Frankenstein's Great Aunt Tillie | |
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Directed by | Myron J. Gold |
Written by | Myron J. Gold |
Produced by | Myron J. Gold |
Starring | Donald Pleasence Yvonne Furneaux June Wilkinson Aldo Ray |
Cinematography | Miguel Garzón |
Music by | Ronald Stein |
Production companies | Tillie Productions S.A. Filmier |
Release date |
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Running time | 100 minutes |
Country | United States/ Mexico/ UK |
Language | English |
Frankenstein's Great Aunt Tillie is a 1984 comedy film about Frankenstein that is set in Transylvania. [1]
June Wilkinson, who had a part in the film, was interviewed in the book Screen Sirens Scream! about her role. [2] The film's music was written about in the book Musique fantastique. [3]
Castle Frankenstein has been empty for years and the local council is planning to repossess it, when the Frankenstein family return, seeking to find hidden treasure, and to re-animate the Frankenstein monster. [4]
The Bloody Pit of Horror wrote, "I literally cringe at the thought of ever stumbling across something as bad as this in the future. To make it worse, the damn thing goes on forever." [5]
Bride of Frankenstein is a 1935 American science fiction horror film, and the first sequel to Universal Pictures' 1931 film Frankenstein. As with the first film, Bride of Frankenstein was directed by James Whale starring Boris Karloff as the Monster and Colin Clive as Dr. Frankenstein. The sequel features Elsa Lanchester in the dual role of Mary Shelley and the bride. Colin Clive reprises his role as Henry Frankenstein, and Ernest Thesiger plays the role of Doctor Septimus Pretorius. Oliver Peters Heggie plays the role of the old blind hermit.
Hammer Film Productions Ltd. is a British film production company based in London. Founded in 1934, the company is best known for a series of Gothic horror and fantasy films made from the mid-1950s until the 1970s. Many of these involve classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Hammer also produced science fiction, thrillers, film noir and comedies, as well as, in later years, television series.
Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks. The screenplay was co-written by Brooks and Gene Wilder. Wilder also starred in the lead role as the title character, a descendant of the infamous Dr. Victor Frankenstein. Peter Boyle portrayed the monster. The film co-stars Teri Garr, Cloris Leachman, Marty Feldman, Madeline Kahn, Kenneth Mars, Richard Haydn, and Gene Hackman.
Madeline Smith is an English actress. After working as a model in the late 1960s, she went on to appear in many television series and stage productions, plus comedy and horror films, in the 1970s and 1980s.
Frankenstein is a 1910 American short silent horror film produced by Edison Studios. It was directed by J. Searle Dawley, who also wrote the one-reeler's screenplay, broadly basing his "scenario" on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. This short motion picture is generally recognized by film historians as the first screen adaptation of Shelley's work. The small cast, who are not credited in the surviving 1910 print of the film, includes Augustus Phillips as Dr. Frankenstein, Charles Ogle as Frankenstein's monster, and Mary Fuller as the doctor's fiancée.
Son of Frankenstein is a 1939 American horror film directed by Rowland V. Lee and starring Basil Rathbone, Boris Karloff and Bela Lugosi. The film is the third in Universal Pictures' Frankenstein series and is the follow-up to the 1935 film Bride of Frankenstein. Son of Frankenstein stars Rathbone as Baron Wolf von Frankenstein who, with his wife Elsa and son Peter, returns to his late father's estate. Near the castle lives Ygor, a crazed blacksmith whose neck was broken in an unsuccessful hanging attempt. Among the castle's remains, Frankenstein discovers the remains of the Monster and decides to try to save his family name by resurrecting the creature to prove his father was correct. He finds, however, the Monster only responds to Ygor's commands.
House of Frankenstein is a 1944 American horror film starring Boris Karloff, Lon Chaney Jr. and John Carradine. It was directed by Erle C. Kenton and produced by Universal Pictures. Based on Curt Siodmak's story "The Devil's Brood", the film is about Dr. Gustav Niemann, who escapes from prison and promises to create a new body for his assistant Daniel. Over the course of the film, they encounter Count Dracula, the Wolf Man and Frankenstein's monster. The film is a sequel to Frankenstein Meets the Wolf Man (1943).
How to Make a Monster is a 1958 American horror film drama that is notable for its inclusion of props and studios that created actual sci-fi horror movies.
Comedy horror, also known as horror comedy, is a literary, television, and film genre that combines elements of comedy and horror fiction. Comedy horror has been described as able to be categorized under three types: "black comedy, parody and spoof." It often crosses over with the black comedy genre. Comedy horror can also parody or subtly spoof horror clichés as its main source of humour or use those elements to take a story in a different direction. Examples of comedy horror films include Abbott and Costello Meet Frankenstein (1948), An American Werewolf in London (1981), the Evil Dead franchise (1981–present), Gremlins (1984), Shaun of the Dead (2004), and The Cabin in the Woods (2011).
June Wilkinson is an English model and actress, known for her appearances in Playboy magazine and in films of the 1960s. One of the world's most-photographed women in the late 1950s and early 1960s, at the height of her career she was called "the most photographed nude in America".
Marilyn Harris was an American child actress who appeared in several Hollywood productions in the 1930s and 1940s. She is best remembered for her role as "Little Maria" in the 1931 horror film Frankenstein.
There have been many comic book adaptations of the monster story created by Mary Shelley in her 1818 novel Frankenstein; or, The Modern Prometheus. Writer-artist Dick Briefer presented two loose adaptations of the story in publisher Prize Comics' successive series Prize Comics and Frankenstein from 1940 to 1954. The first version represents what comics historians call American comic books' first ongoing horror feature.
Il mostro di Frankenstein is a 1921 Italian silent film directed by Eugenio Testa. The film features actor Luciano Albertini as Baron von Frankenstein and Umberto Guarracino as The Monster. Albertini was known for his strong-man films at the time, particularly the Sansone film series. The film is a lost film, with only a photo, some promotional materials, and a single published review left to give insight to what the film was.
Frankenstein is a 2015 American science fiction horror film written and directed by Bernard Rose. It is a modernised adaptation of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus. The film is told from the monster's point of view, as he is created, escapes into the modern world, and learns about the dark side of humanity.
A Gothic film is a film that is based on Gothic fiction or contains Gothic elements. Since various definite film genres—including science fiction, film noir, thriller, and comedy—have used Gothic elements, the Gothic film is challenging to define clearly as a genre. Gothic elements have also infused the horror film genre, contributing supernatural and nightmarish elements. To create a Gothic atmosphere, filmmakers have sought to create new camera tricks that challenge audiences' perceptions. Gothic films also reflected contemporary issues. A New Companion to The Gothic's Heidi Kaye said "strong visuals, a focus on sexuality and an emphasis on audience response" characterize Gothic films like they did the literary works. The Encyclopedia of the Gothic said the foundation of Gothic film was the combination of Gothic literature, stage melodrama, and German expressionism.
The Loreley's Grasp is a 1973 Spanish horror film written and directed by Amando de Ossorio, and starring Tony Kendall, and Helga Liné. The film centers on a series of horrific murders in a German town by the Rhine river perpetrated by a deadly water spirit known as the Lorelei.
The history of horror films was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema, audience tastes and contemporary world events.