro Canti, the intersection where all the four ancient quarters intersect, in the city of Palermo, region of Sicily, Italy.
Mino di Graziano (1289–1323) was an Italian painter, active in Siena. He is said to have painted frescoes in the Sala del Consiglio of the Palazzo Pubblico of Siena.
Meo di Pero, also called Meo di Piero was an Italian painter active in Siena in a Gothic style. He worked in the studio of Cristoforo di Bindoccio. All the latter paintings are generally co-attributed to Meo, since no independent work is known.
Madonna della Scodella is an oil painting on panel by Antonio da Correggio, dated from 1528 to about 1530 and preserved at the Galleria nazionale di Parma.
The statue of Elijah is a marble statue by the Italian Renaissance sculptor Lorenzetto in the niche to the right of the entrance in the Chigi Chapel, the Basilica of Santa Maria del Popolo, Rome. The sculptor followed the original designs of his mentor, Raphael, who was the architect of the chapel. The statue was finished by his pupil, Raffaello da Montelupo.
Madonna and Child with Saint George is an oil on panel painting by Correggio dating to around 1530 and now in the Gemäldegalerie in Dresden.
Portrait of a Man is an oil on canvas painting by Moretto da Brescia, dated of 1526, now in the National Gallery, London, which acquired it in 1876 from the Fenaroli Avogadro Collection, from Brescia. It is held to be the first surviving standing life-size portrait in art history, predating those of Titian.
