This article needs additional citations for verification .(February 2017) |
Frank Gruber | |
---|---|
Born | Elmer, Minnesota, United States | February 2, 1904
Died | December 9, 1969 65) Santa Monica, California, United States | (aged
Occupation | Writer |
Language | English |
Genre | Western, detective fiction, pulp |
Frank Gruber (born February 2, 1904, Elmer, Minnesota, died December 9, 1969, Santa Monica, California) was an American writer of short stories, novels, and screenplays. Included in his work are stories for pulp fiction magazines, dozens of and novels (mostly Westerns and detective yarns) and scripts for Hollywood movies and television shows. He sometimes wrote under the pen names Stephen Acre, Charles K. Boston and John K. Vedder, and also was the creator of three TV series.
Gruber said that as a nine-year-old newsboy, he read his first book, Luke Walton, the Chicago Newsboy by Horatio Alger. During the next seven years he read a hundred more Alger books and said they influenced him professionally more than anything else in his life. They told how poor boys became rich, but what they instilled in Gruber was an ambition, at age nine or ten, to be an author. He had written his first book before age 11, using a pencil on wrapping paper.
Age 13 or 14, his ambition died for a while but several years later it rose again and he started submitting stories to various magazines, like Smart Set and Atlantic Monthly. Getting rejected, he lowered his sights to The Saturday Evening Post and Colliers, with no more success. The pulps were getting noticed and Gruber tried those but with no success. As a story came back with a rejection slip, he would post it off again to someone else, so he could have as many as 40 stories going back and forth at different times, costing him about a third of his earnings in postage. Erle Stanley Gardner called him the fighter who licked his weight in rejection slips.
Gruber served in the US Army from 1920-1921. [1] Gruber said that, while in the Army, he learned how to manipulate the dice to throw 35 consecutive sevens, but that he had "lost this skill through lack of practice". [2]
February 1927, he finally sold a story. It was bought by The United Brethren Publishing House of Dayton. It was called "The Two Dollar Raise" and he got a cheque through for three dollars and fifty cents.
Answering an ad in The Chicago Tribune, he got a job editing a small farm paper. In September he got a better paid job in Iowa and soon found himself editing five farm papers. He had much money and even wrote some articles for the papers but found he had no time to write the stories he wanted to write.
In 1932 the Depression hit, and he lost his job. 1932 to 1934 were his bad years. He wrote and wrote, many stories typed out on an old "Remington" but of the Sunday School stories, the spicy sex stories, the detective stories, the sports stories, the love stories, very few sold, with some companies paying him as little as a quarter of a cent per word. He had a few successes and remained in Mt. Morris, Illinois for 14 months before deciding to head to New York on July 1, 1934.
There were numerous publishing houses in New York and he could save money on postage but this led to him walking miles to deliver manuscripts as he had so little money, not even enough for food most of the time. He stayed in a room in the Forty Fourth Street Hotel ($10.50 per week).
In his book, The Pulp Jungle (1967), Gruber details the struggles (for a long time, at least once a day he had tomato soup, which was free hot water in a bowl, with free crackers crumbled in and half a bottle of tomato sauce added) he had for a few years and numerous fellow authors he became friendly with, many of whom were famous or later became famous.
Early December 1934 and with endless rejection slips, he got a phone call from Rogers Terrill. Could he do a 5,500 word filler story for Operator #5 pulp magazine by next day? He did and got paid. Even better, they wanted another one next month, and another. He was then asked to do a filler for Ace Sports pulp, which sold. Gruber's income from writing in 1934 was under $400. In 1935, his stories were suddenly wanted and he earned $10,000 that year. His wife came to live with him (she had been living with relatives) and he lived the good life, moving into a big apartment and buying a Buick ($750).
January 1942, Gruber decided to try Hollywood, having heard about the huge sums some stories sold for and stayed there till 1946.
Gruber—who stated that only seven types of Westerns existed [3] —wrote more than 300 stories for over 40 pulp magazines, as well as more than 60 novels, which had sold more than 90 million copies in 24 countries, sixty five screenplays, and a hundred television scripts. 25 of his books have sold to motion pictures, and he created three TV series: Tales of Wells Fargo , The Texan and Shotgun Slade . His first novel, The Peace Marshall, which was rejected by every agent in New York at the time, became a film called The Kansan, starring Richard Dix. The book has been reprinted many times with total sales of over one million copies.
He bragged that he could write a complete mystery novel in 16 days and then use the other 14 days of the month to knock out a historical serial for a magazine. [4] His mystery novels included The French Key (for which he sold the motion picture rights for $14,000 in 1945) and The Laughing Fox.
He was a social drinker in the thirties (regular parties for authors were alcohol only with no food provided), being too busy to become a hard drinker, but later just about gave up alcohol.
