Frankie McIntosh

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Frankie McIntosh
Frankie McIntosh.jpg
Background information
Born1946
Kingstown, St Vincent and the Grenadines
GenresCalypso, soca, jazz
Occupation(s)Music arranger and pianist
Instrument(s)Keyboards
Years active1960–present
LabelsStraker's Records, Charlie’s Records, B's Records

Franklyn McIntosh (born 1946) is a St Vincent-born pianist and arranger of calypso and soca music. He is recognized as one of the pioneer music arrangers who helped usher in the soca style of West Indian popular music in the 1970s and 1980s. [1] [2] [3]

Contents

As a calypso/soca arranger, McIntosh scored out the music parts for the band that accompanies the calypso or soca singer. Melodic lines for horns (saxophone, trumpet, and sometimes trombone) and bass, as well as charts for guitars and keyboards, were written out for use by musicians at recording sessions and on the bandstand for live performances. [4]

Early life and musical training

Frankie McIntosh was born and reared in Kingstown, the capitol city of the Caribbean nation St Vincent and the Grenadines. As a youngster he received musical instruction from his father, saxophonist and band leader Arthur McIntosh, and later classical piano lessons. At the age of ten he began playing in his father’s calypso dance orchestra, the Melotones. He established his own band at the age of fourteen. After graduating from high school and a year’s teaching English literature in a local intermediate secondary school, he relocated to Antigua in 1967 where he played piano for the popular Laviscount Combo. In 1968 McIntosh  joined the wave of Caribbean immigrants who landed in Brooklyn, where he studied and earned a BA degree in classical piano from Brooklyn College (1978)  and an MA in Jazz Studies from NYU (1988). [1] [3] [5]

Performing and arranging career in Brooklyn

While studying at Brooklyn College McIntosh made a living by playing with Brooklyn calypso dance orchestras led by Lio Smith and Syd Joe, and small jazz ensembles led by Jimmy Tyler, Snug Mosley, and Donald Maynard. [6]

In 1977 he began his serious arranging career with calypsonian Alston “Becket” Cyrus. Their album, Disco Calypso, included one of Becket’s biggest hits, “Coming High." Amsterdam News cultural critic Dawad Philip praised the song and McIntosh for his forward thinking "talent and musical Wizardy." [7] A second song on the album, “Calypso Disco” made it onto the sound track of the 1977 Hollywood film The Deep. [7]

In 1978 McIntosh joined forces with fellow St Vincent expatriate and record producer Granville Straker. Serving as musical director and leader of the studio band the Equitables, McIntosh composed musical arrangements and oversaw the recordings of hundreds of calypso/soca albums for Straker’s Records as well as Brooklyn’s two other calypso labels, Charlie’s Records, and B’s Records. [8] [9]

Over the next two decades McIntosh arranged for nearly every leading calypso/soca singer from the West Indies who came to New York to record and perform. Among his most notable collaborators from Trinidad were Mighty Sparrow , Lord Kitchener, Calypso Rose, Shadow, Chalk Dust, Duke, and Explainer. [3] [8] [10] He also arranged for a number of so-called "small island" singers including Becket and Winston Soso [11] from St Vincent and Short Shirt and Swallow [12] from Antigua. Regarding Frankie's impact on the music, Nelson King, culture critic for the Vincentian and Caribbean Life, noted: "As the music moved into the 1980s, McIntosh emerged in the forefront of the new soca style, with arrangements famous for their innovative horn lines, catchy synthesizer figures, and sophisticated harmonic settings," [1] Reviewing over a decade of work by McIntosh, critic Les Slater concluded: "McIntosh stands, along with Leston Paul, as the first among equals in the business of arranging calypso music which, as of the later 1970s, became a much bigger deal than it used to be. [2]

In recent years McIntosh has returned to his jazz interests, playing in a small ensemble with steel panist Garvin Blake. [3] He arranged Blake’s 2014 CD, Parallel Overtones, a recording that Les Slater noted: “exudes top-tier quality and finesse….It certainly is fine testament to Blake on both counts that the great Frankie McIntosh has been a collaborative presence for years on Blake’s music ventures." [13]

