Black Christmas (1974 film)

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Black Christmas
Black Christmas (1974) poster.jpg
Theatrical release poster
Directed by Bob Clark
Screenplay byRoy Moore
Produced byBob Clark
Starring
Cinematography Reginald H. Morris
Edited byStan Cole
Music byCarl Zittrer
Production
companies
Distributed byAmbassador Film Distributors
Warner Bros. Pictures (United States)
Release dates
  • October 11, 1974 (1974-10-11)(Canada)
  • December 20, 1974 (1974-12-20)(United States)
Running time
98 minutes [1] [2]
CountryCanada
LanguageEnglish
Budget$686,000
Box office$1.3 million (Canada), $4 million (worldwide)

Black Christmas [i] is a 1974 Canadian slasher film produced and directed by Bob Clark, and written by Roy Moore. It stars Olivia Hussey, Keir Dullea, Margot Kidder, and John Saxon. The story follows a group of sorority sisters who receive threatening phone calls and are eventually stalked and murdered by a killer during the Christmas season.

Contents

Inspired by the urban legend "the babysitter and the man upstairs" and a series of murders that took place in the Westmount neighbourhood of Montreal, Quebec, Moore wrote the screenplay under the title Stop Me. The filmmakers made numerous alterations to the script, primarily the shifting to a university setting with young adult characters. It was shot in Toronto in 1974 on an estimated budget of $686,000, and was distributed by Warner Bros. in North America, eventually grossing $4,053,000 worldwide. [3]

Upon its release, Black Christmas received mixed reviews, but it has since received critical re-appraisal, with film historians noting it for being one of the earliest slasher films. [4] It is also praised for its influence on John Carpenter's Halloween (1978). Aside from its earning a cult following [5] since its release, a novelization written by Lee Hays was published in 1976. It is the first film in the Black Christmas series, being followed by two remakes in 2006 and 2019.

Plot

An unseen man climbs the exterior of a sorority house, where a Christmas party is being held, and enters the attic. The house phone then rings. Sorority sister Jess Bradford answers to discover it is an obscene phone call from a person who has called before, whom the sorority has nicknamed "The Moaner." Jess and the other sorority members listen as the caller rants and screams in strange voices, before abruptly threatening to kill them. Upset by the call, a younger student named Clare Harrison decides to leave and goes upstairs to her bedroom to pack her suitcase. There, unbeknownst to the rest of the sorority, Clare is attacked and asphyxiated by the intruder.

The following morning, Clare's father arrives, saying that she failed to meet him at a train station. Housemother Mrs. MacHenry offers to help Mr. Harrison look for her. Later that day, Jess informs her boyfriend, Peter, that she is pregnant and plans to undergo an abortion, much to his disapproval. Meanwhile, Harrison and two other sorority members, Barb and Phyl, attempt to report Clare's disappearance to Sergeant Nash. Nash does not take them seriously until Chris Hayden, Clare's boyfriend, barges in angrily later in the day and demands something be done about it.

A search party is held that night for Clare, in which Harrison, Chris and most of the sorority gets involved. Meanwhile, Mrs. MacHenry discovers Clare's body in the attic before the killer murders her with a crane hook. Shortly after, Jess answers another obscene phone call and decides to file a report with the police. Lieutenant Fuller arrives with a telephone lineman to tap the phone, so that the police can determine the identity of the caller.

After Fuller leaves, a group of Christmas carolers appear at the front door. As Jess watches the singers, the killer sneaks into Barb's room and stabs her to death with a glass unicorn figurine, with her cries for help being drowned out by the carolers. Jess then receives another obscene phone call, in which the caller emulates parts of her argument with Peter. Fuller calls her to say the attempt to trace the call failed, and they both begin placing suspicions towards Peter. Jess and Phyl decide to lock every door and window in the house. Shortly after, however, Phyl is murdered by the killer after finding Barb's body.