Year | Film | Credit | Notes |
---|---|---|---|
1939 | Death of a Champion | Story | Adapted from his novel Peace Marshal |
1943 | The Kansan | Story | |
Northern Pursuit | Screenplay | Co-screenwriter with Alvah Bessie | |
1944 | The Mask of Dimitrios | Screenplay | Based on the novel of the same name by Eric Ambler |
1945 | Oregon Trail | StorySt | Adapted from his novel Gunsight |
Johnny Angel | Screenplay | Based on the short story "Mr. Angel Comes Aboard" by Charles Gordon Booth; Co-screenwriter with Steve Fisher | |
1946 | Terror by Night | Screenplay | |
The French Key | Writer | Adapted from his novel The French Key | |
Dressed To Kill | Screenplay | Co-screenwriter with Leonard Lee | |
In Old Sacramento | Screenplay | Co-screenwriter with Frances Hyland | |
Accomplice | Writer | Adapted from his novel Simon Lash, Private Detective; Co-screenwriter with Irving Elman | |
1947 | Bulldog Drummond at Bay | Screenplay | Based on the Novel of the same name by H. C. McNeile |
1948 | The Challenge | Screenplay | Based on a novel by H. C. McNeile |
1949 | Fighting Man of the Plains | Writer | Adapted from his novel Fighting Man |
1950 | Dakota Lil | Story | |
The Cariboo Trail | Screenplay | Based on a story by John Rhodes Sturdy | |
1951 | The Great Missouri Raid | Writer | Adapted from his novel Broken Lance |
The Texas Rangers | Story | ||
Warpath | Writer | Adapted from his novel Broken Lance | |
Silver City | Screenplay | Based on a story by Luke Short | |
1952 | Flaming Feather | Screenplay | Additional Dialogue |
Denver and Rio Grande | Writer | ||
Hurricane Smith | Screenplay | Based on the novel Hurricane Williams by Gordon Ray Young | |
1953 | Pony Express | Story | |
1955 | Rage at Dawn | Story | |
1956 | Backlash | Story | Adapted from his novel Fort Starvation |
Tension at Table Rock | Story | Adapted from his novel Bitter Sage | |
Man in the Vault | Story | Adapted from his novel The Lock and the Key | |
1957 | The Big Land | Story | Adapted from his novel Buffalo Grass |
1961 | Twenty Plus Two | Writer & Producer | Adapted from his novel Twenty Plus Two |
1965 | Town Tamer | Writer, Actor | Role: Hotel Clerk |
Arizona Raiders | Story | Co-writer with Richard Schayer | |
1968 | White Comanche | Writer | |
Year | TV Series | Credit | Notes |
---|---|---|---|
1950 | Suspense | Writer | 1 Episode |
1954 | The Mask | Writer | 1 Episode |
Rheingold Theatre | Writer | 1 Episode | |
1955 | TV Reader's Digest | Writer | 2 Episodes |
Sheena, Queen of the Jungle | Writer | 1 Episode | |
1955-60 | The Life and Legend of Wyatt Earp | Writer | 4 Episodes |
1956 | The Ford Television Theatre | Writer | 1 Episode |
Climax! | Writer | 1 Episode | |
1956-59 | Schlitz Playhouse | Writer, Producer | 3 Episodes |
1957 | General Electric Theater | Writer | 1 Episode |
1957-62 | Tales of Wells Fargo | Writer, Creator, Story Consultant | Multiple Episodes |
1958 | 77 Sunset Strip | Writer | 1 Episode |
Lawman | Writer | 1 Episode | |
The Texan | Writer | 1 Episode | |
1959 | Zane Grey Theatre | Writer | 1 Episode |
Colt .45 | Writer | 1 Episode | |
1959-61 | Shotgun Slade | Creator, Producer, Actor | Multiple Episodes |
1965 | Death Valley Days | Writer | 1 Episode |
A Man Called Shenandoah | Writer | 1 Episode | |
Rex Todhunter Stout was an American writer noted for his detective fiction. His best-known characters are the detective Nero Wolfe and his assistant Archie Goodwin, who were featured in 33 novels, and 41 novellas and short stories, between 1934 and 1975.
Ellery Queen is a pseudonym created in 1928 by the American detective fiction writers Frederic Dannay (1905–1982) and Manfred Bennington Lee (1905–1971). It is also the name of their main fictional detective, a mystery writer in New York City who helps his police inspector father solve baffling murder cases. From 1929 to 1971, Dannay and Lee wrote around forty novels and short story collections in which Ellery Queen appears as a character.
Philip Gordon Wylie was an American writer of works ranging from pulp science fiction, mysteries, social diatribes and satire to ecology and the threat of nuclear holocaust.
