Giorgione was an Italian painter of the Venetian school during the High Renaissance, who died in his thirties. He is known for the elusive poetic quality of his work, though only about six surviving paintings are firmly attributed to him. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art.
Hans Memling was a painter active in Flanders, who worked in the tradition of Early Netherlandish painting. Born in the Middle Rhine region, he probably spent his childhood in Mainz. During his apprenticeship as a painter he moved to the Netherlands and spent time in the Brussels workshop of Rogier van der Weyden. In 1465 he was made a citizen of Bruges, where he became one of the leading artists and the master of a large workshop. A tax document from 1480 lists him among the wealthiest citizens. Memling's religious works often incorporated donor portraits of the clergymen, aristocrats, and burghers who were his patrons. These portraits built upon the styles which Memling learned in his youth.
Maddalena Casulana was an Italian composer, lutenist and singer of the late Renaissance. She is the first female composer to have had a whole book of her music printed and published in the history of western music.
Justus Sustermans, Joost Sustermans or Suttermans, his given name Italianised to Giusto, was a Flemish painter and draughtsman who is mainly known for his portraits. He also painted history and genre paintings, still lifes and animals.
Justus van Gent or Joos van Wassenhove was an Early Netherlandish painter, perhaps from Ghent, who after training and working in Flanders later moved to Italy where he worked for Federico da Montefeltro, duke of Urbino, and was known as Giusto da Guanto, or in modern Italian Giusto di Gand etc. The artist is known for his religious compositions executed in the early Netherlandish idiom and a series of portraits of famous men, which show the influence of early Italian Renaissance painting.
The Portrait of Maddalena Doni is an oil painting by Italian Renaissance master Raphael, made c. 1506. It is housed in the Uffizi in Florence.
Claude Mellan was a French draughtsman, engraver, and painter.
Santa Maria Maddalena dei Pazzi is a Renaissance-style Roman Catholic church and a former convent located in Borgo Pinti in central Florence, Italy.
Giuseppe Sardi was an Italian architect active in Rome. He was born at Sant'Angelo in Vado, Marche which was then part of the Papal States. Known primarily for his church of Santa Maria del Rosario in Marino outside Rome, his name has been linked with the design of the façade of the church of Santa Maria Maddalena in Rome although his involvement with this and with some other building projects remains uncertain. He is not to be confused with the Swiss Italian architect, Giuseppe Sardi (1624–1699), who was active in Venice.
The Portrait of Agnolo Doni is an oil painting on wood by Italian Renaissance master Raphael, executed c. 1506. It is now in the Uffizi in Florence.
Anna de' Medici was a daughter of Cosimo II de' Medici, Grand Duke of Tuscany and his wife Maria Maddalena of Austria. A patron of the arts, she married Ferdinand Charles, Archduke of Further Austria in 1646. They were the parents of Claudia Felicitas of Austria, Holy Roman Empress.
La Scapigliata is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts attributing the work to a pupil of Leonardo. The painting has been admired for its captivating beauty, mysterious demeanor, and mastery of sfumato.
Arcangela Paladini was an Italian painter, singer and poet.
Francesco da Castello was a Flemish-Italian painter and manuscript illuminator, active in Rome.
Portrait of Maria Portinari is a small c. 1470–72 painting by Hans Memling in tempera and oil on oak panel. It portrays Maria Maddalena Baroncelli, about whom very little is known. She is about 14 years old, and depicted shortly before her wedding to the Italian banker, Tommaso Portinari. Maria is dressed in the height of late fifteenth-century fashion, with a long black hennin with a transparent veil and an elaborate jewel-studded necklace. Her headdress is similar and a necklace identical to those in her depiction in Hugo van der Goes's later Portinari Altarpiece, a painting that may have been partly based on Memling's portrait.
Portrait of Tommaso Portinari by Hans Memling is held by the Metropolitan Museum of Art, New York City. It was made c.1470 in oil on oak panel, and measures 44.1 by 33.7 centimetres. The painting and Memling's Portrait of Maria Portinari form the wings from a since dismantled triptych; the central panel is believed to have been a now lost depiction of the Madonna and Child; perhaps Memling's Virgin and Child in the National Gallery, London.
Penitent Magdalene is a c. 1550 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
Portrait of a Lady, formerly known as Portrait of Giulia Gonzaga, is an oil painting by, or possibly after, Titian. It is dated, broadly, to the period 1525–1565. The painting is in the collection of the Art Institute of Chicago.
Portrait of a Man with a Falcon, also called Portrait of a Man of the Cornaro Family with a Falcon or Giorgio Cornaro with a Falcon, is an oil painting by the Italian painter Titian. It is variously dated from the late 1520s to the 1540s. The painting is in the collection of the Joslyn Art Museum in Omaha, Nebraska.
