Funk, Inc. | ||||
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Studio album by | ||||
Released | 1971 | |||
Recorded | 1971 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Funk | |||
Length | 35:25 | |||
Label | Prestige Records | |||
Producer | Bob Porter | |||
Funk, Inc. chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | link |
Funk, Inc. is the first studio album by Funk, Inc., released in 1971.
No. | Title | Length |
---|---|---|
1. | "Kool Is Back (Gene Redd, Jr.)" | 8:20 |
2. | "Bowlegs (Steve Weakley)" | 7:55 |
3. | "Sister Janie (Bobby Watley)" | 6:25 |
4. | "The Thrill Is Gone (Roy Hawkins, B.B. King)" | 6:30 |
5. | "The Whipper (Watley)" | 6:15 |
Chart (1972) | Peak position |
---|---|
Billboard Top Soul Albums | 45 |
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.
Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. Their eclectic style has drawn on psychedelia, outlandish fashion, and surreal humor. They have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.
Maggot Brain is the third studio album by the American funk rock band Funkadelic, released by Westbound Records in July 1971. It was produced by bandleader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. The album was the final LP recorded by the original Funkadelic lineup; after its release, founding members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.
Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart. The album was re-released on CD in 1991.
Funker Vogt is a German electronic-industrial music project with an aggressive style, formed by vocalist Jens Kästel and programmer Gerrit Thomas in 1995. Other members of the band are keyboardist/manager Björn Böttcher, live guitarist Frank Schweigert and lyricist Kai Schmidt. The name of the band translates from German to English as "Radio Operator Vogt", this being the surname of a friend of the band who was a military radio operator.
Graham Central Station was an American funk band named after founder Larry Graham. The name is a pun on New York City's Grand Central Terminal, often colloquially called Grand Central Station.
"Atomic Dog" is a song by George Clinton, released by Capitol Records in December 1982, as the second and final single from his studio album, Computer Games (1982). It became the P-Funk collective's last to reach #1 on the U.S. R&B Chart. The single failed to chart on the Billboard Hot 100 although it has attained a level of stature since then, partly due to having been sampled in several hip hop songs.
Puzzle People is the eleventh studio album released by American soul quintet The Temptations for the Gordy (Motown) label in 1969. Produced entirely by Norman Whitfield, Puzzle People expanded on the psychedelic soul sound of the Temptations' previous LP, Cloud Nine. Although a few straightforward soul ballads are present, the album is primarily composed of Sly & the Family Stone/James Brown-derived proto-funk tracks such as the lead single "Don't Let the Joneses Get You Down", and the number-one Billboard Pop hit "I Can't Get Next to You".
"My Heart Is Calling" is a song recorded by the American recording artist Whitney Houston for the 1996 film The Preacher's Wife. It was released on June 10, 1997, as the third and final single by Arista Records from the accompanying soundtrack. The song was written and produced solely by Babyface. Musically, the song is an R&B ballad, with gospel music and funk influences, and the lyrics speak about meeting someone special. "My Heart Is Calling" received mainly positive reviews from music critics, who commended Houston's soulful performance. It peaked at number 77 on the United States Billboard Hot 100, and number 35 on Billboard Hot R&B/Hip-Hop Songs chart. There was no music video made for the song.
"Unity" is a song recorded by Afrika Bambaataa and James Brown as a duet in 1984. It was the first recording in which Brown collaborated with a performer associated with hip hop, a then-new idiom heavily influenced by Brown's own funk music. The record's title and its cover showing the two performers clasping hands express solidarity between the two styles. The song's music is similar in its structure to Brown's own funk songs of the late 1960s and 1970s, but uses the drum machine and keyboard-generated timbres of electro. The song's rapped lyrics are on the themes of "Peace, unity, love, and having fun". The single charted #87 R&B.