Brett Halliday is the primary pen name of Davis Dresser, an American mystery and western writer. Halliday is best known for the long-lived series of Michael Shayne mysteries he wrote, and later commissioned others to continue. Dresser also wrote westerns, non-series mysteries, and romances under the names Asa Baker, Matthew Blood, Kathryn Culver, Don Davis, Hal Debrett, Anthony Scott, Peter Field, and Anderson Wayne.
William Riley Burnett was an American novelist and screenwriter. He is best known for the crime novel Little Caesar, the film adaptation of which is considered the first of the classic American gangster movies.
Anthony Gilbert was the pen name of Lucy Beatrice Malleson, an English crime writer and a cousin of actor-screenwriter Miles Malleson. She also wrote fiction and a 1940 autobiography, Three-a-Penny, as Anne Meredith.
Freeman Wills Crofts FRSA was an Irish engineer and mystery author, remembered best for the character of Inspector Joseph French.
Fiction House was an American publisher of pulp magazines and comic books that existed from the 1920s to the 1950s. It was founded by John B. "Jack" Kelly and John W. Glenister. By the late 1930s, the publisher was Thurman T. Scott. Its comics division was best known for its pinup-style good girl art, as epitomized by the company's most popular character, Sheena, Queen of the Jungle.
Street & Smith or Street & Smith Publications, Inc., was a New York City publisher specializing in inexpensive paperbacks and magazines referred to as dime novels and pulp fiction. They also published comic books and sporting yearbooks. Among their many titles was the science fiction pulp magazine Astounding Stories, acquired from Clayton Magazines in 1933, and retained until 1961. Street & Smith was founded in 1855, and was bought out in 1959. The Street & Smith headquarters were at 79 Seventh Avenue in Manhattan; they were designed by Henry F. Kilburn.
Reginald Evelyn Peter Southouse-Cheyney was a British crime fiction writer who flourished between 1936 and 1951. Cheyney is perhaps best known for his short stories and novels about agent/detective Lemmy Caution, which, starting in 1953, were adapted into a series of French movies, all starring Eddie Constantine. Another popular creation was the private detective Slim Callaghan who also appeared in a series of novels and subsequent film adaptations.
Oscar Jerome Friend began his career primarily as a pulp fiction writer in various genres including horror, Westerns, science fiction, and detective fiction. As a pulp writer he worked with Wonder Stories, Startling Stories, Strange Stories, Captain Future and Thrilling Wonder Stories. As his career progressed, Oscar Friend authored many novels, which were published worldwide. Friend wrote screenplays, worked as an editor on periodicals, and was co-editor on several anthologies. Finally, he took the helm of a literary agency.
Mignon Good Eberhart was an American author of mystery novels. She had one of the longest careers among major American mystery writers.
Norvell Wordsworth Page was an American pulp fiction writer, journalist and editor who later became a government intelligence worker. He is best known as the prolific writer of The Spider pulp magazine novels (1933–1943).
Francis Thomas Sullivan, known professionally as Frank Sully, was an American film actor. He appeared in over 240 films between 1934 and 1968. Today's audiences know him best as the dumb detective in the Boston Blackie features, and as the foil in many Three Stooges comedies.
Stephen Gould Fisher was an American author best known for his pulp stories, novels and screenplays. He is one of the few pulp authors to go on to enjoy success as both an author in "slick" magazines, such as the Saturday Evening Post, and as an in-demand writer in Hollywood.
Eric Taylor was an American screenwriter with over fifty titles to his credit. He began writing crime fiction for the pulps before working in Hollywood. He contributed scripts to The Crime Club, Crime Doctor, Dick Tracy, Ellery Queen, and The Whistler series, as well as six Universal monster movies.
Charles Cahill Wilson was an American screen and stage actor. He appeared in numerous films during the Golden Age of Hollywood from the late 1920s to the late 1940s.
Bruno Fischer was a German-born American author of weird and crime fiction.
Johnny Fletcher is a fictional character created by Frank Gruber. Fletcher is a con-man and reluctant amateur detective. The character was the protagonist of several mystery novels published between 1940 and 1964. Additionally, he was featured in a feature film adaptation scripted by Gruber, and a short lived radio series.
The Spider was an American pulp magazine published by Popular Publications from 1933 to 1943. Every issue included a lead novel featuring the Spider, a heroic crime-fighter. The magazine was intended as a rival to Street & Smith's The Shadow and Standard Magazine's The Phantom Detective, which also featured crime-fighting heroes. The novels in the first two issues were written by R. T. M. Scott; thereafter every lead novel was credited to "Grant Stockbridge", a house name. Norvell Page, a prolific pulp author, wrote most of these; almost all the rest were written by Emile Tepperman and A. H. Bittner. The novel in the final issue was written by Prentice Winchell.