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Fred Rinne | |
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Born | 1955 (age 68–69) |
Occupation | Artist |
Fred Rinne (born 1955) is an American visual and performance artist. His cross disciplinary approach, outsider aesthetic and overriding cultural critique defines his work.
"As an American I feel that I have grown up bathed in pop schlock against my will. It was always the background noise of my culture... Instead of a real culture where songs actually mean something, we have this junk culture of entertainment working on the principle of planned obsolescence. We don't have to eat the same hamburgers, listen to the same music, or see the same images. I struggle for a world where every man can be his own Manilow." [1]
Born in Crescent City, California, United States, Rinne grew up in California, settling in 1980 in San Francisco. He studied theater arts and art in Modesto, Sacramento, and San Francisco, ending up with a science degree in Environmental Studies from San Francisco State University.
He began showing his paintings and sculptures in the 1980s, and has exhibited at The LAB, Show and Tell Gallery, San Francisco Arts Commission Gallery, Z Gallerie, and the Endeavor House in London, England. Rinne's graphics and articles have appeared in San Francisco Bay Area publications Frank, Processed World, Filth, Weekly Weird News, Flatter, and the Anderson Valley Advertiser, as well as Le Dernier Cri in Marseilles, France.
In 1985, Rinne co-founded the sound performance group National Disgrace, and later the Bringdownz. These groups performed at Artists' Television Access, the Great American Music Hall and other Bay Area venues. Rinne began to produce artist books around 2000, including "Santa Christ," "Temp Worker," and "Ice Cream Bummer." [2]
He has collaborated on books with Marshall Weber, Scott Williams, and Dana Smith, and exhibited at the San Francisco Center for the Book, Booklyn Book Arts Salon, and other venues. His original, hand-painted books are owned by the Pompidou Center, Paris, France, Bibliothèque Nationale du Luxemburg, Kunstbibliotek, Berlin, Germany, as well as many universities and other collections in the United States.
Karen Finley is an American performance artist, musician, poet, and educator. The case, National Endowment for the Arts v. Finley (1998), argued in front of the U.S. Supreme Court, was decided against Finley and the other artists. Her performance art, recordings, and books are used as forms of activism. Her work frequently uses nudity and profanity. Finley incorporates depictions of sexuality, abuse, and disenfranchisement in her work. She is a professor at the Tisch School of the Arts at New York University.
Raymond Saunders is an American artist known for his multimedia paintings which often have sociopolitical undertones, and which incorporate assemblage, drawing, collage and found text. Saunders is also recognized for his installation, sculpture, and curatorial work.
Pamela Z is an American composer, performer, and media artist best known for her solo works for voice with electronic processing. In performance, she combines various vocal sounds including operatic bel canto, experimental extended techniques and spoken word, with samples and sounds generated by manipulating found objects. Z's musical aesthetic is one of sonic accretion, and she typically processes her voice in real time through the software program Max on a MacBook Pro as a means of layering, looping, and altering her live vocal sound. Her performance work often includes video projections and special controllers with sensors that allow her to use physical gestures to manipulate the sound and projected media.
Artists' Television Access (ATA) is a non-profit art gallery and screening venue in San Francisco's Mission District in the United States of America. ATA exhibits work by emerging, independent and experimental artists in its theatre and gallery space as well as on its weekly Public-access television cable TV show and webzine. The Other Cinema series is hosted seasonally every Saturday night by experimental filmmaker and artist-in-residence Craig Baldwin.
Yerba Buena Center for the Arts (YBCA) is a multi-disciplinary contemporary arts center in San Francisco, California, United States. Located in Yerba Buena Gardens, YBCA features visual art, performance, and film/video that celebrates local, national, and international artists and the Bay Area's diverse communities. YBCA programs year-round in two landmark buildings—the Galleries and Forum by Japanese architect Fumihiko Maki and the adjacent Theater by American architect James Stewart Polshek and Todd Schliemann. Betti-Sue Hertz served as Curator from 2008 through 2015.
Wally Bill Hedrick was a seminal American artist in the 1950s California counterculture, gallerist, and educator who came to prominence in the early 1960s. Hedrick's contributions to art include pioneering artworks in psychedelic light art, mechanical kinetic sculpture, junk/assemblage sculpture, Pop Art, and (California) Funk Art. Later in his life, he was a recognized forerunner in Happenings, Conceptual Art, Bad Painting, Neo-Expressionism, and image appropriation. Hedrick was also a key figure in the first important public manifestation of the Beat Generation when he helped to organize the Six Gallery Reading, and created the first artistic denunciation of American foreign policy in Vietnam. Wally Hedrick was known as an “idea artist” long before the label “conceptual art” entered the art world, and experimented with innovative use of language in art, at times resorting to puns.