During his Honorary Doctorate award ceremony, an official from the University of the West Indies summed up Frankie's accomplishments, proclaiming he had "an indestructible mark on authentic Caribbean music and ipso facto, bona fide Caribbean Culture. He was not constrained by nationality of other parochial interests in the deployment of his talent. With a totally Pan-Caribbean and Diasporic sensibility, he found time for teaching and assisting younger performers, arrangers, and musicians, not just the big popular names." [14]

Noteworthy Soca/Calypso arrangements

Source: [15]

Awards

Related Research Articles

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Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.

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References

  1. 1 2 3 King, Nelson (September 28, 2018). "Franklyn "The Maestro" McIntosh to be Honored"". Vincentian. Retrieved November 5, 2022.
  2. 1 2 Slater, Les (1991). "Frankie McIntosh-Master Musician". Class Magazine. pp. 16, 20.
  3. 1 2 3 4 5 Funk, Ray (October 1, 2015). "Soca Legend McIntosh Gets Sunshine Honour". Trinidad Guardian.
  4. Guilbault, Jocelyne (2007). Governing sound : the cultural politics of Trinidad's Carnival musics. Chicago: University of Chicago Press. pp. 135–154. ISBN   978-0-226-31059-6. OCLC   74029379.
  5. Allen, Ray (2019). Jump Up! Caribbean Carnival Music in New York City. New York City: Oxford University Press. pp. 154–155. ISBN   9780190656850.
  6. 1 2 Persad, Seeta (July 18, 2008). "Frankie McIntosh and Friends Take Spotlight in San Fernando". Trinidad and Tobago's Newsday.
  7. 1 2 3 Philip, Dawad (September 24, 1977). "Beckett: A Major Calypso Talent 'Climbing High'". New York Amsterdam News.
  8. 1 2 Allen, Ray (2014). "The Brooklyn Soca Connection: Frankie McIntosh and Straker Records". American Music Review. XLIV (1).
  9. Allen, Ray (2019). Jump Up! Caribbean Carnival Music in New York City. pp. 156–159.
  10. Guilbault, Jocelyne; Cape, Roy (2014). Roy Cape; A Life on the Calypso and Soca Bandstand. Duke University Press. pp. 117–118. doi:10.1515/9780822376163. ISBN   978-0-8223-7616-3.
  11. Allen, Ray (Fall 2021). "Winston Soso, Clymax, and Small Island Calypso in Brooklyn". Everybody's Caribbean Magazine: 21–22.
  12. 1 2 3 4 5 O'Marde, Dorbrene (2014). King Short Shirt: Nobody Go Fun Me. Hansib Publications Limited. pp. 163–165, 226–228. ISBN   9781906190712.
  13. Slater, Les (2015). "'Parallel Overtones': An infectious Garvin Blake CD". When Steel Talks.
  14. King, Nelson (June 23, 2022). "Franklyn 'Frankie' McIntosh, pre-eminent musical arranger". Caribbean Life.
  15. "Brooklyn Soca - Frankie McIntosh - YouTube". www.youtube.com. Retrieved 2024-05-01.
  16. Liverpool, Hollis "Chalkdust" (September 15, 2020). "All Hail King Swallow: A Polished Man of Kaiso Art". Antiguan Observer.
  17. Doughty, Mellisa (October 7, 2022). "Veteran Calypsonian Explainer Dies". Trinidad and Tobago Newsday.
  18. Wong, Melissa (November 20, 2020). "Honorary UWI doctorate for Vincentian musical legend Frankie McIntosh". Loop News.
  19. King, Nelson (January 28, 2022). "McIntosh Marks 25th Anniversary of Commemorative Stamp". Vincentian.
  20. Trinidad and Tobago Folk Arts Institute's Gala Award Dinner Booklet. March 19, 1993.
  21. "Lord Kitchener Receives Standing Ovation at Calypso Awards". Everybody's Magazine. 1992.