Blue Funk is the fourth studio album by American hip hop group Heavy D & the Boyz. It was released on December 22, 1992 via Uptown Records. Recording sessions took place at The Hit Factory, Soundtrack Studios, Axis Studios, Greene St. Recording and D&D Studios in New York. Production was handled by Jesse West, Pete Rock, Tony Dofat, DJ Premier, Skeff Anselm, Steely & Clevie, with DJ Eddie F, Heavy D and Puff Daddy serving as executive producers. It features guest appearances from 3rd Eye, Busta Rhymes, Gang Starr, Notorious B.I.G., Phat Doug and Rob-O. The album peaked at number 40 on the Billboard 200 and number 7 on the Top R&B/Hip-Hop Albums. It was certified Gold by the Recording Industry Association of America on March 17, 1993 for selling 500,000 units in the US alone.
Quazar is the debut album from the band Quazar. The band was led by former P-Funk vocalist Glenn Goins, who also served as the producer and arranger of the album. Goins died before the album's release, effectively sealing the group's fate. The album was released by Arista Records in the fall of 1978, after Funkadelic's One Nation Under A Groove but before Parliament (band)'s Motor Booty Affair, that same year. The album also features contributions from former P-Funk drummer Jerome Brailey. Both Glenn Goins and Jerome Brailey were inducted into the Rock and Roll Hall of Fame with Parliament-Funkadelic.
Superfunk is the fourth studio album by Funk, Inc., released in 1973.
Funk of Ages is a solo album by former Parliament-Funkadelic keyboardist Bernie Worrell. The album was released in 1990 by Gramavision Records. It includes contributions by numerous guest musicians, including Sly and Robbie, David Byrne, Herbie Hancock, Keith Richards, Vernon Reid, and Phoebe Snow. P-Funk bandmates Bootsy Collins, Maceo Parker, Gary Cooper, Doug Duffey, and Michael Hampton also contributed.
U.S. Music with Funkadelic is a self-titled album consisting of tracks recorded in the early 1970s by the band United Soul with input from members of Funkadelic. The album was released by Westbound Records in 2009, and was licensed by Ace Records for its European release.
"I Miss My Homies" is a song written and performed by American rappers Master P, Silkk the Shocker and Pimp C. It was released on August 19, 1997 via No Limit/Priority Records as the lead single from Master P's sixth solo studio album Ghetto D, a month prior to the album's unveiling. Produced by Beats By The Pound members Mo B. Dick, KLC and Odell, it also features vocals from Mo B. Dick, Odell, Sons of Funk and Mercedes.
"Hit Da Pavement" is a song by American funk duo 7 Days of Funk. It is the opening track on their eponymous debut studio album in 2013. The song was written by Calvin Broadus and Damon Riddick. Mixed by Shon Lawon and Cole M.G.N., it was produced by Riddick under his stage name Dâm-Funk and the vocals were performed by Broadus under his moniker Snoopzilla. The song features backing vocals from Shon Lawon and Val Young, and additional vocals from Parliament-Funkadelic bassist Bootsy Collins.
"Disrespectful" is a song by American recording artist Chaka Khan featuring vocals by singer Mary J. Blige. It was written by Blige along with Jimmy Jam and Terry Lewis, Bobby Ross Avila, Dave Young and Issiah J. Avila, and produced for Khan's eleventh studio album Funk This (2007). "Disrespectful" went to number one on the US dance charts. It won Khan and Blige the Grammy Award for Best R&B Performance by a Duo or Group with Vocals at the 50th Annual Grammy Awards.
"My House" is a song by American rapper Warren G, featuring posthumous vocals from American singer Nate Dogg. was released on July 13, 2015 as the first single of his first EP Regulate... G Funk Era, Pt. II, with the record label G-Funk Entertainment. The song was produced by Warren G.
"Picture Me Rollin'" is a song by American singer Chris Brown, from his seventh studio album Royalty. It was written by Brown, and produced by Dr3amforever and Dj-Wes.