Griff Williams, is an American painter, publisher, art instructor, filmmaker, and gallerist. He owns Gallery 16 art gallery. His paintings have been exhibited in galleries and museums worldwide, including San Diego Museum of Art, Orange County Museum of Art, Crocker Art Museum in Sacramento, New Langton Arts, Andrea Schwartz Gallery and Stephen Wirtz Gallery, the San Jose Museum of Art, and the Eli Ridgeway Gallery. His work has been reviewed in Art in America, Frieze, Flash Art, SFAQ, and Artnet.com.
Maynard Dixon was an American artist. He was known for his paintings, and his body of work focused on the American West. Dixon is considered one of the finest artists having dedicated most of their art to the U.S. Southwestern cultures and landscapes at the end of the 19th-century and the first half of the 20th-century. He was often called "The Last Cowboy in San Francisco."
Squeak Carnwath is an American contemporary painter and arts educator. She is a professor emerita of art at the University of California, Berkeley. She has a studio in Oakland, California, where she has lived and worked since 1970.
The Bay Area Improv Scene is a commonly used name for a loose association of musicians and composers centered in the San Francisco Bay Area who create a style of music that evolved largely from avant-garde jazz and modern classical music, with influences from other areas such as electronic art music, free improvisation, and musique concrète. Other names of this scene tend to use phrases such as "Creative Music" to try to incorporate a wider focus than just the improvisational approach.
Toychestra is an all-women experimental music group from Oakland, California that plays toys. They use toy musical instruments and other noise-making toys to perform their own compositions as well as interpretations of works by other artists, from Dvořák to Black Flag. Toychestra have performed at several venues in the San Francisco Bay Area and have toured Europe three times. They have released three CDs, including a collaborative album, What Leave Behind with English experimental guitarist Fred Frith.
Scott Williams was an American artist best known for paintings made using stencils. He began working with stencils in the early 1980s, painting on walls, cars and the found paper and objects that accumulated in his studio. He has painted many murals in San Francisco and was dubbed by artist/writer Aaron Noble The Stencil Godfather of the Mission, where stencil graffiti is common. Williams has painted numerous murals in San Francisco, both indoors and out, including Armadillo's on Fillmore Street, Amoeba Records, Clarion Alley, Leather Tongue video, The Chamelleon bar, DNA Lounge, Burger Joint, Pedal Revolution, and The Lab. The preponderance of his work in the Mission and his ability to go back and forth from street to studio has led some people to see him as a forerunner of the Mission school, which coalesced 10 years after he began working in the neighborhood. Working outside the mainstream, Williams exhibited at alternative spaces throughout the 80s and 90s including Show and Tell Gallery, Altarpiece at the Offensive, Bibliomancy, the Adobe Bookstore and Southern Exposure. As curatorial awareness of Williams grew, he was invited to exhibit at Yerba Buena Center for the Arts, and the San Francisco Art Institute.
James C. Pomeroy was an American artist whose practice spanned a variety of media including performance art, sound art, photography, installation art, sculpture, and video art.
Serge Sorokko is an American art dealer, publisher and owner of the Serge Sorokko Gallery in San Francisco. He played a major role in establishing the first cultural exchanges in the field of visual arts between the United States and the Soviet Union during the period of perestroika. Sorokko is the recipient of various international honors and awards for his contributions to culture.
Ashurbanipal, also known as the Ashurbanipal Monument or the Statue of Ashurbanipal, is a bronze sculpture by Fred Parhad, an artist of Assyrian descent. It is located in the Civic Center of San Francisco, California, in the United States. The 15-foot (4.6 m) statue depicting the Assyrian king of the same name was commissioned by the Assyrian Foundation for the Arts and presented to the City of San Francisco in 1988 as a gift from the Assyrian people. The sculpture reportedly cost $100,000 and was the first "sizable" bronze statue of Ashurbanipal. It is administered by the City and County of San Francisco and the San Francisco Arts Commission.
Sanaz Mazinani is an Iranian–born Canadian multidisciplinary visual artist, curator and educator, known for her photography and installation art. She is currently based in San Francisco and Toronto.
Stephen Laub is an American artist who works in performance, video, and sculpture.
Taravat Talepasand is an American contemporary artist, activist, and educator, of Iranian descent. She is known for her interdisciplinary painting practice including drawing, sculpture and installation. As an Iranian-American woman, Talepasand explores the cultural taboos that reflect on gender and political authority. Her approach to representation and figuration reflects the cross-pollination, or lack thereof, in our Western Society. Talepasand previously held the title of the chair of the painting department at San Francisco Art Institute (SFAI). She is an assistant professor in art practice at Portland State University.
Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, educator, and set designer; with a career spanning five decades. Her work has been exhibited in museums and galleries around the world. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.
Fred Thomas Martin was an American artist, writer and arts administrator and educator who was active in the San Francisco Bay Area art scene since the late 1940s. He was a driving force of the Bay Area art scene from the mid 1950s until his retirement from the San Francisco Art Institute. In addition to his artistic practice, Martin was widely known for his work as a longtime administrator and Professor Emeritus at the San Francisco Art Institute (SFAI).