Jess receives yet another obscene phone call, which is successfully traced by the police. Nash instructs Jess to leave the house immediately, as the calls are coming from inside. Jess goes to alert Barb and Phyl, only to discover them dead. Jess sees the killer's eye staring at her through a door crack, before she slams the door against him and flees. The killer chases after her, and (unable to open the front door) Jess runs into the basement, locking it behind her. Shortly after, though, Peter breaks through the basement window and slowly approaches Jess as he worriedly asks if she is okay. In a state of panic, Jess beats Peter to death with a fire poker and police find her barely conscious as she cradles Peter's body.

Believing that Peter was the killer, the police put Jess to bed and leave her sleeping alone in her bedroom, with a police officer standing outside the house. Shortly after, the killer's voice is heard from the attic, where Clare and Mrs. Mac's corpses remain undiscovered. The attic hatch opens before the house's telephone begins to ring.

Cast

Production

Development

Black Christmas was initially developed by Canadian screenwriter Roy Moore, who wrote the screenplay under the title Stop Me. [10] Inspirations for the film came from the urban legend known as "the babysitter and the man upstairs", [11] which had become widespread during the 1970s. [12] [13] Moore claimed to have been inspired by a series of murders that occurred during the holiday season in the Westmount area of Montreal. [14] [15]

As noted in an article for The Telegraph , the murders, which occurred in 1943, were perpetrated by a fourteen-year-old boy who bludgeoned several of his family members to death. [7] Film producers Harvey Sherman and Richard Schouten had Timothy Bond rewrite the script to give it a university setting. [11] [16] Director and producer Bob Clark, who had felt the original script was too much of a straightforward slasher film, made several alterations in dialogue, [11] and also incorporated humorous elements into the film, particularly the drunkenness of Barb, and Mrs. Mac, the latter of whom Clark based on his aunt. [10]

Clark felt that college and high school students had not been depicted with "any sense of reality" in American film, and that he intended to capture the "astuteness" of young adults: "College students — even in 1974 — are astute people. They're not fools. It's not all 'bikinis, beach blankets, [and] bingo'". [10]

Casting

The central cast of Black Christmas (clockwise from left to right): Olivia Hussey, Keir Dullea, John Saxon, and Margot Kidder. Black Christmas main cast.png
The central cast of Black Christmas(clockwise from left to right): Olivia Hussey, Keir Dullea, John Saxon, and Margot Kidder.

Olivia Hussey, who had previously garnered international fame for her role as Juliet in Romeo and Juliet (1968), signed on to appear in the film after being told by a psychic that she would "make a film in Canada that would earn a great deal of money". [10] Clark sought Keir Dullea to play the role of Peter based on his performance as Dave Bowman in 2001: A Space Odyssey (1968). [10] The role of Mrs. Mac was offered to Bette Davis, [11] who declined the part. [10] Margot Kidder was cast in the role of Barb, and said she had been attracted to the character "because she was wild and out of control", and not a "conventional leading" part. [10] For the role of Clare Harrison, whose murder jump-starts the film's plot, Toronto native Lynne Griffin was cast after her mother, who was also her casting agent at the time, got her an audition. Griffin would later go on to star in Curtains (1983), and in the acclaimed television series Wind at My Back (1996–2001). [17]

Gilda Radner was offered the role of Phyllis Carlson. She accepted the part, but dropped out one month before filming began owing to Saturday Night Live commitments, and was replaced by fellow Second City comedy troupe performer Andrea Martin. [11] [10] The role of Lieutenant Fuller was originally given to Edmond O'Brien. Upon his arrival to the set, however, the producers realized he would be unable to fulfill the duties required of the part due to his failing health (stemming from Alzheimer's disease). [8] John Saxon, who had read the script prior, was called by the producers who offered him the role. He accepted, and had to arrive in Toronto from New York City within two days to begin shooting. [10] Saxon had previously appeared in the first giallo film, The Girl Who Knew Too Much (1963). [18] Clark always intended to cast Saxon from the beginning as he was his first choice for the role, but miscommunications between Clark and Saxon’s agent resulted in O’Brien being cast before Saxon officially came aboard the film. For the role of the film's antagonist, Italian-Canadian actor Nick Mancuso was cast as one of the main voices in the phone call sequences. When auditioning for the role, director Clark had Mancuso sit in a chair facing away from him, so as not to see the actor's face. Clark then had Mancuso experiment with different voices in order to come up with one that was right for the character, with Clark later offering him the part. [7]

Filming

Soldiers' Tower at the University of Toronto is featured in the film. Harthouse night.jpg
Soldiers' Tower at the University of Toronto is featured in the film.

