Type | Underground press monthly |
---|---|
Format | Tabloid |
Founded | 1968 |
Ceased publication | 1970 |
Headquarters | Taos, New Mexico |
Fountain of Light was a hippie underground newspaper of the 1960s, published monthly in tabloid format in Taos, New Mexico, from 1969 [1] to 1970. At least 14 issues were published before the paper ceased publication in June 1970.
Members of The Family and Lorien communes outside Taos launched the paper in the Lorien Building, a converted warehouse north of town on the Santa Fe Trail. Timothy Miller, in The Sixties Communes: Hippies and Beyond gives the following brief account of the origins:
"Seeing a need for services to the hippies who were descending on Taos in droves, The Family prevailed upon a wealthy local counterculturalist—one of the young heirs who played such vital roles in sponsoring communes—to underwrite a natural foods general store, a free medical clinic, an alternative newspaper called the Fountain of Light, and a sort of hippie switchboard, the Taos Community Information Center. The group also ran an alternative school. These enterprises never produced much income, however."
In addition to the services Miller mentions, there were also a bookstore, a mobile security patrol, a small research library, and a shortwave radio network connecting some of the outlying communes without phone service. Along with most of the rest of these facilities, Fountain of Light perished when the money ran out in 1970, with all of the above-mentioned services having collectively exhausted $250,000 in two years. [2] [3]
A small part of the paper's spirit might be gathered from a 1969 editorial entitled, "Why Taos":
"While it may be said we are fleeing the deplorable conditions of contamination of the urban areas, both physical and spiritual, the real motivation seems to be a quest for a more natural way of life. Away from the plastic and putrefying conditions in the cities. We mean to establish for ourselves new life styles that are basically simple and agrarian. Our concern is with the real—real food grown by ourselves for the most part, real and useful products produced by heads and hands and hearts, expressions in art forms that manifest individual energies of human beings rather than the faceless and soulless work of mechanized existence. To plant and cultivate and to ultimately harvest worthwhile things from joyous labors, this is what we are about."
Concluding,
"We are not reformers and do not seek directly to influence social or political order, but only to be unmolested and live our lives in peace and let those lives speak for themselves."
In the paper's final months of existence, local writer Jim Levy took over as editor and attempted to transition it from a hippie commune paper to a local alternative newspaper covering actual news for the broader Taos community. This involved abandoning psychedelic design motifs in favor of a more traditional newspaper look. Contributors included local poet, Harvey Mudd, and Rodger Thomas served as the paper's graphic designer. Phaedra Greenwood contributed many articles relevant to the community, such as the proposed "Earth People's Park," the Hog Farm in Penãsco, and a plea for the return of Taos Pueblo's sacred Blue Lake . [4] [5] The 14th issue, dated June 1, 1970, featured excerpts from From Bindu to Ojas, the earliest form of Be Here Now by Baba Ram Dass, who was at that time in residence at the Lama Foundation, 17 miles north of Taos.
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during or around 1964 and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
The British counter-culture or underground scene developed during the mid 1960s, and was linked to the hippie subculture of the United States. Its primary focus was around Ladbroke Grove and Notting Hill in London. It generated its own magazines and newspapers, bands, clubs and alternative lifestyle, associated with cannabis and LSD use and a strong socio-political revolutionary agenda to create an alternative society.
The terms underground press or clandestine press refer to periodicals and publications that are produced without official approval, illegally or against the wishes of a dominant group. In specific recent Asian, American and Western European context, the term "underground press" has most frequently been employed to refer to the independently published and distributed underground papers associated with the counterculture of the late 1960s and early 1970s in India and Bangladesh in Asia, in the United States and Canada in North America, and the United Kingdom and other western nations. It can also refer to the newspapers produced independently in repressive regimes. In German occupied Europe, for example, a thriving underground press operated, usually in association with the Resistance. Other notable examples include the samizdat and bibuła, which operated in the Soviet Union and Poland respectively, during the Cold War.
The Los Angeles Free Press, also called the "Freep", is often cited as the first, and certainly was the largest, of the underground newspapers of the 1960s. The Freep was founded in 1964 by Art Kunkin, who served as its publisher until 1971 and continued on as its editor-in-chief through June 1973. The paper closed in 1978. It was unsuccessfully revived a number of times afterward.
Melvin James Lyman was an American musician and writer, and the founder of the Fort Hill Community, which has been variously described as a family, commune, or cult.
Black Bear Ranch is an 80-acre intentional community located in Siskiyou County, California, about 25 miles from Forks of Salmon. It was founded in 1968, with the watchword "free land for free people". It has been considered by some participants and commentators to be one of the more radical examples of communal living/intentional communities that grew out of the counterculture of the 1960s.
The hippie subculture began its development as a youth movement in the United States during the early 1960s and then developed around the world.
The Columbus Free Press is an American alternative journal published in Columbus, Ohio, since 1970. Founded as an underground newspaper centered on anti-war and student activist issues, after the winding down of the Vietnam War it successfully made the transition to the alternative weekly format focusing on lifestyles, alternative culture, and investigative journalism, while continuing to espouse progressive politics. Although published monthly, it has also had quarterly, bi-weekly and weekly schedules at various times in its history, with plans calling for a return to a weekly format by the end of 2014.
