Freakish | ||||
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Studio album by Anthony Coleman | ||||
Released | September 29, 2009 | |||
Recorded | 2009 | |||
Genre | Jazz | |||
Length | 58:16 | |||
Label | Tzadik TZ 7631 | |||
Producer | Anthony Coleman | |||
Anthony Coleman chronology | ||||
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Freakish (subtitled Anthony Coleman Plays Jelly Roll Morton) is a solo album by pianist Anthony Coleman performing compositions by Jelly Roll Morton which was released on the Tzadik label in 2009. [1]
Anthony Coleman is an avant-garde jazz pianist. During the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.
Ferdinand Joseph LaMothe, known professionally as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer who started his career in New Orleans, Louisiana.
Tzadik Records is a record label in New York City that specializes in avant-garde and experimental music. The label was established by composer and saxophonist John Zorn in 1995. He is the executive producer of all Tzadik releases. Tzadik is a not-for-profit, cooperative record label.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
In his review for Allmusic, arwulf arwulf states "Coleman's readings of "The Crave," "The Pearls," "Frog-I-More," and "Mr. Jelly Lord" are so intelligently and creatively delivered that anyone with the slightest interest in 20th century music really ought to consider making time for this recital". [2]
All compositions by Jelly Roll Morton
Bar Kokhba is a double album by John Zorn, recorded between 1994 and 1996. It features music from Zorn's Masada project, rearranged for small ensembles. It also features the original soundtrack from The Art of Remembrance – Simon Wiesenthal, a film by Hannah Heer and Werner Schmiedel (1994–95).
John Zorn is an American composer, arranger, record producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions, which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".
Jelly Roll Morton: The Complete Library of Congress Recordings is a 2005 box set of recordings from jazz pioneer Jelly Roll Morton. The set spans 128 tracks over eight CDs. It won two Grammy Awards in 2006, Best Historical Album and Best Album Notes.
The phrase Spanish tinge is a reference to an Afro-Latin rhythmic touch that spices up the more conventional 4
4 rhythms commonly used in jazz and pop music. The phrase is a quotation from Jelly Roll Morton. In his Library of Congress recordings, after referencing the influence of his own French Creole culture in his music, he noted the Spanish presence:
Then we had Spanish people there. I heard a lot of Spanish tunes. I tried to play them in correct tempo, but I personally didn't believe they were perfected in the tempos. Now take the habanera "La Paloma", which I transformed in New Orleans style. You leave the left hand just the same. The difference comes in the right hand — in the syncopation, which gives it an entirely different color that really changes the color from red to blue.
Now in one of my earliest tunes, "New Orleans Blues", you can notice the Spanish tinge. In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning, I call it, for jazz.
The Jelly Roll Joys is an album by jazz pianist Dave Burrell. It was recorded in 1990 and released in 1991 by Gazell Records.
Kristallnacht is an album by John Zorn first released in 1993 on the Japanese Eva label and subsequently in 1995 on Zorn's own Tzadik Records label.
Filmworks VIII: 1997 features two scores for film by John Zorn released on Zorn's own label, Tzadik Records, in 1998. It features the music that Zorn wrote and recorded for The Port of Last Resort (1998), a documentary directed by Joan Grossman and Paul Rosdy examining the experiences of Jewish refugees in Shanghai and Latin Boys Go to Hell (1997) which was directed by Ela Troyano.
Sidewalk Blues is an album by American guitarist Tim Sparks, released in 2009. It marks a return to 'roots' music for Sparks after three albums of klezmer and jazz recordings on the Tzadik Records label.
Tyshawn Sorey is an American drummer and composer.
Sephardic Tinge is an album by pianist Anthony Coleman which was released on the Tzadik label in 1995.
Selfhaters is an album by keyboardist Anthony Coleman which was released on the Tzadik label in 1996.
I Could've Been a Drum is an album by pianist Anthony Coleman and saxophonist Roy Nathanson which was released on the Tzadik label in 1997.
The Abysmal Richness of the Infinite Proximity of the Same is an album by keyboardist Anthony Coleman's Selfhaters which was released on the Tzadik label in 1998.
Morenica is an album by pianist Anthony Coleman's Sephardic Tinge which was released on the Tzadik label in 1998.
Our Beautiful Garden is Open is an album by pianist Anthony Coleman's Sephardic Tinge which was released on the Tzadik label in 2002.
Shmutsige Magnaten is a live solo album by pianist Anthony Coleman performing the songs of Mordechai Gebirtig recorded in Poland and released on the Tzadik label in 2006.
Pushy Blueness is an album by pianist Anthony Coleman which was released on the Tzadik label in 2006.
Luminous Axis is an album by American jazz trumpeter Wadada Leo Smith which was recorded in 2002 and released on the Tzadik Records' Composer Series. The album includes an extended suite for four laptops and trumpet, two duets with Ikue Mori and a composition featuring the percussionist William Winant.