The film was shot from 25 March to 11 May 1974, at a cost of $686,000 (equivalent to $4,113,382in 2023), with $200,000 coming from the Canadian Film Development Corporation. [19] The house featured in the film had been discovered by Clark while scouting for locations, and its owners agreed to lease the home for the production. [10] Additional photography was completed on the University of Toronto campus. [10] According to John Saxon, Clark had meticulously drawn out storyboards with key shots, which he brought to the film set each day: "I could understand exactly what I thought he needed, and the scene needed". [10] Scenes in the film involving POV shot of Billy scaling the house was accomplished through the use of a rig designed by camera operator Bert Dunk, which was attached to Dunk's head as he climbed up the side of the house. [9] Griffin's death scene, which was shot with a handheld camera in a real closet, was accomplished in only a couple of takes. According to Griffin, her character's surprise as the killer lunges from the closet was genuine as the actress later recalled: "It was a total shock because I didn't really know when to expect him to jump out!" Shots of Clare's corpse in the rocking chair required the actress to wear an actual plastic bag over her head for extended periods of time. Griffin would also state that these scenes came relatively easy for her: "I was actually, and still am, a fairly good swimmer so I could hold my breath for a long time. And I could also keep my eyes open for a long time without blinking". [17]

Kidder remembered shooting the film as being "fun. I really bonded with Andrea Martin, filming in Toronto and Ontario. Olivia Hussey was a bit of an odd one. She was obsessed with the idea of falling in love with Paul McCartney through her psychic. We were a little hard on her for things like that". [20]

Post-production

The composer of the film's score, Carl Zittrer, stated in an interview that he created the film's mysterious music by tying forks, combs, and knives onto the strings of the piano to warp the sound of the keys. [8] Zittrer also stated that he would distort the sound further by recording its sound onto an audiotape and make the sound slower. [8] The audio for the disturbing phone calls was performed by multiple actors including Mancuso [11] [7] and director Bob Clark. [8] Mancuso stated in an interview that he stood on his head during the recording sessions to compress his thorax and make his voice sound more demented. [6] Mancuso spent only three days recording dialogue for the character, later recalling the experience as being very "avant-garde", with Clark encouraging him to improvise with the character's voice. [7]

During preparation in 1975 for the film's American release, Warner Bros. studio executives asked Clark to change the concluding scene to show Clare's boyfriend, Chris, appear in front of Jess and say, "Agnes, don't tell them what we did" before killing her. However, Clark insisted on keeping the ending ambiguous. The original title of the film was initially planned to be Stop Me. [11] Clark has stated in an interview that he came up with the film's official title, saying that he enjoyed the irony of a dark event occurring during a festive holiday. According to Clark as well, Warner Bros. changed the title to Silent Night, Evil Night for the United States theatrical release. [8]

Release

Theatrical

Black Christmas was distributed in Canada by Ambassador Film Distributors and released in Toronto on 11 October 1974. [21] [19] The film grossed $143,000 from nine theatres in Toronto in its first two weeks and earned $1.3 million during its theatrical run in Canada. Warner Bros. believed that the film would earn at least $7 million in the United States. The film was released on 20 December, but only earned $284,345 during its theatrical run due to competition from The Godfather Part II and The Man with the Golden Gun . [22] For its American release the film was retitled to Silent Night, Evil Night due to fears that the original title would mislead audiences into believing the film was a blaxploitation movie. They retracted the title after the initial release, restoring it to Black Christmas for subsequent screenings. [10]

Warner Bros. rereleased the film in Los Angeles in August 1975, and it earned $86,340 in one week. Its theatrical run was extended to nineteen theatres. The film's successful run in Los Angeles and Chicago resulted in Warner Bros. expanding the film to seventy theatres for Halloween. However, the film only made $354,990 from those theatres, worth $700 per theatre per day, causing fifty-eight of the locations to cancel their bookings. The film ended its theatrical run in December after making less than $1 million that year. [23]