Underground culture, or simply underground, is a term to describe various alternative cultures which either consider themselves different from the mainstream of society and culture, or are considered so by others. The word "underground" is used because there is a history of resistance movements under harsh regimes where the term underground was employed to refer to the necessary secrecy of the resisters.
Willamette Bridge was an underground newspaper published in Portland, Oregon from June 7, 1968, to June 24, 1971. In the spring of 1968, several groups of people in Portland were discussing starting an "underground" newspaper in Portland, similar to the Los Angeles Free Press or the Berkeley Barb. They were partially motivated by a frustration with the reporting in the mainstream press, which was still supporting the Vietnam war, opposing progressive movements like the United Farmworkers Union, and showed no understanding at all of the growing "Counterculture" and its music, dress and mores. On the other hand, they saw many things going on in the city that were positive, but isolated- Antiwar activity at Reed College, "Hippies" gathering around Lair Hill park, the progressive wing of the Democratic Party gathering strength, craft stores and head shops opening around town, local bands like The Great Pumpkin and The Portland Zoo giving concerts. A newspaper could bring these groups together and break the information monopoly of the daily papers.
The Northwest Passage was a bi-weekly underground newspaper in Bellingham, Washington, which was published from March 17, 1969 to June 1986. The paper was co-founded by Frank Kathman as publisher, Laurence Kee as Managing Editor, and Michael Carlson as Art Director. The newspaper was primarily known for its graphic design content.
The Berkeley Tribe was a radical counterculture weekly underground newspaper published in Berkeley, California from 1969 to 1972. It was formed after a bitter staff dispute with publisher Max Scherr and split the nationally known Berkeley Barb into new competing underground weeklies. In July 1969 some 40 editorial and production staff with the Barb went on strike for three weeks, then started publishing the Berkeley Tribe as a rival paper, after first printing an interim issue called Barb on Strike to discuss the strike issues with the readership. They incorporated as Red Mountain Tribe, named after Gallo's one gallon finger-ringed jug of cheap wine, Red Mountain. It became a leading publication of the New Left.
Spokane Natural was an underground newspaper published biweekly in Spokane, Washington from May 5, 1967, to November 13, 1970, by the Mandala Printshop, and edited by Russ Nobbs. It belonged to the Underground Press Syndicate and the Liberation News Service. The first issue was produced out of a converted barbershop storefront cum bookstore and hangout called the "Hippie Mission" on a cul-de-sac in Spokane, where Russ Nobbs and a visiting friend from the SF Bay area, Ormond Otvos wrote and produced the first 8-page issue on a hand-cranked Spirit duplicator. After several issues of pale blue "Ditto" print on white paper, The Natural moved to colored papers and occasionally colored ink with a Gestetner Mimeograph duplicator. Ultimately, the newspaper was printed on newsprint by sheet fed or web presses by various printers in Spokane, Seattle and Davenport, WA.
Hundred Flowers was an American underground newspaper published in Minneapolis, Minnesota from April 17, 1970 to April 4, 1972. It was produced by a communal collective, with the main instigator being antiwar activist and former Smith College drama instructor Ed Felien. The 16-page, two-color tabloid was published weekly and cost 25 cents, circulating about 5,000 copies.
Pittsburgh Fair Witness was a radical counterculture underground newspaper published in Pittsburgh, Pennsylvania from 1970 to 1973. The first 9 monthly issues published starting in February 1970 under the title Grok. Beginning with vol. 1, no. 10 the title was changed to Pittsburgh Fair Witness and the paper shifted to publication once every three weeks. Starting with the Dec. 3–17, 1971 issue, the paper was published on a biweekly schedule until its demise with vol. 4, no. 6. The PFW was staff-owned and published by a collective that called itself "The Commune." An editorial published in the May 26, 1972 issue under the heading "Our Rap" gives the paper's statement of purpose:
"The Fair Witness is published by a non-profit collective and is dedicated to the worldwide movement of people to control themselves—the movement to break down the authoritarian systems of government that are denying us our basic freedoms, that are responsible for needless genocidal wars, the perpetration of minority discrimination, the pollution of our environment and our bodies, the high concentration of power among the wealthy classes, exploitation of the individual, etc. The paper is dedicated to the struggle of all peoples to gain back the right to their own lives, the struggle to raise the consciousness of the world as a whole, the struggle to become independently productive through a working knowledge of the tools at our disposal. As a local paper our most important function concerns the movement here in western Pennsylvania."
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Old Mole was a radical New Left oriented underground newspaper published in Cambridge, Massachusetts from September 1968 to September 1970. Old Mole was continued by a second volume titled The Mole, which published five issues from November 1970 to April 1971. Printed biweekly in a 16-page tabloid format, Old Mole was based for most of its existence in a storefront and basement office on Brookline Street in Central Square. Selling for 15 cents, 47 issues were published in all, with press runs averaging 8000 to 10,000 copies. Subscriptions were free to prisoners and soldiers.
Norman James "Jim" Levy is an American writer who has published sixteen books of poetry, essays, memoirs, travel and fiction. In his professional life, he worked for forty years as an executive for nonprofit organizations and as a consultant to nonprofits.