Vaudeville is a theatrical genre of variety entertainment which began in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, while changing over time.
Bert Williams was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the vaudeville era and one of the most popular comedians for all audiences of his time. He is credited as being the first Black man to have the leading role in a film: Darktown Jubilee in 1914.
Robert Allen Cole Jr. was an American composer, actor, and playwright who produced and directed stage shows. In collaboration with Billy Johnson, he wrote and produced A Trip to Coontown (1898), the first musical entirely created and owned by black showmen. The popular song La Hoola Boola (1898) was a result of their collaboration. Cole later partnered with brothers J. Rosamond Johnson, a pianist and singer, and James Weldon Johnson, a pianist, guitarist and lawyer, creating more than 200 songs.
Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though there were exceptions, including the recently restored Morton Theater in Athens, Georgia, originally operated by "Pinky" Monroe Morton, and Douglass Theatre in Macon, Georgia owned and operated by Charles Henry Douglass. Theater owners booked jazz and blues musicians and singers, comedians, and other performers, including the classically trained, such as operatic soprano Sissieretta Jones, known as "The Black Patti", for black audiences.
John Walcott Cooper, Jr. was an American ventriloquist, entertainer, and singer with the Southern Jubilee Singers. He was known as the "Black Napoleon of Ventriloquism" and also performed under the pseudonym Hezekiah Jones. Over the course of his lifetime Cooper was a member of the Negro Actors Guild of America, the Colored Vaudeville Benevolent Association, and the International Brotherhood of Ventriloquists.
The Flying Ace is a 1926 black-and-white silent drama film directed by Richard E. Norman with an all-African-American cast. This six-reel film, made by Norman Studios in Jacksonville, Florida, utilized a mix of professionals such as leads Laurence Criner and Kathryn Boyd, and non-professional actors.
Sherman Houston Dudley was an African-American vaudeville performer and theatre entrepreneur. He gained notability in the late nineteenth and early twentieth century as an individual performer, a composer of ragtime songs, and as a member and later owner of various minstrel shows including the Smart Set Company. Dudley is also notable as one of the first African Americans to combine business with theater, by starting a black theater circuit, in which theaters were owned or operated by African Americans and provided entertainment by and for African Americans. He created the first black operated vaudeville circuit and led the way for what became the Theatre Owners Booking Association (T.O.B.A.).
The Rabbit's Foot Company, also known as the Rabbit('s) Foot Minstrels and colloquially as "The Foots", was a long-running minstrel and variety troupe that toured as a tent show in the American South between 1900 and the late 1950s. It was established by Pat Chappelle, an African-American entrepreneur in Tampa, Florida.
George Walker was an American vaudevillian, actor, and producer. In 1893, in San Francisco, Walker at the age of 20 met Bert Williams, who was a year younger. The two young men became performing partners. Walker and Williams appeared in The Gold Bug (1895), Clorindy (1898), The Policy Player (1899), Sons of Ham (1900), In Dahomey (1903), Abyssinia (1906), and Bandanna Land (1907). Walker married dancer Ada Overton, who later also was a choreographer.
Anita Bush was an African American stage actress and playwright. She founded the Anita Bush All-Colored Dramatic Stock Company in 1915, a pioneering black repertory theatre company that helped gain her the moniker "The Little Mother of Colored Drama".
William D. Foster, sometimes referred to as Bill Foster, was a pioneering African-American film producer who was an influential figure in the Black film industry in the early 20th century, along with others such as Oscar Micheaux. He was the first African American to found a film production company, establishing the Foster Photoplay Company in Chicago in 1910. Foster had a vision for the African-American community to portray themselves as they wanted to be seen, not as someone else depicted them. He was influenced by the black theater community and wanted to break the racial stereotyping of blacks in film. He was an actor and writer under the stage name Juli Jones, as well as an agent for numerous vaudeville stars. His film The Railroad Porter, released in 1912, is credited as being the world's first film with an entirely black cast and director. The film is also credited with being the first black newsreel, featuring images of a YMCA parade. Foster's company produced four films that were silent shorts.
Norman Studios, also known as Norman Film Manufacturing Company is a former American film studio in Jacksonville, Florida. Founded by Richard Edward Norman, the studio produced silent films featuring African-American casts from 1919 to 1928. The only surviving studio from the period of early filmmaking in Jacksonville, its facilities are now the Norman Studios Silent Film Museum.
Harold Marvin Shaw was an American stage performer, film actor, screenwriter, and director during the silent era. A native of Tennessee, he worked in theatrical plays and vaudeville for 16 years before he began acting in motion pictures for Edison Studios in New York City in 1910 and then started regularly directing shorts there two years later. Shaw next served briefly as a director for Independent Moving Pictures (IMP) in New York before moving to England in May 1913 to be "chief producer" for the newly established London Film Company. During World War I, he relocated to South Africa, where in 1916 he directed the film De Voortrekkers in cooperation with African Film Productions, Limited. Shaw also established his own production company while in South Africa, completing there two more releases, The Rose of Rhodesia in 1918 and the comedy Thoroughbreds All in 1919. After directing films once again in England under contract with Stoll Pictures, he finally returned to the United States in 1922 and later directed several screen projects for Metro Pictures in California before his death in Los Angeles in 1926. During his 15-year film career, Shaw worked on more than 125 films either as a director, actor, or screenwriter.
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans but ultimately spread them beyond to both white American society and Europe.
Patrick Henry Chappelle, was an American theatre owner and entrepreneur, who established and ran The Rabbit's Foot Company, a leading traveling vaudeville show in the first part of the twentieth century. He became known as one of the biggest employers of African Americans in the entertainment industry, with multiple tent traveling shows and partnerships in strings of theaters and saloons. Chappelle was described at that time as the "Pioneer of Negro Vaudeville" and "the black P. T. Barnum," and was the only African American to fully operate a traveling show solely composed of African-American entertainers.
Established on June 18, 1904, Chicago’s Pekin Theatre was the first black owned musical and vaudeville stock theatre in the United States. Between 1904 and around 1915, the Pekin Club and its Pekin Theatre served as a training ground and showcase for Black theatrical talent, vaudeville acts, and musical comedies. Additionally, the theatre allowed “African-American theatre artists with an opportunity to master theater craft and contribute significantly to the development of an emerging Black theater tradition”.
Irvin Colloden Miller was an American actor, playwright, and vaudeville show writer and producer. He was responsible for successful theater shows including Broadway Rastus (1921), Liza (1922), Dinah (1923), which introduced the wildly popular black bottom dance, and Desires of 1927 starring Adelaide Hall. For thirty years he directed the popular review, Brown Skin Models, influenced by the Ziegfeld Follies but exclusively using black performers. "In the 1920s and 1930s, he was arguably the most well-established and successful producer of black musical comedy."
The Railroad Porter, also released as The Pullman Porter, is a film produced by The Foster Photoplay Company that was released in 1912 or 1913. It was the film company's first release and one of the earliest American films produced by African-Americans.
Charlotte Grady Roxborough was a singer, dancer, and comedian who performed in theatrical productions and vaudeville as well as films. She was born to Wesley, a white father, and Susan (Kelly) Grady. She performed at the Pekin Theatre in Chicago where she was a star member of its stock company. She starred in William Foster's The Pullman Porter, in 1912, the first black motion picture production.
Howard Kelly was a vaudeville and film actor in the United States. He was part of the Pekin Theatre’s stock company. He started in some of William D. Foster’s Foster Photoplay Company films including The Railroad Porter and The Barber.