The film was the third-highest-grossing Canadian film of all time in Canada with a gross of $2 million, behind The Apprenticeship of Duddy Kravitz (1974) and the French language Deux femmes en or (1970), directed by Claude Fournier. [24] [25]

Television broadcast

The film, under the title Stranger in the House, was set to make its network television premiere on Saturday night, January 28, 1978, on NBC's weekly "Saturday Night at the Movies". Two weeks prior to its premiere, the Chi Omega sorority house on the campus of Florida State University in Tallahassee was the scene of a double murder in which two Chi Omega sisters, asleep in their beds, were bludgeoned to death. The killer then went to a nearby room in the sorority house and violently attacked two more sleeping students, who survived. The killer was later identified as Ted Bundy, who was executed for this and other homicides on January 24, 1989. [26]

A few days before the film was set to premiere on network television Florida's then-Governor Reubin Askew contacted NBC President Robert Mullholland to request the movie not be shown due to its all-too-similar theme as the murders of sorority sisters by an unknown madman at the Chi Omega Sorority House. On Tuesday, January 24, NBC-TV gave several of its affiliates in Florida, Georgia, and Alabama, the option of showing an alternate film, Doc Savage: The Man of Bronze , in place of Stranger in the House. [26]

The report revealed that "the network said in a statement issued yesterday in New York City that it was responding to concern voiced by the affiliates because of the murder of two coeds this month in a sorority house at Florida State University in Tallahassee". [26]

Home media

Black Christmas has been released on DVD several times in North America. A 25th-anniversary edition was released in Canada on November 6, 2001, by Critical Mass. [27] This edition only contains the theatrical trailer as a bonus feature. [28] The following year, on December 3, 2002, Critical Mass released a Collector's Edition of the film on DVD with making-of documentaries, two audio commentary tracks, and reversible English and French cover artwork. [29]

On December 5, 2006, Critical Mass released a third "Special Edition" DVD with a newly remastered transfer, two original scenes with newly-uncovered vocal tracks, a new documentary on the making of the film, and cast and crew interviews. [30] This edition was later released on Blu-ray on November 11, 2008. [31]

Anchor Bay Entertainment released a Blu-ray and DVD in Canada, titled the "Season's Grievings Edition". It contains the same transfer of the film as the "Special Edition" release and all previous bonus content, plus the addition of a new documentary ("Black Christmas Legacy"), a 40th-anniversary panel from Fan Expo 2014, a new commentary track featuring Nick Mancuso as the character "Billy", a new retrospective booklet written by Rue Morgue Magazine, and new packaging art by Gary Pullin (art director of Rue Morgue Magazine). This new edition was released on Blu-ray and DVD on November 24, 2015. [32]

In the United States, Scream Factory released the film in a collector's edition Blu-ray on December 13, 2016, with a new transfer and new extras. [33] The Scream Factory release collates all of the bonus materials from the previous releases by Critical Mass and Anchor Bay, and also features the 2006 Critical Mass restoration of the film in the bonus materials. [33] Scream Factory also released the film in a collector's edition 4K Ultra HD + Blu-ray on December 6, 2022. [34] Unlike the previous home media releases and like the 1986 U.S. VHS release from Warner Home Video, the collector's edition 4K Ultra HD + Blu-ray release (Disc 1 and 2) featured the Warner Bros. logo at the beginning and end of the film.

Reception

Critical response

During its initial release, the film garnered mixed reviews. A. H. Weiler of The New York Times called it "a whodunit that raises the question as to why was it made". [35] Variety called the film "a bloody, senseless kill-for-kicks feature, [that] exploits unnecessary violence in a university sorority house operated by an implausibly alcoholic ex-hoofer. Its slow-paced, murky tale involves an obscene telephone caller who apparently delights in killing the girls off one by one, even the hapless house-mother". [36] Gene Siskel of the Chicago Tribune gave the film 1.5 stars out of 4 and called it a "routine shocker" that "is notable only for indicating the kind of junk roles that talented actresses are forced to play in the movies". [37] Kevin Thomas of the Los Angeles Times wrote: "Before it maddeningly overreaches in a gratuitously evasive ending, Black Christmas (opening today at selected theaters) is a smart, stylish Canadian-made little horror picture that is completely diverting ... It may well be that its makers simply couldn't figure out how to end it". [38]

