Related Research Articles
The globalAfrican diaspora is the worldwide collection of communities descended from Native Africans or people from Africa, predominantly in the Americas. The term most commonly refers to the descendants of the native West and Central Africans who were enslaved and shipped to the Americas via the Atlantic slave trade between the 16th and 19th centuries, with their largest populations in the United States, Brazil, and Haiti. However, the term can also be used to refer to non native African descendants from North Africa who immigrated to other parts of the world. Some scholars identify "four circulatory phases" of this migration out of Africa. The phrase African diaspora gradually entered common usage at the turn of the 21st century. The term diaspora originates from the Greek διασπορά which gained popularity in English in reference to the Jewish diaspora before being more broadly applied to other populations.
Black studies or Africana studies, is an interdisciplinary academic field that primarily focuses on the study of the history, culture, and politics of the peoples of the African diaspora and Africa. The field includes scholars of African-American, Afro-Canadian, Afro-Caribbean, Afro-Latino, Afro-European, Afro-Asian, African Australian, and African literature, history, politics, and religion as well as those from disciplines, such as sociology, anthropology, cultural studies, psychology, education, and many other disciplines within the humanities and social sciences. The field also uses various types of research methods.
Women in Cuba have the same constitutional rights as men in the economic, political, cultural and social fields, as well as in the family. Cuba is regarded as a regional front-runner in women's rights. According to Article 44 of the Cuban Constitution, "The state guarantees women the same opportunities and possibilities as men in order to achieve woman’s full participation in the development of the country." As of 2015, women hold 48.9% of the parliamentary seats in the Cuban National Assembly ranking sixth of 162 countries on issues of female participation in political life. Many women in Cuba come from different racial backgrounds including Afro-Cuban women. Along with Afro-Cuban women, women in Cuba, formerly a marginalized group, were able to gain higher educational levels and equal advancements in their respective careers. The 1975 Family Code was designed to allow Cuban women to share the household duties fairly with their spouses. Job opportunities were available in the cities and as a result, many Cuban women left the countryside to work and live in the cities. However, because of the increased number of Cuban women studying and working, the national birth rate has declined. Despite the fact that desegregation was enforced in Cuba, there are still some issues in regards to fair housing in Cuba.
Afro–Latin Americans or Black Latin Americans are Latin Americans of full or mainly sub-Saharan African ancestry.
Afro-Cubans or Black Cubans are Cubans of sub-Saharan African ancestry. The term Afro-Cuban can also refer to historical or cultural elements in Cuba thought to emanate from this community and the combining of native African and other cultural elements found in Cuban society such as race, religion, music, language, the arts and class culture.
Latin American poetry is the poetry written by Latin American authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre-colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.
María Magdalena Campos-Pons is a Cuban-born artist based in Nashville, Tennessee. Campos-Pons works primarily in photography, performance, audiovisual media, and sculpture. She is considered a "key figure" among Cuban artists who found their voice in a post-revolutionary Cuba. Her art deals with themes of Cuban culture, gender and sexuality, multicultural identity as well as interracial family (Cuban-American), and religion/spirituality.
Transnational Barrios as a concept within Latin American and Latino studies explains the social construction of space, place, culture, traditions, and artistic symbolic meanings that are established beyond national boundaries by diverse Latina/o populations in communities of a hosting country. Therefore Transnational Barrios are seen by scholars as critical spaces to celebrate and embrace cultural production, political mobilizations, ethnic identity and solidarity, and develop a sense of belonging within communities.
Juan Flores was a Professor of Social and Cultural Analysis and director of Latino Studies at New York University. He was considered a leading pioneer, scholar, and expert in Latin American and Nuyorican culture, often working with his wife Miriam Jiménez Román.
Deborah Paredez is an American poet, scholar, and cultural critic. She is the author of the poetry collections, Year of the Dog and This Side of Skin, and the critical study, Selenidad: Selena, Latinos, and the Performance of Memory. She is co-founder of CantoMundo, a national organization that supports Latinx poets and poetry. She lives in New York City where she is a professor of creative writing and ethnic studies at Columbia University.
Yalálag Zapotec is a Zapotec language of Oaxaca, Mexico, spoken in Hidalgo Yalalag, Mexico City, Oaxaca City, Veracruz.
Yoruba Americans are Americans of Yoruba descent. The Yoruba people are a West African ethnic group that predominantly inhabits southwestern Nigeria, with smaller indigenous communities in Benin and Togo.
