Francesco da Castello

Last updated

Francesco da Castello (Flemish: Frans Van de Casteele) was a Flemish-Italian painter and manuscript illuminator, active in Rome.

Contents

Biography

The details of his life here were documented by the contemporary artist-biographer Giovanni Baglione. Francesco painted an Assumption of the Virgin and Saints for the first chapel of San Giacomo degli Spagnoli, Rome. He painted a Madonna and child with St Niccolo Vescovo and San Giuliano for the chapel of San Giuliano in the church of San Rocco of Ripetta. He painted for the palace of Ciriaco Mattei. He painted a 'Martiri Turritani' for the Basilica San Gavino in Porte Torres, Sardegna. He also was a manuscript illuminator. He died at the age of 80 years during the papacy of Pope Clement VIII (1592-1602).

He had two sons: one, Pietro, studied medicine and practiced in Palermo. The other, Michele Castello, (1588 - 28 October 1636) was mainly an illuminator, but completed a few altarpieces.

Maddalena Corvina was Castello's niece. She apprenticed under him for painting. [1]

Related Research Articles

<span class="mw-page-title-main">Della Rovere</span> Noble family of Italy

The House of Della Rovere was a noble family of Italy. It had humble origins in Savona, in Liguria, and acquired power and influence through nepotism and ambitious marriages arranged by two Della Rovere popes: Francesco Della Rovere, who ruled as Sixtus IV from 1471 to 1484) and his nephew Giuliano, who became Julius II in 1503. Sixtus IV built the Sistine Chapel, which is named for him. The Basilica of San Pietro in Vincoli in Rome is the family church of the Della Rovere. Members of the family were influential in the Church of Rome, and as dukes of Urbino; that title was extinguished with the death of Francesco Maria II in 1631, and the family died out with the death of his granddaughter Vittoria, Grand Duchess of Tuscany.

<span class="mw-page-title-main">Giovanni Baglione</span> Italian painter

Giovanni Baglione was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and his important collection of biographies of the other artists working in Rome in his lifetime, although there are many works of his in Roman churches and galleries and elsewhere.

Ottaviano Nonni, called Il Mascherino, was an Italian architect, sculptor, and painter born in Bologna. Apprentice of Giacomo Barozzi da Vignola, he was active in Emilia and in Rome, where he had been living in the rione of Borgo, in the road still bearing his name.

<span class="mw-page-title-main">Cesare Nebbia</span> Italian painter

Cesare Nebbia (c.1536–c.1614) was an Italian painter from Orvieto who painted in a Mannerist style.

Giovanni Battista Viola was an Italian painter of the early Baroque period in Rome.

Paris Nogari was an Italian painter of the Renaissance period, a minor pupil of Cesare Nebbia active mainly in Rome. He painted in the library of the Vatican in a style resembling Raffaellino da Reggio and was among the painters who frescoed Santa Susanna and San Pietro in Vincoli in Rome.

<span class="mw-page-title-main">Durante Alberti</span> Italian painter

Durante Alberti was an Italian painter of the late-Renaissance period.

Le Vite de’ Pittori, Scultori et Architetti. Dal Pontificato di Gregorio XII del 1572 in fino a’ tempi di Papa Urbano VIII nel 1642 is an art history book by Giovanni Baglione, first published in 1642. It represents an encyclopedic compendium of biographies of the artists active in Rome during late Mannerism and early Baroque. Baglione was a Late Mannerist and Early Baroque painter and art historian, best remembered for his writings and his acrimonious involvement with the artist Caravaggio, by whom he was nonetheless greatly influenced.

<span class="mw-page-title-main">Hendrick van den Broeck</span> Flemish painter

Hendrick van den Broeck or Arrigo Fiammingo was a Flemish painter, fresco painter, glass painter and sculptor of the late-Renaissance or Mannerist period. After training in Flanders, he travelled to Italy where he remained active in various cities for the remainder of his life. He was court painter to Cosimo I de Medici in Florence and worked as a fresco painter in Rome on the large decorative projects of pope Gregory XIII.