Later reviews have been more positive. On Rotten Tomatoes, Black Christmas holds an approval rating of 70% based on 40 reviews, with an average rating of 6.4/10. The website's critics consensus reads: "The rare slasher with enough intelligence to wind up the tension between bloody outbursts, Black Christmas offers fiendishly enjoyable holiday viewing for genre fans". [39] On Metacritic the film has a weighted average score of 65 out of 100, based on nine critics, indicating "generally favorable reviews". [40]

Heidi Martinuzzi of Film Threat called the film "innovative" and praised the leading actresses, Olivia Hussey and Margot Kidder. [41] TV Guide awarded the film three out of four stars, writing: "Although strictly standard fare, the material is elevated somewhat through Clark's skillful handling of such plot devices as obscene phone calls from the killer to the girls via the upstairs phone and a nicely handled twist ending, which provides a genuine shock". [42] Author and film critic Leonard Maltin gave the film two and a half out of four stars calling it "bizarre" but also praised Kidder's performance as a standout. [43] The Time Out film guide noted that the film "manages a good slice of old-fashioned suspense". [44]

Accolades

Saturn Award-Academy of Science Fiction, Fantasy & Horror Films

Canadian Film Awards

Edgar Allan Poe Awards

Legacy

Black Christmas eventually gained a cult following, and is notable for being one of the earliest slasher films. It went on to inspire other slasher films, the biggest one of all being John Carpenter's Halloween (which was apparently inspired by Clark suggesting what a Black Christmas sequel would be like). [50] [10] [51]

Black Christmas has been included in multiple lists in various media outlets as one of the greatest horror films ever made. The film ranked No. 87 on Bravo 's The 100 Scariest Movie Moments . [52] It was ranked at No. 67 in IndieWire 's The 100 Best Horror Movies of All Time, its entry stating that "the plot sounds formulaic, but Black Christmas remains timeless thanks to its terrifying and elusive killer, 'Billy', whose backstory is never revealed, as well as a foreboding ending that doesn't offer much hope for the film's Final Girl". [53] Thrillist's Scott Weinberg, in his article The 75 Best Horror Movies of All Time, ranked the film at No. 48. [54] Paul Schrodt of Esquire placed the film at No. 23 in his list of the 50 Best Horror Films of All Time. [55] In 2017, Complex magazine named Black Christmas the 2nd-best slasher film of all time. [56] The following year, Paste listed it the 3rd-best slasher film of all time, [57] while also placing the character Jess Bradford at #1 in their list of "20 Best 'Final Girls' in Horror Movie History". [58] While director Clark maintained he did not intend for the film to have political leanings, critics have noted Black Christmas is nonetheless a feminist film for its treatment of female characters—particularly Jess having agency and making the choice to have an abortion—and its portrayal of casual misogyny (as when the police initially fail to take the sorority's concerns about the phone calls and Clare's absence seriously). [59] [60] [61] Film critic Tim Dirks of the film-review website Filmsite.org added the film to his list of films featuring the "Greatest Film Plot Twists, Film Spoilers and Surprise Endings", based on the film's major plot twists – the revelation that the real killer was hidden inside the unsearched attic, and Jess' implied murder. [62]

Hussey told Bravo during an interview about their 100 Scariest Movie Moments series, that when she met Steve Martin for the first time, he told her that she starred in one of his favorite films of all time. Hussey initially thought he was referring to Romeo and Juliet, but was surprised when Martin said it was Black Christmas and that he had seen the film 27 times. [63]

Novelization

A novelization of the film written by Lee Hays was published in 1976 by Popular Library. [64] [65] The book follows roughly the same plot, but sticks with Roy Moore's original script. Because of this, the novel ends up fleshing out the characters more, adding scenes and lines of dialogue that were initially cut from the film's final script, and giving the Pi Kappa Sigma property more backstory. [66]

Remakes

Black Christmas has been remade on two separate occasions, with the films differing significantly from the original.

