Frank Big Bear

Last updated
Frank Big Bear
BornJuly 8, 1953
Detroit Lakes, Minnesota
Nationality Minnesota Chippewa Tribe, White Earth Band, [1] American
EducationUniversity of Minnesota: Minneapolis, MN
Known forAbstract drawings, paintings, and photo collages
Website www.frankbigbear.com

Frank Big Bear is a Native American artist born in Detroit Lakes, Minnesota and is a member of the Minnesota Chippewa Tribe, White Earth Band. [1] [2] As a multimedia Native artist, Big Bear is known for his colorful, abstract display through his drawings, paintings, and photo collages that address various messages about Big Bear's livelihood and worldly perception. [3]

Contents

Early life and education

Frank Big Bear was born on July 8, 1953, in Detroit Lakes, Minnesota. He was raised on the White Earth Reservation at Pine Point and is a member of the Minnesota Chippewa Tribe, White Earth Band. [1] In 1968, at the age of 16, Big Bear moved to Minneapolis, Minnesota, to start his career as an artist and to work as a cab driver in order to support his family. [4] [5] [6] [7] During this time he attended North High School and went on to study Studio Arts at the University of Minnesota, where he studied alongside George Morrison. [5] [6] [2] [8]

Frank Big Bear continued to work as a cab driver for over thirty years and by 1973 he became an "Artist in residence" at Heart of the Earth School in Minneapolis. [2]

Career

Big Bear has described himself as a self-taught artist who creates art as a way to express himself and his emotions without displaying any additional attention upon himself. [6] [9] [10] He has stated that when he lived in the Reservation, his inspiration mostly came from the immense imagination of his culture that at first was displayed through his dreams. Eventually, his worldly perspective became a merge between his identity within the Twin Cities and the Anishinabe tribe. As a reflection of this, his art began to display various messages of his native past, political issues, and symbolic images, as well as his personal journey to the discovery of his inner identity. [11] [12]

Artworks

Big Bear uses various mediums in his art such as Prismacolor pencils and paint to create drawings, paintings, and photo collages that reflect his heritage, his people, and his various worlds. [2] [3] He has been compared to Picasso in that Big Bear uses a form of "cubism and surrealism" to create a reflection of the modern complexity of humankind using "highly personal signs, symbols, and images" used in a form of tribal storytelling. [2] [3]

Chemical Man in a Toxic World, Walker Art Center, 1989-1990

Chemical Man in a Toxic World, a 90 x 44 unframed drawing that is currently displayed at the Walker Art Center in Minneapolis is a Prisma colored art piece that uses the technique of linearity and color to express Big Bear's perception of the world around him. [2] [13] Described as "a visual dictionary of images from Big Bear's world", Big Bear used the mediums of colored pencils and paper in order to create a diverse range of juxtaposing, vibrantly colored images. [3]

One of the drawings that can be seen is a man with a "Live Hard Die Young" tattoo, on his left arm, and a woman covered with patterns and symbols standing across from the man. [3] These displayed visual images are a representation of Big Bear's lived experiences as well as his political stance against the American Indian stereotype. [2] [3] As for Big Bear's unique style, he has continued to define a strong contrast between his images and vivid colors within each of his artworks. [2]

From the Rez, to the Hood, to the Lake, All My Relations Arts, 2011

Displayed at the All My Relations Arts in Minneapolis, this art gallery was the first reintroduction to Big Bear's career as a multimedia artist since his first painting show in 1970. [7] His painting entitled "From the Rez, to the Hood, to the Lake" was created through an assemblage of "highly personalized signs, symbols, and images that reflect the complexity of contemporary humanity". [3] Through this painted portrait, an individual is depicted with geometric shapes and patterns that is used throughout the canvas. [7] While the individual is not clearly defined, Big Bear is known to draw people with whom he is familiar with, such as a family member or someone he often spends time with. [7] This painting displays a common definition of modern art in which Big Bear's colorful stylistic choice has not only presented another abstract work of art, but its meaning has also expressed his Anishinabe tribal identity. [2]

Mother of Fire/Sun of Water, Purdue Galleries, 2007

This drawing, briefly displayed at Purdue Galleries in West Lafayette, Indiana, creates an example of Big Bear's use of pop and comic design to create a rich outlet for Big Bear's vivid imagination and storytelling. [2] [14] With his inspiration from the White Earth Reservation and his passed down tribal stories, Frank is often reminded of his spirituality and connection to his tribe and his people through these types of drawn art. [2] Often feeling as if he lives in various worlds, Big Bear uses his skill in art to express his values and beliefs to the viewers such as the drawing of a woman of high regard who seems to bear a significance within nature to both the sun and water based on the viewer's inference of the given title. [3] [14] From what the viewer can see, this drawing retells the tale of a spiritual being and the role it plays amongst the Indian's contemporary urban path. [14]

Collections

Frank Big Bear's work is included in the: [2] [15]

Publications and collaborations

Select exhibitions

Special projects

Solo exhibitions

Traveling group exhibitions

Selected group exhibitions

Fellowships, awards and grants

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References

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