In the Hollywood movie industry, a four-quadrant movie is one which appeals to all four major demographic "quadrants" of the movie-going audience: both male and female, and both over and under 25 years of age. [1]
In the Hollywood movie industry, a four-quadrant movie is one which appeals to all four major demographic "quadrants" of the movie-going audience: both male and female, and both over and under 25 years of age. [1]
Films are generally aimed at at least two such quadrants, and most tent-pole films are four-quadrant movies. A film's budget is often correlated to the number of quadrants the film is expected to reach, and movies are rarely produced if not focused on at least two quadrants. [2]
Although four-quadrant movies are generally family-friendly, this is not a requirement. [3] Titanic, which was the highest-grossing film ever following its theatrical run, has been cited as a strong example of a four-quadrant movie that blended action and romance in a historical setting to appeal to all four quadrants. [4] Some other films exhibiting this quality may be comedic (such as Meet the Parents ) or horror films, or be crowd-pleasing in nature, [5] [6] such as high-profile action films or adaptations of popular novels. Four-quadrant movies often have both adult and child protagonists. [7] They are often built on a "high-concept" premise with well-delineated heroes and villains, with emotion, action and danger present in the story. [8]
James Francis Cameron is a Canadian filmmaker. He is a major figure in the post-New Hollywood era and often uses novel technologies with a classical filmmaking style. He first gained recognition for writing and directing The Terminator (1984), and found further success with Aliens (1986), The Abyss (1989), Terminator 2: Judgment Day (1991), and True Lies (1994), as well as Avatar (2009) and its sequels. He directed, wrote, co-produced, and co-edited Titanic (1997), winning Academy Awards for Best Picture, Best Director, and Best Film Editing. He is a recipient of various other industry accolades, and three of his films have been selected for preservation in the National Film Registry by the Library of Congress.
Jurassic Park is a 1993 American science fiction action film directed by Steven Spielberg, produced by Kathleen Kennedy and Gerald R. Molen, and starring Sam Neill, Laura Dern, Jeff Goldblum, and Richard Attenborough. It is the first installment in the Jurassic Park franchise, and the first film in the original Jurassic Park trilogy, and is based on Michael Crichton's 1990 novel of the same name, with a screenplay by Crichton and David Koepp. The film is set on the fictional island of Isla Nublar, off Central America's Pacific Coast near Costa Rica, where a wealthy businessman John Hammond (Attenborough), and a team of genetic scientists have created a wildlife park of de-extinct dinosaurs. When industrial sabotage leads to a catastrophic shutdown of the park's power facilities and security precautions, a small group of visitors, including Hammond's grandchildren, struggle to survive and escape the now perilous island.
Pearl Harbor is a 2001 American romantic war drama film directed by Michael Bay, produced by Bay and Jerry Bruckheimer and written by Randall Wallace. It stars Ben Affleck, Kate Beckinsale, Josh Hartnett, Cuba Gooding Jr., Tom Sizemore, Jon Voight, Colm Feore, and Alec Baldwin. The film features a heavily fictionalized version of the attack on Pearl Harbor by Japanese forces on December 7, 1941, focusing on a love story set amidst the lead up to the attack, its aftermath, and the Doolittle Raid.
A disaster film or disaster movie is a film genre that has an impending or ongoing disaster as its subject and primary plot device. Such disasters may include natural disasters, accidents, military/terrorist attacks or global catastrophes such as a pandemic. A subgenre of action films, these films usually feature some degree of build-up, the disaster itself, and sometimes the aftermath, usually from the point of view of specific individual characters or their families or portraying the survival tactics of different people.
A blockbuster is a work of entertainment—typically used to describe a feature film produced by a major film studio, but also other media—that is highly popular and financially successful. The term has also come to refer to any large-budget production intended for "blockbuster" status, aimed at mass markets with associated merchandising, sometimes on a scale that meant the financial fortunes of a film studio or a distributor could depend on it.
John Campbell McTiernan Jr. is an American retired filmmaker. He is best known for his action films, including Predator (1987), Die Hard (1988), and The Hunt for Red October (1990). His later well-known films include the action-comedy-fantasy film Last Action Hero (1993), the action film sequel Die Hard with a Vengeance (1995), the heist-film remake The Thomas Crown Affair (1999), and The 13th Warrior (1999). His last completed feature film was the mystery-thriller Basic, released in 2003.
