From the Hip | |
---|---|
Directed by | Bob Clark |
Written by | Bob Clark David E. Kelley |
Produced by | Bob Clark René Dupont |
Starring | |
Cinematography | Dante Spinotti |
Edited by | Stan Cole |
Music by | Paul Zaza |
Distributed by | De Laurentiis Entertainment Group |
Release date |
|
Running time | 111 minutes |
Country | United States |
Language | English |
Budget | $9 million [1] or $7.5 million [2] |
Box office | $9,518,342 |
From the Hip is a 1987 American courtroom comedy-drama film directed by Bob Clark from a screenplay by Clark and David E. Kelley. The film stars Judd Nelson, Elizabeth Perkins, John Hurt, Ray Walston, and Darren McGavin.
In the film, a recent graduate of law school manipulates his superiors into allowing him to represent a banker in his trial. He intentionally turns the case into a media frenzy, and then wins the trial by conspiring with the opposing lawyer. Having won fame and a promotion, the young lawyer next becomes the lead defense counsel in a murder trial. When he realizes that his client is actually guilty, he is more interested in making the man pay for his crime than in advancing his own career.
Fresh out of law school, Robin "Stormy" Weathers (Judd Nelson) cannot stand the tedium of case filing and research. Desperately wanting to "practice law" and go to trial, one morning he intentionally withholds the fact that a trial is scheduled to begin that very afternoon to compel his superiors to let him try the case because he is the only one familiar with the facts of the case. During his meeting with the client (the president of a bank who intentionally struck another banker), the banker declares the "simple assault case" to be a no-winner (explaining that he hits people all the time), but wants the one-day trial to somehow be stretched to three days to run up the other banker's court fees.
Weathers prolongs the case by creating a 1st Amendment constitutional challenge as to the admissibility of the word "asshole", escalating the case into a media frenzy. The senior partners of the law firm are embarrassed by Weathers' behavior and unconventional methods and try to fire him. The client retaliates on Weathers' behalf by threatening to take the bank's business elsewhere. Weathers appears to be crafty and intuitive, but in reality, had conspired with the other attorney (a friend of his) to stage a brilliant legal engagement to make themselves look good. Weathers wins the trial and in doing so attracts a plethora of new clients to the firm which skyrockets him to be a junior partner.
In an act of unfair retaliation, Weathers is assigned to be lead defense counsel in a first-degree murder case involving university professor Douglas Benoit (John Hurt) who is almost certainly guilty of bludgeoning a prostitute to death with the claw of a hammer. Benoit wanted Weathers because he saw him in the previous case. Weathers takes the case and his loud and odd courtroom behavior soon amazes the judge, the spectators and sometimes embarrasses his girlfriend Jo Ann (Elizabeth Perkins). Determined to impress his employers by winning a verdict of not guilty, no matter what, his courtroom antics soon visibly gain even the jury's favor and raise the likelihood of acquittal.
Weathers unsuccessfully tries to get Benoit to accept a plea-bargain to manslaughter charges and soon discovers that Benoit is guilty: in a thinly-veiled confession used to taunt his own defense attorney, Benoit vividly describes to him the "clarity of mind" it takes for a man to be able to split someone's skull open with the claw of a hammer... while the person remains alive. Weathers becomes conflicted between his sense of duty and ethics and his moral obligation to see Benoit pay for his crime. Despite the possibility of being disbarred, he decides to antagonize Benoit into a confession on the stand.
Released on February 6, 1987, the film grossed $9.5 million domestically. [3]
Rotten Tomatoes gives the film a score of 30% based on reviews from 23 critics. The site's consensus states: "From the Hip finds Judd Nelson flexing previously unseen acting muscles, but this legal comedy is too grating to pass the bar." [4]
Judd Nelson was nominated for a Razzie Award as Worst Actor for his role in the film, where he lost to Bill Cosby for Leonard Part 6 . [5]
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