Marta Moreno Vega is the founder of the Caribbean Cultural Center African Diaspora Institute (CCCADI). She led El Museo del Barrio, is one of the founders of the Association of Hispanic Arts, and founded the Network of Centers of Color and the Roundtable of Institutions of Colors. Vega is also a visual artist and an Afro-Latina activist.
The Wesley Logan Prize is an annual prize given to a historian by the Association for the Study of Afro-American Life & History
Lourdes Casal was an important poet and activist for the Cuban community. She was internationally known for her contributions to psychology, writing, and Cuban politics. Born and raised in Cuba, she sought exile in New York because of Cuban communist rule. Casal received a master's degree in psychology in 1962 and later, a doctorate in 1975 from the New School for Social Research. She wrote the book El caso Padilla: literatura y revolucion en Cuba, which illustrated the failing relationship between writers and Cuban officials. A year later, she co-founded a journal named Nueva Generation which focused on creating dialogue on relationships between Cubans living abroad and on the island. Casal earned notoriety by attempting to reconcile Cuban exiles in the United States. She was instrumental in organizing a dialogue between Cuban immigrants and Fidel Castro, which led to the release of thousands of Cuban prisoners. She was the first Cuban-American to receive the Casa de las Américas Prize, which was awarded to her posthumously in 1981.
Alejandro de la Fuente is an academic and art curator. He is the Robert Woods Bliss Professor of Latin American History and Economics, Professor of African and African American Studies and of History at Harvard University. He is also Director of Afro-Latin American Research Institute at the Hutchins Center for African and African American Research at Harvard. His research focuses on specializes in the study of comparative study of slavery and race relations.
Vanessa K. Valdés is an author, educator, writer, editor, historian, and associate professor of Spanish and Portuguese at the City College of New York. She is a Puerto Rican of African descent. She is the author of Diasporic Blackness: The Life and Times of Arturo Alfonso Schomburg. Schomburg was one of the founding fathers of Black History in North America, and the father of the Global African Diaspora. She has also written Oshun's Daughters: The Search for Womanhood in the Americas. In Oshun's Daughters she examines African Diasporic sense of womanhood, examining novels, poems, etc., written by Diaspora women from the United States, the Caribbean, and Brazil. Writings that show how these women use traditional Yoruba religion as alternative models for their womanhood differing from western concepts of being a woman.
Scherezade García is a Dominican-born, American painter, printmaker, and installation artist. She is a co-founder of the Dominican York Proyecto GRÁFICA Collective. García is an Advisor to the Board of Directors of No Longer Empty and sits on the board of directors of the College Art Association (CAA) for the period of 2020–2024. She is assistant professor of Art at the University of Texas at Austin. She currently lives and works in Brooklyn, New York and Austin, Texas.
Evelio Grillo was an American writer and community organizer. He is a well-known advocate for civil rights. He is best known for his book Black Cuban, Black American: A Memoir.
Pantaleón Julian Valdés was a Cuban medical doctor, an activist of civil and political rights for black and mulatos in Cuba and a prominent voice for the Afro-Cuban intellectual elite. In 1917, Valdés became the first elected president of the “Club Atenas” a major twentieth-century Afro Cuban cultural and social Center. Pantaleón Julian Valdés was a member of the Partido Independiente de Color (PIC) and he was arrested with other Independents in 1910 and 1912. Later when some prominent ex-members of the PIC were reincorporated into the political machinery, he was elected to the Havana Board of Education with the support of the Partido Liberal.
References
- ↑ "Faculty profile page". Department of History, Columbia University. Archived from the original on 11 September 2016. Retrieved 14 December 2016.
- ↑ Harris, Frederick. "Professor of History & AAADS Frank Guridy – DT6", The Dean's Table. Accessed July 12, 2022. "Fredrick Harris: And where? Where did you grow up? Frank Guridy: Co-op City."
- ↑ Perry, Keisha-Khan (2011). "Forging Diaspora: Afro-Cubans and African Americans in a World of Empire and Jim Crow (review)". The Americas. 68 (2): 278–280. doi:10.1353/tam.2011.0128. ISSN 1533-6247. S2CID 144224655.
- ↑ Hernández García, Juan R. (2013). "Forging Diaspora: Afro-Cubans and African Americans in a World of Empire and Jim Crow by Frank Andre Guridy". Caribbean Studies. 41 (1): 203–206. doi:10.1353/crb.2013.0016. ISSN 1940-9095. S2CID 201733887.
- ↑ "Book Review: Beyond El Barrio: Everyday Life in Latina/o America". Urban Studies. 48 (16): 3629–3631. 2011-12-01. Bibcode:2011UrbSt..48.3629.. doi:10.1177/0042098011423789. ISSN 0042-0980.
