Friedrich von Nerly, originally Christian Friedrich Nehrlich (24 November 1807, Erfurt - 21 October 1878, Venice) was a German painter in the Romantic Style; primarily known for his vedute of Venice. He is sometimes referred to as "The Elder", to distinguish him from his son, the painter Friedrich Paul Nerly. His first name is also seen as "Federico" and "Federigo".
His father, a postal official in Erfurt, died while Friedrich was still a boy. From 1815, he was raised by an uncle, who was a musician, in Hamburg. He received his first drawing lessons from his aunt, then from another uncle, Heinrich Joachim Herterich, a lithographer, and was employed in his workshop. He also made friends with Herterich's partner, Johannes Michael Speckter, and his family. Through them, he made the acquaintance of the person who would become his patron; the painter and art historian, Carl Friedrich von Rumohr. In 1823, he became one of Rumohr's students. Four years later, they took an extended trip that led to Italy, through the Harz Mountains.
At the end of 1828, they reached Rome and he decided to stay there. It was then that he changed his name to "Nerly", apparently believing it sounded more Italian. He soon took over managing the "Cervaro Festival" for the Deutscher Künstlerverein (German Artists' Association) of Rome. He would hold that position until his departure in 1835.
After a short tour of Southern Italy, he settled in Venice and began painting the views of the city for which he is best known. In 1840, he married Agathe Alginovich (1810–89), adoptive daughter of the Marchese Maruzzi, and they had one son, Friedrich Paul, who also became a painter.
In 1852, King William I of Württemberg awarded him the Knight's Cross in the Order of the Crown, which gave him the right to use the noble prefix "von". [1]
In 1883, his entire art collection was donated to the city of Erfurt by his son, Friedrich, with the stipulation that it be used to create a museum. This was done, and the Angermuseum opened in 1886. (Anger is German for "town commons"). [2] A street in Erfurt is named after him. [3] He is buried in the Protestant section of the San Michele cemetery. [4]
Eberhard Georg Friedrich von Wächter was a German painter. Wächter died in Stuttgart.
William, Duke of Brunswick, was ruling duke of the Duchy of Brunswick from 1830 until his death.
Johann Peter Krafft was a German-born Austrian painter who specialized in portraits, historical works, and genre scenes.
Carl Friedrich von Rumohr was a German art historian, writer, draughtsman and painter, agricultural historian, connoisseur of and writer about the culinary arts, art collector and patron of artists.
Johann Adam Klein was a German painter and engraver.
Friedrich Georg Weitsch was a German painter and etcher.
Augustus I or Paul Frederick Augustus was the reigning Grand Duke of Oldenburg from 1829 to 1853.
Adolph Friedrich Vollmer was a German landscape and marine painter and graphic artist. He and his contemporary, the painter Christian Morgenstern, were pioneers in Hamburg of early Realism in painting.
Philipp Friedrich von Hetsch was a German Classical painter, known primarily for his portraits, although he also created historical and mythological scenes.
Karl Josef Bernhard von Neher was a German painter.
Christian Friedrich von Leins was a German architect.
Woldemar Friedrich von Olivier was a German history painter in the Romantic style, often associated with the Nazarene movement.
Franz Theobald Horny was a German painter in the Romantic style.
Friedrich Mosbrugger, also known as Fritz Moosbrugger was a German portrait and genre painter in the Realistic style. He came from a family that had a widespread reputation as builders, plasterers and painters. His brother Joseph was also a painter, and his brother August was an architect.
Erwin Speckter was a German painter, often associated with the Nazarene movement.
Friedrich Wilhelm Graf von Bismarck was a German lieutenant general, diplomat and military writer. He wrote several major military-political works and military histories, which were very pro-Napoleon.
Johann Karl Ludwig Schorn, after 1838 von Schorn was a German art historian and university Professor. His second wife was the poet, Henriette von Schorn.
Franz Anton Zeiller was an Austrian painter, in the Rococo style.
Friedrich Wilhelm L'Allemand, known as Fritz was an Austrian history painter.