The first remake was written and directed by Glen Morgan and was released on December 25, 2006, by Dimension Films and MGM Distribution Co.. It is loosely based on the original film, containing more graphic content and a focus into the past of Billy. Andrea Martin was the only original cast member to appear in the film, and Clark served as an executive producer. [67]

The second remake was directed and co-written by Sophia Takal. [68] [69] [70] Starring Imogen Poots and Cary Elwes, the film was released on December 13, 2019, by Universal Pictures. [71]

It's Me, Billy: A Black Christmas Fan Film

A short fan film funded through an Indiegogo campaign was released on YouTube and Vimeo with the title It's Me, Billy, in May 2021. It is billed as an "unofficial sequel" to the original film and picks up the story 50 years later, following the granddaughter of Jess Bradford. The film was written, produced, and directed by Dave McRae and Bruce Dale and acts as a concept for a feature film as well as the first part of a two-part story. The film is available for free. It's Me, Billy was nominated for Best Cinematography in the Dramatic Short category at the 65th annual CSC (Canadian Society of Cinematographers) awards. [72] [73] [74]

It's Me, Billy Chapter 2

On May 1, 2023, it was announced that It's Me, Billy Chapter 2 had begun crowdfunding on Indiegogo and that original film stars Olivia Hussey and Lynne Griffin would be joining the cast. The film is expected to be released online for free in 2024. [75] On November 4, 2023 it was announced that Hussey had pulled out of the project for health reasons. On November 6 it was announced that the role of Jess Bradford had been recast with Canadian actress Lisa Kovack. A teaser trailer for It's Me, Billy Chapter 2 was released on December 19, 2023. The film's official trailer was released on August 13, 2024. [76] [77] The film was released on Friday, October 11, 2024 to commemorate the 50th anniversary of when the original Black Christmas was first released in Canada.

See also

Notes

  1. ↑ The film was re-titled as Silent Night, Evil Night in the United States by its American distributor, Warner Bros., and retitled again as Stranger in the House for its initial television broadcasts.

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Billy (<i>Black Christmas</i>) Fictional character in the Black Christmas film series

Billy is a fictional character from the Black Christmas film series, first appearing in Black Christmas (1974) as a deranged murderer who taunts and kills a group of college students during the Christmas season. Created by Bob Clark and A. Roy Moore, the character was partly inspired by the urban legend "The Babysitter and the Man Upstairs", as well as a series of real murders in Montreal during the 1943 holiday season.

Black Christmas is a Canadian-American horror film series that comprises three standalone slasher films, as well as a novelization. The original film has gained a large cult following and is credited as being one of the first slasher films, inspiring many others, including the critically acclaimed hit Halloween (1978). The series centers around a serial killer that stalks and murders a group of sorority sisters. The 1974 film follows the character of Jess Bradford as she and her sorority sisters begin receiving threatening phone calls from an unknown stalker. The 2006 film explores the background and motivation for the killer and his family. The 2019 film completely abandons the first two films' killer storyline, instead focusing on a new set of characters and killers.

<i>Black Christmas</i> (2019 film) 2019 film by Sophia Takal

Black Christmas is a 2019 slasher film directed by Sophia Takal, and written by Takal and April Wolfe. Part of the Black Christmas series, it is the loose second remake of the 1974 Canadian film of the same name, after the 2006 film and follows a group of sorority sisters at Hawthorne College as they are preyed upon by an unknown stalker. The film stars Imogen Poots, Aleyse Shannon, Lily Donoghue, Brittany O'Grady, Caleb Eberhardt and Cary Elwes.

<span class="mw-page-title-main">Jess Bradford</span> Character in the Black Christmas franchise

Jess Bradford is a fictional character in the Black Christmas franchise. She is the main protagonist of Bob Clark's seminal slasher film Black Christmas (1974) in which she was portrayed by actress Olivia Hussey. Hussey, known internationally at the time for her role as Juliet in Romeo and Juliet (1968), signed on to the role after a psychic told her that she would be involved in a profitable Canadian film. Despite the dark undertones of the film and the mature themes, Hussey has described shooting the film as a great experience.

References

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