Freda Sack (born 23rd September 1951, died 13th February 2019 [1] ) was a British type designer who began her career at Letraset in 1972, joining as a photographic retoucher [2] . Colleagues attest to her skill at cutting letters from rubylith at Letraset where she cut several of the in-house designs and some of her own [3] . After a freelance period which including consulting for British Airways, and Vauxhall Motors, in 1989 she joined up with previous collaborator David Quay to co-found what, by their own account, may have been the first UK independent type foundry, called The Foundry, in 1989 [4] .
Freda Sack was a member of the International Society of Typographic Designers, its co-chair from 1995 to 1999, its chair from 2000 to 2004, and its president from 2006 to 2010. Later, she was made an honorary fellow [5] .
This is a selection of more notable typefaces, not a comprehensive index.
While employed by Letraset [2] :
After leaving Letraset but still published with Letraset [2] :
Published by her own Foundry Types (now The Foundry Types) many of which are careful revivals of 20th century designs:
Also at Foundry Types, Sack created corporate (that is, not published) fonts for British Gas, NatWest Bank, the Science Museum, the World Wildlife Fund, and Lisbon Metro [7] .
Helvetica, also known by its original name Neue Haas Grotesk, is a widely-used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.
Emigre, Inc., doing business as Emigre Fonts, is a digital type foundry based in Berkeley, California, that was founded in 1985 by husband-and-wife team Rudy VanderLans and Zuzana Licko. The type foundry grew out of Emigre magazine, a publication founded by VanderLans and two Dutch friends who met in San Francisco, CA in 1984. Note that unlike the word émigré, Emigre is officially spelled without accents.
Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards.
Zuzana Licko is a Slovak-born American type designer and visual artist known for co-founding Emigre Fonts, a digital type foundry in Berkeley, CA. She has designed and produced numerous digital typefaces including the popular Mrs Eaves, Modula, Filosofia, and Matrix. As a corresponding interest she also creates ceramic sculptures and jacquard weavings.
Stanley Arthur Morison was a British typographer, printing executive and historian of printing. Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past.
A type foundry is a company that designs or distributes typefaces. Before digital typography, type foundries manufactured and sold metal and wood typefaces for hand typesetting, and matrices for line-casting machines like the Linotype and Monotype, for letterpress printers. Today's digital type foundries accumulate and distribute typefaces created by type designers, who may either be freelancers operating their own independent foundry, or employed by a foundry. Type foundries may also provide custom type design services.
Willem Hendrik "Wim" Crouwel was a Dutch graphic designer, type designer, and typographer.
Jonathan Hoefler is an American type designer. Hoefler founded the Hoefler Type Foundry in 1989, a type foundry in New York.
Bookman, or Bookman Old Style, is a serif typeface. A wide, legible design that is slightly bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text. In advertising use it is particularly associated with the graphic design of the 1960s and 1970s, when revivals of it were very popular.
Impact is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield. It is well known for having been included in the core fonts for the Web package and distributed with Microsoft Windows since Windows 98. In the 2010s, it gained popularity for its use in image macros and other internet memes.
The International Typeface Corporation (ITC) was a type manufacturer founded in New York in 1970 by Aaron Burns, Herb Lubalin and Edward Rondthaler. The company was one of the world's first type foundries to have no history in the production of metal type. It is now a wholly owned brand or subsidiary of Monotype Imaging.
Gudrun Zapf von Hesse was a German book-binder, calligrapher and typographer.
Architype van der Leck is a geometric sans-serif typeface, based upon the 1941 typeface designed by Bart van der Leck for the Dutch magazine Flax, a journal of the De Stijl art movement.
Stephenson Blake is an engineering company based in Sheffield, England. The company was active from the early 19th century as a type founder, remaining until the 1990s as the last active type foundry in Britain, since when it has diversified into specialist engineering.
Walter Valentine Tracy RDI was an English type designer, typographer and writer.
Martin Majoor is a Dutch type designer and graphic designer. As of 2006, he had worked since 1997 in both Arnhem, Netherlands, and Warsaw, Poland.
Louise Fili is an American graphic designer known for her use of typography. Her artistic inspiration derives from modernism and European art deco styles, and she blends historic typography with contemporary colors and compositions. Commencing her career in the publishing industry, Fili crafted nearly 2,000 book jackets during her time with Random House. Upon establishing her own design studio, she has directed her focus towards restaurant identity, food-related logos, and packaging.
URW Type Foundry GmbH is a type foundry based in Hamburg, Germany. The foundry has its own library with more than 500 font families. The company specializes in customized corporate typefaces and the development of non-Latin fonts. It has been owned by Monotype Imaging since May 2020.
The Stephenson Blake Grotesque fonts are a series of sans-serif typefaces created by the type foundry Stephenson Blake of Sheffield, England, mostly around the beginning of the twentieth century.
Joshua Darden is an American typeface designer. He published his first typeface at the age of 15, becoming according to Fonts In Use the first known African-American typeface designer.