Frank D. Waldron (1890-1955) was an American jazz cornetist, alto saxophonist, trumpeter, composer, bandleader, and music teacher who lived in Seattle, Washington. [1] He was born in San Francisco, California in 1890 and eventually moved to the Pacific Northwest by the beginning of World War I. [2] When he initially moved to Washington, he began his performance career at Camp Lewis—known as Fort Lewis today—playing dance music at the local pavilion attended by soldiers and company. [2] By 1915, he joined the Whangdoodle Entertainers, playing alongside pianist Coty Jones. [3] [4] [5] Waldron and the Whangdoodle Entertainers became notable playing in underground clubs and speakeasies, typical of Prohibition-era jazz music. Following his time with the Whangdoodle Entertainers, he joined the Odean Jazz Orchestra. [6] Later, the Odean Jazz Orchestra would be one of very few black bands to perform at Nanking Café in downtown Seattle which rarely incorporated the integration of black musicians in the night scene. [2] In 1919 Waldron opened The Waldron School of Trumpet and Saxophone [6] where he taught students such as Buddy Catlett and Quincy Jones. [6] Waldron being an expert in his field, taught his pupils the basics of embouchure and phrasing, sight-reading, tonguing, furthermore even improvisation and ear-training. [2] These specialized techniques were staple artistic skill for musicians to achieve before moving forward in their musical endeavors.
While at this time Seattle operated largely outside of the radar of the large East coast jazz record labels, Waldron self-published his own records. This included Frank D. Waldron Syncopated Classic, The Kaiser's Got the Blues (Since Uncle Sam Stepped In), and Valse Queen Ann. [3] His publication, Frank D. Waldron Syncopated Classic was a music instructional book for piano and alto saxophone [1] that featured techniques to inspire and educate other musicians. He wrote 9 compositions for this publication which serve as a symbol of the musical mastery of jazz musicians such as himself and in the Seattle area brought to the jazz scene. [2] [7] One of his earlier compositions, The Kaiser's Got the Blues (Since Uncle Sam Stepped In) was a patriotic song in response to World War I published in 1918. [1] [3] This composition is an example of Frank D. Waldron's musical intelligence for detail and impeccable technique for song writing during the early 20th century Jazz influence.
By the 1910s, Waldron set up his studio on 1040 Jackson Street in Seattle. At the time only 800 Blacks lived in the area, but a thriving jazz scene was already starting in the area around 12th Avenue South and Jackson Street. [1] [8]
Waldron was married to Phoebe Ellen Waldron and had a child named W. Lee Waldron. [2] [9] Frank D. Waldron died in Seattle, Washington in 1955 at the age of 65.
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals.
Ragtime, also spelled rag-time or rag time, is a music genre that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott and Joseph Lamb. Ragtime pieces are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles. "Maple Leaf Rag", "The Entertainer", "Fig Leaf Rag", "Frog Legs Rag", and "Sensation Rag" are among the most popular songs of the genre.
Edward Kennedy "Duke" Ellington was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life.
Joseph Nathan "King" Oliver was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues" aka ”Sugar Foot Stomp”, "Sweet Like This", "Canal Street Blues", and "Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today."
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
Leroy Anderson was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler. John Williams described him as "one of the great American masters of light orchestral music."
Giuseppe "Joe" Venuti was an American jazz musician and pioneer jazz violinist.
Wayne Horvitz is an American composer, keyboardist and record producer. He came to prominence in the Downtown scene of 1980s and '90s New York City, where he met his future wife, the singer, songwriter and pianist Robin Holcomb. He is noted for working with John Zorn's Naked City among others. Horvitz has since relocated to the Seattle, Washington area where he has several ongoing groups and has worked as an adjunct professor of composition at Cornish College of the Arts.
Jazz music has a long history in Australia. Over the years jazz has held a high-profile at local clubs, festivals and other music venues and a vast number of recordings have been produced by Australian jazz musicians, many of whom have gone on to gain a high profile in the international jazz arena.
Robert William Troup Jr. was an American actor, jazz pianist, singer, and songwriter. He wrote the song "Route 66" and acted in the role of Dr. Joe Early with his wife Julie London in the television program Emergency! in the 1970s.
William Mercer Cook, better known as Will Marion Cook, was an American composer, violinist, and choral director. Cook was a student of Antonín Dvořák. In 1919 he took his New York Syncopated Orchestra to England for a command performance for King George V of the United Kingdom, and tour. Cook is probably best known for his popular songs and landmark Broadway musicals, featuring African-American creators, producers, and casts, such as Clorindy, or The Origin of the Cake Walk (1898) and In Dahomey (1903). The latter toured for four years, including in the United Kingdom and United States.
William Overton Smith was an American clarinetist and composer. He worked extensively in modern classical music, third stream and jazz, and was perhaps best known for having played with pianist Dave Brubeck intermittently from the 1940s to the early 2000s. Smith frequently recorded jazz under the name Bill Smith, but his classical compositions are credited under the name William O. Smith.
Juan Tizol Martínez was a Puerto Rican jazz trombonist and composer. He is best known as a member of Duke Ellington's big band, and as the writer of the jazz standards "Caravan", "Pyramid", and "Perdido".
Italian jazz refers to jazz music that is played by Italian musicians, or to jazz music that is in some way connected to Italy.
George Sylvester "Red" Callender was an American string bass and tuba player. He is perhaps best known as a jazz musician, but worked with an array of pop, rock and vocal acts as a member of The Wrecking Crew, a group of first-call session musicians in Los Angeles.
James Roland "J. R." Mitchell was an American jazz drummer and educator who sought to promote awareness of the African American music experience. In the early 1980s, jazz journalist and Washington Post music critic W. Royal Stokes wrote, "J. R. Mitchell is the renaissance man of jazz."
Huw Edwards is a Welsh conductor. Edwards' conducting career began at age seventeen when he became music director of the Maidstone Opera Company in England. He later attended the University of Surrey, where he conducted the college orchestra along with an ensemble that he formed himself. At age twenty-three, he won a conducting competition which sent him to Southern Methodist University in Dallas, Texas. He then held a lecturer position at Northwestern University in Chicago, where he was also a doctoral candidate. Edwards was conductor and music director of the Portland Youth Philharmonic from 1995 to 2002 followed by the Seattle Youth Symphony from 2002 to 2005. He served as music director of the Portland Columbia Symphony from 2000 to 2012 and with the Olympia Symphony Orchestra from 2003 to 2020.
John Holte was an American musician, who led the West Coast Swing Band revival of the 1970s by creating the New Deal Rhythm Band in Seattle in 1972. He played reeds and also wrote arrangements. He later created other Seattle Big Bands and was active in the Seattle music scene up to his death.
The Whangdoodle Entertainers, sometimes referred to as the Whangdoodle Trio, Whangdoodle Quartet, Whangdoodle Quintet, Whangdoodle Orchestra, and Whangdoodle Ensemble was an American jazz and ragtime band formed in Seattle, Washington. They routinely performed throughout the Seattle area from approximately 1907–1925.