Alice Mann was an American silent film actress.
The Associate is a 1979 comedy film directed by René Gainville and starring Michel Serrault, Claudine Auger and Catherine Alric. A co-production between France, Hungary and West Germany it is an adaptation of the 1928 novel The Partner by Jenaro Prieto. The film served as the inspiration for a 1996 American remake The Associate.
Miss Madame is a 1934 German comedy film directed by Carl Boese and starring Jenny Jugo, Paul Hörbiger, and Olga Limburg. The film's sets were designed by the art director Erich Czerwonski. It was based on play of the same title by Ludwig Fulda.
Alice Field (1903–1969) was a French Algerian stage and film actress.
The Water Lily is a 1919 silent film drama directed by George Ridgwell and starring Alice Mann.
Mad Hour is a 1928 American silent drama film directed by Joseph Boyle and starring Sally O'Neil, Alice White, and Donald Reed. It was adapted from a 1914 novel by Elinor Glyn.
Free for All is a 1949 American comedy film directed by Charles Barton and starring Robert Cummings, Ann Blyth and Percy Kilbride.
Hearts are Trumps is a 1920 American silent drama film directed by Rex Ingram and starring Winter Hall, Frank Brownlee and Alice Terry.
Pagan Passions is a lost 1924 American silent drama film directed by Colin Campbell and starring Wyndham Standing, June Elvidge, and Barbara Bedford.
Pampered Youth is a 1925 American silent drama film directed by David Smith and starring Cullen Landis, Alice Calhoun, and Allan Forrest. It is an adaption of the 1918 novel The Magnificent Ambersons by Booth Tarkington. It was one of the final films produced by Vitagraph Studios before the firm was absorbed into Warner Bros.
The Whirlpool is a 1918 American silent crime film directed by Alan Crosland and starring Alice Brady, Holmes Herbert and William B. Davidson.
Partners in Crime is a 1961 British crime film directed by Peter Duffell and starring Bernard Lee, Moira Redmond and John Van Eyssen. Part of the long-running series of Edgar Wallace Mysteries films made at Merton Park Studios, it is loosely based on the 1918 novel The Man Who Knew by Edgar Wallace.
Donald Hall (1867–1948) was a British-American film actor of the silent era. He was married to the actress Frankie Mann and was brother-in-law to Alice Mann. He appeared in a number of Vitagraph Studios films during the 1910s. He also appeared in films produced by Triangle, Goldwyn, Selznick and Paramount Pictures. Following the introduction of sound he made only a few uncredited appearances.
A Woman's Business is a 1920 American silent drama film directed by B.A. Rolfe and starring Olive Tell, Edmund Lowe and Donald Hall.
A Woman's Woman is a 1922 American silent drama film directed by Charles Giblyn and starring Mary Alden, Dorothy Mackaill and Holmes Herbert.
The Family Closet is a 1921 American silent mystery film directed by John B. O'Brien and starring Holmes Herbert, Alice Mann and Kempton Greene.
Lights Out is a 1923 American silent crime drama film directed by Alfred Santell and starring Ruth Stonehouse, Walter McGrail and Theodore von Eltz. It is based on the 1922 play Lights Out by Paul Dickey and Mann Page, later adapted into the 1938 film Crashing Hollywood. The remake was more light-hearted than the melodramatic tone of the original.
Frances "Frankie" Mann was an American actress, who appeared in over forty silent films between 1913 and 1925.
My Childish Father is a 1930 French drama film directed by Jean de Limur and starring Adolphe Menjou, Roger Tréville and Alice Cocéa. It is based on the 1925 play of the same title by Léopold Marchand which was later remade in 1953 as My Childish Father. The film's sets were designed by the art director Jacques Colombier. It was one of twelve sound films produced by Pathé-Natan that year following the conversion from silent film. A separate English-Language version The Parisian was produced, also starring Menjou.
As Long as There Are Pretty Girls is a 1955 West German musical comedy film directed by Arthur Maria Rabenalt and starring Georg Thomalla, Alice Kessler and Ellen Kessler. It was based on the play Okay Mama by Annemarie Artinger. It was shot at the Bavaria Studios and Carlton Studios in Munich. The film's sets were designed by the art directors Kurt Herlth and Robert Herlth.
