Frances Koncan | |
---|---|
Born | 1986 [1] |
Nationality | Couchiching First Nation, Canadian |
Education | University of Manitoba (BA), Brooklyn College (MFA) |
Occupation(s) | journalist, playwright, director |
Notable work | Women of the Fur Trade Zahgidiwin/love |
Frances Koncan (born 1986) is an Saulteaux-Slovene journalist, theatre director, and playwright from Couchiching First Nation who lives in Winnipeg, Manitoba. As of 2023, Koncan uses she/they pronouns. [2]
Koncan was born in May 1986 in Couchiching First Nation. [1] [3]
She has a bachelor's degree in psychology from the University of Manitoba and a master's degree in fine arts in playwriting from Brooklyn College of the City University of New York. [3]
Koncan is currently an assistant professor at the School of Creative Writing at the University of British Columbia. [2]
She wrote the play Women of the Fur Trade, [4] zahgidiwin/love, [5] Flesh-Coloured Crayons, [6] and Space Girl. [7]
Koncan has also worked as assistant director on Seminar (for the Royal Manitoba Theatre Centre/Mirvish Productions), [3] The Humans , and A Doll's House, Part 2 (RMTC), and Stripped Down Anthony & Cleopatra (Shakespeare in the Ruins) [3] and co-director with Angelica Schwartz on an Andy Warhol inspired production of The Hollow (for the Royal Manitoba Theatre Centre's Master Playwright Festival) [8] [9] .
In addition, Koncan worked as an arts reporter for the Winnipeg Free Press from 2019 to 2022. [3] [10] She was the Artistic Director of Sarasvati Productions from 2020-2021. [11] [12] They obtained the Writer-in-Residence position at the Winnipeg Public Library from 2022-2023. [13] They are currently an Assistant Professor at the University of British Columbia in the School of Creative Writing teaching playwriting. [14]
Koncan's theatrical work has won the REVEAL Indigenous Arts Award, the Winnipeg Arts Council's 2017 RBC On the Rise Award, and got her shortlisted for the Tarragon Emerging Playwrights Award. [1] Her play The Dance-off of Conscious Uncoupling received the 2015 Tom Hendry Award for Best New Comedy.