For Him and the Girls is an album by Canadian artist Hawksley Workman, released in 1999. Written and produced by Hawksley Workman with arrangement collaboration by John Southworth. Recorded and mixed in the basement of 59 Hillsdale Ave E., Toronto, Ontario, Canada. Mastered by Joao Carvalho at Umbrella Sound, in Toronto, ON. CD Jacket design by Wade Gilpin.
The record was recorded on a Tascam 1/2" 8-track analog reel to reel tape recorder. All instruments except those listed below were played by Hawksley Workman. Hawksley began each song by recording the drums as single performances, which gives the listener an insight into his extraordinary ability to visualize a complete song. He subsequently added each instrument to build the tracks.
A Yamaha DX-100 keyboard was used for sine wave bass notes on the record.
Several of the final mixes on DAT format were almost lost when the tape was mangled badly. That tape was successfully repaired allowing recovery of the mixes for this record.
Additional artists: Lenni Jabour (back vox), John Southworth (back vox), Doug Tielli (trombone), Sarah McElcheran (trumpet), Karl Mohr (clarinet, earthmen).
The 8-track tape is a magnetic-tape sound recording technology that was popular from the mid-1960s to the early 1980s, when the Compact Cassette tape, which predated 8-track, surpassed it in popularity for pre-recorded music. The format is obsolete and was relatively unknown outside the United States, the United Kingdom, Canada, New Zealand, Australia, Mexico, Spain, France, Germany, Italy, Sweden and Japan. The main advantage of the 8-track tape cartridge is that it does not have to be "flipped over" to play the alternative set of tracks.
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously.
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally both the recording and monitoring spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties.
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.
Reel-to-reel audio tape recording, also called open-reel recording, is the form of magnetic tape audio recording in which the recording medium is held on a reel that is not permanently mounted in an enclosed cassette. In use, the supply reel containing the tape is placed on a spindle or hub; the end of the tape is manually pulled out of the reel, threaded through mechanical guides and a tape head assembly, and attached by friction to the hub of the second, initially empty takeup reel.
Hawksley Workman is a Canadian rock singer-songwriter who has garnered critical acclaim for his blend of cabaret pop and glam rock. Workman has released eleven full-length albums throughout his career. A multi-instrumentalist, he plays guitar, drums, bass, keyboards and sings on his records, often switching between those instruments when playing live.
Monaural or monophonic sound reproduction is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or stereo, which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers. Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is "panned" to the center. In the final stage, the various center-panned signal paths are usually mixed down to two identical tracks, which, because they are identical, are perceived upon playback as representing a single unified signal at a single place in the soundstage. In some cases, multitrack sources are mixed to a one-track tape, thus becoming one signal. In the mastering stage, particularly in the days of mono records, the one- or two-track mono master tape was then transferred to a one-track lathe intended to be used in the pressing of a monophonic record. Today, however, monaural recordings are usually mastered to be played on stereo and multi-track formats, yet retain their center-panned mono soundstage characteristics.
Hey Jude is a 1970 collection of non-album singles and B-sides by the Beatles. It included "I Should Have Known Better" and "Can't Buy Me Love", two singles released by Capitol Records whose only previous American album appearance had been on the A Hard Day's Night soundtrack album, which had been released by United Artists Records. The Hey Jude LP had been out of print since the late 1980s, although it remained available on cassette during the 1990s. The album was issued on CD for the first time in 2014, as an individual release and in a box set titled The U.S. Albums.
Eric Garth Hudson is a Canadian multi-instrumentalist. As the organist, saxophonist and accordionist for Canadian-American rock group the Band, he was a principal architect of the group's sound. Hudson has been called "the most brilliant organist in the rock world" by Keyboard magazine. With the deaths of Richard Manuel in 1986, Rick Danko in 1999, and Levon Helm in 2012, Hudson is one of only two living original members of The Band, the other being Robbie Robertson.
Automatic double-tracking or artificial double-tracking (ADT) is an analogue recording technique designed to enhance the sound of voices or instruments during the mixing process. It uses tape delay to create a delayed copy of an audio signal which is then combined with the original. The effect is intended to simulate the sound of the natural doubling of voices or instruments achieved by double tracking. The technique was originally developed in 1966 by engineers at Abbey Road Studios in London at the request of The Beatles.
(Last Night We Were) The Delicious Wolves is an album by Canadian artist Hawksley Workman, released in 2001 by Isadora Records/Universal Music and re-released for the UK by Ba Da Bing!. It was produced and recorded by Workman at his 'Hawksleytown' studio, with additional recording, mixing & mastering by Joao Carvalho at Umbrella Sound.
Almost a Full Moon is a Christmas album by Canadian artist Hawksley Workman, originally released in 2001. It was written, produced & performed by Hawksley Workman, recorded & mixed at Recall Rooms in Paris, France by Stephane Lumbroso.
John Southworth is an English-Canadian singer-songwriter, performer, author and videomaker. He performs a diverse range of popular and peculiar song genres, from AM oldies-radio to traditional folk balladry, 80s pop to art song and cabaret.
Graph Nobel is a Canadian indie/alternative/pop musician and songwriter. Her music is "hip-hop inspired with punk rock abandon".
Turn Back is the third studio album by the American rock group Toto released in 1981. Although it yielded the band's first top-ten hit in Japan and steady sales in that country, the album was a commercial disappointment elsewhere, failing to produce any charting singles and selling approximately 900,000 copies worldwide.
The studio practices of the Beatles evolved during the 1960s and, in some cases, influenced the way popular music was recorded. Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback. The group's attitude towards the recording process was summed up by Paul McCartney: "We would say, 'Try it. Just try it for us. If it sounds crappy, OK, we'll lose it. But it might just sound good.' We were always pushing ahead: Louder, further, longer, more, different."
Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other. Because they are carried on the same medium, the tracks stay in perfect synchronisation, while allowing multiple sound sources to be recorded at different times.
Los Manlicious is a studio album by Canadian musician Hawksley Workman released in May 2008 in Europe and on August 26, 2008, in Canada.
A mixtape is a compilation of music, typically from multiple sources, recorded onto a medium. With origins in the 1980s, the term normally describes a homemade compilation of music onto a cassette tape, CD, or digital playlist. The songs are either ordered sequentially or made into a continuous program by beatmatching the songs and creating seamless transitions at their beginnings and endings with fades or abrupt edits. Essayist Geoffrey O'Brien described this definition of the mixtape as "perhaps the most widely practiced American art form".
Kyrie Kristmanson is a Canadian singer-songwriter, guitarist and trumpeter. Born in Ottawa, Ontario, she has lived in Ontario, Quebec, New Brunswick, Saskatchewan and in France. Since appearing at the 2006 Winnipeg Folk Festival at the age of fifteen, Kristmanson has performed widely in Canada and Europe. Her performances have been broadcast nationally in Canada by CBC Radio 2, and in France by Radio France and by France Inter.
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