Frenchman's Farm | |
---|---|
Directed by | Ron Way |
Written by | James Fishburn Ron Way Matt White |
Based on | original script by William Russell |
Produced by | James Fishburn Matt White |
Starring | Tracey Tainsh David Reyne Ray Barrett John Meillon |
Cinematography | Malcolm McCulloch |
Edited by | Pippa Anderson |
Music by | Tommy Tycho |
Production company | Mavis Bramston Productions |
Release date |
|
Running time | 86 minutes |
Country | Australia |
Language | English |
Budget | A$2.47 million [1] |
Box office | A$2,780 [2] |
Frenchman's Farm is a 1986 Australian horror mystery film. [3]
Jackie Grenville is a university student in Australia, motoring through the rural region and suddenly finding herself in the 40s. She witnesses a horrible murder and is then zapped back to present times. After retracing her steps, she and her boyfriend Barry Norden try to solve the mystery and end up unearthing an unexpected fortune and a crazed killer.
Filming started 17 February 1986. [4]
Walkabout is a 1971 adventure survival film directed by Nicolas Roeg and starring Jenny Agutter, Luc Roeg, and David Gulpilil. Edward Bond wrote the screenplay, which is loosely based on the 1959 novel by James Vance Marshall. It centres on two white schoolchildren who are left to fend for themselves in the Australian Outback and who come across a teenage Aboriginal boy who helps them to survive.
Les Patterson Saves the World is a 1987 Australian comedy film starring Barry Humphries as his stage creations Sir Les Patterson and Dame Edna Everage.
Death on the Nile is a 1978 British mystery film based on Agatha Christie's 1937 novel of the same name, directed by John Guillermin and adapted by Anthony Shaffer. The film features the Belgian detective Hercule Poirot, played by Peter Ustinov for the first time, plus an all-star supporting cast that includes Maggie Smith, Angela Lansbury, Bette Davis, Mia Farrow, Jane Birkin, David Niven, George Kennedy, and Jack Warden. The film is a standalone sequel to the 1974 film Murder on the Orient Express.
Starstruck is a 1982 Australian comedy-drama musical film directed by Gillian Armstrong and starring Jo Kennedy, Ross O'Donovan and Margo Lee. The plot concerns two teenagers trying to break into the music industry. The film was shot on location in Sydney, New South Wales, Australia. It was marketed with the tagline "A Comedy Musical." The hotel shots were filmed at the Harbour View Hotel in The Rocks, near the south pylon of the Sydney Harbour Bridge.
The Tale of Ruby Rose is a 1988 Australian film written and directed by Roger Scholes, produced by Andrew Wiseman and Bryce Menzies, and starring Melita Jurisic, Chris Haywood, Rod Zuanic, Sheila Florance, and Martyn Sanderson.
Summerfield is a 1977 Australian film, directed by Ken Hannam, written by Cliff Green and produced by Patricia Lovell. It stars Nick Tate, Elizabeth Alexander, John Waters, Charles 'Bud' Tingwell, Max Fairchild and Geraldine Turner, and was filmed on location on Phillip Island and Churchill Island in Victoria.
Backstage is a 1988 Australian film starring American singer Laura Branigan. The film was written and directed by Academy Award nominee Jonathan Hardy, who had also written Breaker Morant.
Ozploitation films are exploitation films – a category of low-budget horror, comedy, sexploitation and action films – made in Australia after the introduction of the R rating in 1971. The year also marked the beginnings of the Australian New Wave movement, and the Ozploitation style peaked within the same time frame.
The Getting of Wisdom is a 1977 Australian film directed by Bruce Beresford and based on the 1910 novel of the same title by Henry Handel Richardson.
High Tide is a 1987 Australian drama film starring Judy Davis, from a script by Laura Jones, about the mother-daughter bond, directed by Gillian Armstrong. Armstrong reported that when she began work on High Tide she pinned a note above her desk: "Blood ties. Water. Running Away." Jan Adele plays Lilli's mother-in-law Bet, in her film debut.
Libido is a 1973 Australian drama film comprising 4 segments written and directed as independent stories, but screened together as one piece, exploring a common theme of instinctive desire and contemporary sexuality.
The Blue Mountains Mystery is a lost 1921 Australian silent film directed by Raymond Longford and co-directed by Lottie Lyell.
The Calendar is a black and white 1948 British drama film directed by Arthur Crabtree and starring Greta Gynt, John McCallum, Raymond Lovell and Leslie Dwyer. It is based on the 1929 play The Calendar and subsequent novel by Edgar Wallace. A previous version had been released in 1931.
Jacqueline Ruth Weaver is an Australian theatre, film, and television actress. Weaver emerged in the 1970s Australian New Wave through her work in Ozploitation films such as Stork (1971), Alvin Purple (1973), and Petersen (1974). She later starred in Picnic at Hanging Rock (1975), Caddie (1976), Squizzy Taylor (1982), and a number of television films, miniseries, and Australian productions of plays such as Death of a Salesman and A Streetcar Named Desire.
The Picture Show Man is a 1977 Australian film about a travelling film exhibitor in the 1920s. He has to deal with the rebelliousness of his son and a rival American exhibitor.
Blue Fire Lady is a 1977 Australian film directed by Ross Dimsey and starring Cathryn Harrison and Mark Holden. It was a rare children's film from producer Antony I. Ginnane who was better known for his horror and sex films.
The More Things Change... is a 1986 film directed by Robyn Nevin.
Australian Dream is a 1986 Australian comedy film directed by Jackie McKimmie and starring Noni Hazlehurst, Graeme Blundell, John Jarratt. Funding was provided in part from the Queensland Film Corporation and Australian Film Commission. It was shot over four weeks and finished on 20 September 1985.
Traps is a 1994 Australian film directed by Pauline Chan and starring Saskia Reeves, Jacqueline McKenzie, and Sami Frey.
Sara Dane is a 1982 Australian television miniseries about a woman transported from England to Australia for a crime she did not commit.