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Seattle Opera is an opera company based in Seattle, Washington. It was founded in 1963 by Glynn Ross, who served as its first general director until 1983. The company's season runs from August through late May, comprising five or six operas of eight to ten performances each, often featuring double casts in major roles to allow for successive evening presentations.
Il corsaro is an opera in three acts by Giuseppe Verdi, from a libretto by Francesco Maria Piave, based on Lord Byron's 1814 poem The Corsair. The first performance was given at the Teatro Grande in Trieste on 25 October 1848.
Thomas Pasatieri is an American opera composer.
Fort Worth Opera is the oldest continually-performing opera company in the state of Texas and among the oldest in the United States, according to the company. While originally presenting operas one at a time over a fall/winter season, it changed to a "festival" format in 2007. It now performs three to four operas per year each spring in Bass Performance Hall, located in the downtown area of Fort Worth, Texas. In 2021, as the company celebrated its 75th anniversary season, Fort Worth Opera left the Festival format after fourteen years and returned to year-round programming.
Catherine Malfitano is an American operatic soprano and opera director. Malfitano was born in New York City, the daughter of a ballet dancer mother, Maria Maslova, and a violinist father, Joseph Malfitano. She attended the High School of Music and Art and studied at the Frank Corsaro Studio and Manhattan School of Music, graduating in 1971. She often mentions that she was rejected from The Juilliard School.
Muriel Salina Costa-Greenspon was an American mezzo-soprano who had a lengthy career at the New York City Opera from 1963 to 1993.
Frank Corsaro was one of America's foremost stage directors of opera and theatre. His Broadway productions include The Night of the Iguana (1961).
The Seagull is an opera in three acts by Thomas Pasatieri to an English libretto by Kenward Elmslie. The plot is based on Anton Chekhov's 1896 play, The Seagull.
Daniel Okulitch is a Canadian bass-baritone. He first came to attention on Broadway as Schaunard in Baz Luhrmann's production of La bohème in 2002/03 – a role he repeated when the production traveled to Los Angeles the following year, for which he received the Ovation Award for Best Ensemble Performance from the Los Angeles Stage Alliance. He has since begun an international career with opera companies and orchestras throughout Europe and North America, and is admired for both his singing and powerful stage presence. He is sought after for many contemporary operas and world premieres, as well as the roles of Mozart, including Figaro and Don Giovanni.
WALL·E is the soundtrack album to the 2008 Disney-Pixar film of the same name composed and conducted by Thomas Newman. WALL·E is the second Pixar film to be scored by Thomas Newman after Finding Nemo (2003). It was also the second Pixar film not to be scored by Randy Newman or Michael Giacchino. Released by Walt Disney Records on June 24, 2008, it was mainly composed by Thomas Newman and orchestration is credited to Carl Johnson, JAC Redford, Thomas Pasatieri, and Gary K. Thomas. Newman previously scored Finding Nemo and most of all other Pixar films have been scored by either Newman's cousin Randy, Michael Giacchino or Patrick Doyle.
Ronald Chase is an American artist, photographer, educator, independent film maker and opera designer. His work with projection and film has been called "one of the most exciting developments in the history of opera stage presentation."
Ten Seconds To Hell is a 1959 British and West German film directed by Robert Aldrich, based on Lawrence P. Bachmann's novel The Phoenix. The Hammer Films/UFA joint production stars Jack Palance, Jeff Chandler and Martine Carol.
The Opera Company of Brooklyn (OCB) is an opera company founded in 2000 which performs in a variety of venues in New York City. It is a non-profit organization operating under Section 501(c)(3) of the Internal Revenue Code.
Lauren Flanigan is an American operatic soprano who has had an active international career since the 1980s. She enjoyed a particularly fruitful partnership with the New York City Opera, appearing with the company almost every year since 1990. She has sung more than 100 different opera roles on stage during her career, often appearing in contemporary works or more rarely staged operas. Opera News stated that, "Flanigan has enjoyed one of the most distinctive careers of any artist of her generation, one marked by a high volume of contemporary works. Modern composers love her because of her innate musicality, dramatic power and lightning-fast skills and instincts."
Evelyn Mandac is a soprano opera singer, orchestra soloist, recitalist and voice teacher from the Philippines. She is based in New York City. She's also listed in "Who's Who in Music and Musicians."
Signor Deluso is an opera buffa in one act composed by Thomas Pasatieri. The English-language libretto, written by the composer, is loosely based on Molière's 1660 comedy Sganarelle, ou Le Cocu imaginaire. It premiered on 27 July 1974 at the Madeira School auditorium in McLean, Virginia performed by the Wolf Trap Opera Company. It has been subsequently performed many times by various small opera companies in the United States and Europe. In a review of a 2008 revival in Washington, D.C., Anne Midgette described it as "an exuberant sendup of over-the-top comic opera plots, filled with effusive lovers leaping with alacrity to wrong conclusions in floods of extreme vocalism."
Elaine Bonazzi was an American operatic mezzo-soprano who had an active international career from the 1950s through the 1990s. A singer with an unusually broad repertoire that encompassed both classical and contemporary works, she notably created roles in the world premieres of operas by composers Dominick Argento, David Carlson, Carlisle Floyd, Gian Carlo Menotti, Thomas Pasatieri, and Ned Rorem. In the United States she was particularly active with the New York City Opera, the Santa Fe Opera, and the Washington National Opera.
The Trial of Mary Lincoln is an opera in one act by composer Thomas Pasatieri. Commissioned for television by the National Educational Television network under the leadership of Peter Herman Adler, the work uses an English language libretto by Anne Howard Bailey. Bailey was awarded the Primetime Emmy Award for Outstanding Writing for a Variety Series for her libretto. A work of historical fiction, the opera is based on the life of Mary Todd Lincoln; mainly focusing on the 1875 trial where her sanity was being evaluated. Set in an around Washington, Illinois, the opera consists largely of flashbacks to her early life, and ends with the judgment of her insanity and her committal.
Frau is a German honorific for women.
Judith Christin is an American operatic mezzo-soprano.
References
- ↑ "Thomas Pasatieri: Frau Margot". Dramonline.org. December 2003.
- ↑ "Frau Margot at thomaspasatieri.org". Archived from the original on 2008-11-20. Retrieved 2010-10-22.
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