Alessandro di Cristofano di Lorenzo del Bronzino Allori was an Italian painter of the late Mannerist Florentine school.
Tiziano Vecelli or Vecellio, known in English as Titian, was an Italian (Venetian) Renaissance painter of Lombard origin, considered the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called da Cadore, 'from Cadore', taken from his native region.
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
Simone Martini was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style.
Paolo Caliari, known as Paolo Veronese, was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana (1563) and The Feast in the House of Levi (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the cinquecento" and the Late Renaissance in the 16th century. Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian.
Justus Sustermans, Joost Sustermans or Suttermans, his given name Italianised to Giusto, was a Flemish painter and draughtsman who is mainly known for his portraits. He also painted history and genre paintings, still lifes and animals.
The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.
Michelangelo Anselmi was an Italian Renaissance-Mannerist painter active mostly in Parma.
Bartolomeo Manfredi was an Italian painter, a leading member of the Caravaggisti of the early 17th century.
Francesco Solimena was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen.
Soren Emil Carlsen was an American Impressionist painter who emigrated to the United States from Denmark. He became known for his still lifes. Later in his career, Carlsen expanded his range of subjects to include landscapes and seascapes as well.
Francesco Salviati or Francesco de' Rossi was an Italian Mannerist painter who lived and worked in Florence, with periods in Bologna and Venice, ending with a long period in Rome, where he died. He is known by various names, usually the adopted one of Francesco Salviati or Il Salviati, after an early patron, but also Francesco Rossi and Cecchino del Salviati.
Francesco Trevisani was an Italian painter, active in the period called either early Rococo or late Baroque (barochetto).
Domenico Morelli was an Italian painter, who mainly produced historical and religious works. Morelli was immensely influential in the arts of the second half of the 19th century, both as director of the Accademia di Belle Arti in Naples, but also because of his rebelliousness against institutions: traits that flourished into the passionate, often patriotic, Romantic and later Symbolist subjects of his canvases. Morelli was the teacher of Vincenzo Petrocelli and Ulisse Caputo.
Francesco Curradi or Currado was an Italian painter of the style described as Counter-Maniera or Counter-Mannerism, born and active in Florence.
Pierfrancesco Cittadini (1616–1681) was an Italian painter of the Baroque period, active mainly in Bologna and noted for his portraits and lush still lifes.
Francesco de Mura was an Italian painter of the late-Baroque period, active mainly in Naples and Turin. His late work reflects the style of neoclassicism.
The decade of the 1490s in art involved some significant events.
Pietro degli Ingannati, also Pellegrino di Giovanni di Antonio, was an Italian Renaissance painter who is known for his paintings of the Virgin and Child and his portraits.
Constantine and Helen is a painting by Ioannis Moskos. He was a prolific Greek painter associated with Venice and the Ionian Islands. He flourished during the Late Cretan School and early Heptanese School. Three painters with the same last name were active during the same period, the other two were Leos Moskos and Elias Moskos. Ioanni's painting style demonstrates the transition from the Late Cretan School to the early Heptanese School. He began to integrate components prevalent in the Rococo. He was a Baroque artist. According to the Neo-Hellenic Institute, forty-four of his paintings survived.