A superhero film is a film that focuses on superheroes and their actions. Superheroes are individuals who usually possess superhuman abilities and are dedicated to protecting the public. These films typically feature action, adventure, fantasy, or science fiction elements. The first film about a particular character often focuses on the hero's origin story. It also frequently introduces the hero's nemesis.
The year 2008 involved many major film events. The Dark Knight was the year's highest-grossing film, while Slumdog Millionaire won the Academy Award for Best Picture.
Hong Kong action cinema is the principal source of the Hong Kong film industry's global fame. Action films from Hong Kong have roots in Chinese and Hong Kong cultures including Chinese opera, storytelling and aesthetic traditions, which Hong Kong filmmakers combined with elements from Hollywood and Japanese cinema along with new action choreography and filmmaking techniques, to create a culturally distinctive form that went on to have wide transcultural appeal. In turn, Hollywood action films have been heavily influenced by Hong Kong genre conventions, from the 1970s onwards.
Epic films have large scale, sweeping scope, and spectacle. The term is slightly ambiguous, sometimes designating a film genre and at other times simply big-budget films. Like epics in the classical literary sense, it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other genres such as the period piece or adventure film.
In television and motion pictures, a tent-pole or tentpole is a program or film that supports the financial performance of a film studio, television network, or cinema chain. It is an analogy for the way a strong central pole provides a stable structure to a tent. A tent-pole film may be expected to support the sale of tie-in merchandise.
Avatar is a 2009 epic science fiction film co-produced, co-edited, written, and directed by James Cameron. The cast includes Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez and Sigourney Weaver. It is the first installment in the Avatar film series. It is set in the mid-22nd century, when humans are colonizing Pandora, a lush habitable moon of a gas giant in the Alpha Centauri star system, in order to mine the valuable mineral unobtanium, the room-temperature superconductor mineral. The expansion of the mining colony threatens the continued existence of a local tribe of Na'vi, a humanoid species indigenous to Pandora. The title of the film refers to a genetically engineered Na'vi body operated from the brain of a remotely located human that is used to interact with the natives of Pandora.
2012 in film is an overview of events, including the highest-grossing films, award ceremonies, critics' lists of the best films of 2012, festivals, a list of country-specific lists of films released, and notable deaths. Most notably, Universal and Paramount, two of America's oldest surviving film studios, celebrated their centennial anniversaries, marking the first time that two major film studios celebrate 100 years. The Dolby Atmos sound format was launched for the premiere of Brave. The James Bond film series celebrated its 50th anniversary and released its 23rd film, Skyfall. Six box-office blockbusters from previous years were re-released in 3D and IMAX. Also, the year marked the debut for high frame rate technology. The first film using 48 F.P.S., a higher frame rate than the film industry standard 24 F.P.S., was The Hobbit: An Unexpected Journey.
James Cameron is a Canadian director, screenwriter, and producer who has had an extensive career in film and television. Cameron's debut was the 1978 science fiction short Xenogenesis, which he directed, wrote and produced. In his early career, he did various technical jobs such as special visual effects producer, set dresser assistant, matte artist, and photographer. His feature directorial debut was the 1982 release Piranha II: The Spawning. The next film he directed was the science fiction action thriller The Terminator (1984) which starred Arnold Schwarzenegger as the titular cyborg assassin, and was Cameron's breakthrough feature. In 1986, he directed and wrote the science fiction action sequel Aliens starring Sigourney Weaver. He followed this by directing another science fiction film The Abyss (1989). In 1991, Cameron directed the sequel to The Terminator, Terminator 2: Judgment Day, and also executive produced the action crime film Point Break. Three years later he directed a third Schwarzenegger-starring action film True Lies (1994).
An event film or event movie is a blockbuster film whose release itself is considered a major event.
2018 in film is an overview of events, including the highest-grossing films, award ceremonies, critics' lists of the best films of 2018, festivals, a list of films released, and notable deaths.
In the United States, a film's box office gross in its second weekend of theatrical release is one of several factors used to predict overall box office performance. Most films experience a decline in box office gross in their second weekend, but a significant decline often indicates a subpar box office performance for the rest of a film's theatrical run. Some films are exceptions in that they perform better in their second weekend of release than on opening weekend.
