Andrea del Verrocchio, born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence.
Giambologna, also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style.
Giovanni Pisano was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient Roman art. Henry Moore, referring to his statues for the facade of Siena Cathedral, called him "the first modern sculptor".
Francesco da Sangallo (1494–1576) was an Italian Renaissance sculptor, the son of the architect and sculptor Giuliano da Sangallo.
Giovanni Battista (Giambattista) Foggini was an Italian sculptor active in Florence, renowned mainly for small bronze statuary.
The Chimera of Arezzo is regarded as the best example of ancient Etruscan art. The British art historian David Ekserdjian described the sculpture as "one of the most arresting of all animal sculptures and the supreme masterpiece of Etruscan bronze-casting". Made entirely of bronze and measuring 78.5 cm high with a length of 129 cm, it was found alongside a small collection of other bronze statues in Arezzo, an ancient Etruscan and Roman city in Tuscany. The statue was originally part of a larger sculptural group representing a fight between a Chimera and the Greek hero Bellerophon. This sculpture is likely to have been created as a votive offering to the Etruscan god Tinia.
Anton Domenico Gabbiani was an Italian painter and active in a late Baroque style. He worked primarily in Florence for the Medici court.
Innocenzo Spinazzi (1726–1798) was an Italian sculptor of the Rococo period active in Rome and Florence.
Simone Pignoni was an Italian painter of the Baroque period.
Lazzaro Baldi was an Italian painter and engraver of the Baroque period active mainly in Rome.
Leonardo da Pistoia, also known as Leonardo Grazia, was an Italian painter of the Mannerism school.
Antonio Vite was a fourteenth century Italian painter of the early 15th century.
San Giovanni Fuoricivitas is a Romanesque religious church and adjacent buildings in Pistoia, Tuscany, central Italy. The adjective fuoricivitas refers to it location, outside of the first set of city walls, when it was founded during the era of Lombard rule in Italy.
The Basilica of Our Lady of Humility or Madonna dell'Umiltà is a Renaissance-style, Roman Catholic Marian basilica in Pistoia, region of Tuscany, Italy.
Teodoro Matteini was an Italian painter, mainly of historical and religious subjects in a Neoclassical style.
Agostino Melissi was an Italian painter of the Baroque period; active mainly in Florence.
Giuseppe Valiani was an Italian painter.
Luigi Giovannozzi was an Italian sculptor, active mainly in Florence in a Neoclassical style.
Stefano Ricci was an Italian sculptor, active in a Neoclassical style in Florence.
Roberto Barni is an Italian sculptor.