<span class="mw-page-title-main">Antonio Circignani</span> Italian painter

Antonio Circignani (1560–1620) was an Italian painter of the late-Renaissance (Mannerism) period and early Baroque. Born in Pomarance, he is known also as Antonio Pomarancio. He was the son of the painter Niccolò Circignani, and with his father, who died in 1588, he worked in Rome. He was featured in the Vite published by Giovanni Baglione.

Terenzio Terenzi (1575–1621) was an Italian painter of the late-Renaissance or Mannerist period. Born near Pesaro, he is also known as Terenzio da Urbino or il Rondolino. He was a pupil of the painter Federigo Barocci. There is an altarpiece by Terenzi in the Cathedral of Sant'Andrea, a Baptism of Constantine in the quadreria di San Costanzo, and an Assumption of the Virgin (1621) in the church of the Cappuccini in Rome. According to Baglione, Terenzi visited Rome, where he was favored with the protection of Cardinal Montalto, nephew of Pope Sixtus V. Having practiced a deceptions on his benefactor by imposing on him a picture he himself painted for a work of Raphael, he was disgraced. There is a picture of his own composition in the church of San Silvestro, in Rome, representing the Virgin and Infant Christ, with several Saints.

Giovanni Luigi Valesio, also known as Giovanni Valesio or Luigi Valesio, was an Italian painter and, most prominently, an engraver of the early-Baroque, active in his native city of Bologna, and then in Rome.

<span class="mw-page-title-main">Onorio Longhi</span> Italian architect

Onorio Longhi (1568–1619) was an Italian architect, the father of Martino Longhi the Younger and the son of Martino Longhi the Elder.

<span class="mw-page-title-main">Lodovico Leoni</span>

Lodovico Leoni was an Italian painter of the Renaissance period, mainly active in Rome. He was also a medallist, and coin-engraver. Other sources cite his name as Luigi Leone

<span class="mw-page-title-main">Vespasiano Strada</span> Italian painter

Vespasiano Strada (1582–1622) was an Italian painter and engraver of the early-Baroque period, mainly active in Rome. His biography is summarized by Giovanni Baglione.

Cesare Torelli Romano was an Italian painter.

Francesco Traballesi was an Italian painter and architect. He was born in Florence in 1541, flourished in Rome during the papacy of Pope Gregory XIII (1572–1585), and died in 1588 in Mantua, where he was working as an architect for the duke Vincenzo Gonzaga. In the Roman church of Sant'Atanasio dei Greci, which was founded by Gregory, there are two altar-pieces by Traballesi, an Annunciation, and a Christ disputing with the Doctors, while in the Greek Pontifical College of Saint Athanasius, next to the church, are more of his paintings, with Apostles, Fathers of the Church, and a Crucifixion, which were once parts of the iconostasis of the church itself. In the Town Hall of Tivoli, anciently called Tibur in Latium, are two frescoes painted by Traballesi in 1574, showing scenes of The mythic foundation of Tibur. His brother Bartolommeo Traballesi was an assistant of Vasari.

Cesare and Vincenzo Conti, two brothers, were natives of Ancona, but went to Rome during the Pontificate of Gregory XIII, by whom they were employed. They were also both employed by his successors, Sixtus V, Clement VIII, and Paul V. Cesare was esteemed for his grotesque ornaments, and Vincenzo painted the figures. Cesare died at Macerata about 1615. Vincenzo went on to the court of Savoy, and died there in 1610. Some of their works are in Santa Maria in Trastevere, while in San Spirito in Sassia is the history of San Giacomo del Zucchi, and in Santa Cecilia, 'St. Agnes,' and the 'Martyrdom of St. Urban.'

<span class="mw-page-title-main">Marzio di Colantonio</span> Italian painter

Marzio di Colantonio or di Colantonio Ganassini or di Cola Antonio was an Italian painter, as a painter of still-lifes and landscapes, and fresco decorations of grotteschi and battle scenes with small figures. His still-life paintings contain hunted game.

<span class="mw-page-title-main">Pasquale Cati</span> Italian painter

Pasquale Cati was an Italian Mannerist painter active mostly in Rome.

References

Footnotes

  1. John William Bradley (1887). A Dictionary of Miniaturists, Illuminators, Calligraphers, and Copyists: With References to Their Works, and Notices of Their Patrons, from the Establishment of Christianity to the Eighteenth Century. B. Quaritch. p. 255.

Sources