Fxguide, trademarked as fxguide, is a visual effects and post-production community website founded by three visual effects artists, Jeff Heusser, John Montgomery, and Mike Seymour.
Fxguide, trademarked as fxguide, is a visual effects and post-production community website founded by three visual effects artists, Jeff Heusser, John Montgomery, and Mike Seymour.
Fxguide began in 1999 as a website to expand on tips, tricks and frequently asked questions arising on the email newsgroup "flame-news," which related to the [compositing] application Discreet Flame. Fxguide was founded by Mike Seymour, John Montgomery and Jeff Heusser. Initially the focus was on high-end compositing, but the site evolved over the years to encompass visual effects news and training on the web. It has since been split into the free fxguide website for news and interviews and the membership-based fxphd visual effects training site. [1]
On June 27, 2005, fxguide launched a podcast, featuring interviews with artists as well as manufacturers. On July 18, 2007 fxguidetv launched as an HD video podcast featuring film-scene reviews and industry coverage as well as interviews. The show is hosted by Angie Dale (née Richards). On April 2, 2008, fxguide added another regular podcast, "red centre", which started focused on the RED camera and has grown to cover all aspects of digital cinematography. Hosted by Mike Seymour and Jason Wingrove. In 2010, show's title was changed to "the rc". [2] While The RC has now stopped, but the VFXshow podcast continues with regular hosts Mike Seymour, Matt Wallin and Jason Diamond, with a range of other guest hosts.
Jeff Heusser sadly passed away in 2018. Fxguide continues with John Montgomery and Mike Seymour.
From 2011 to 2012, fxguide did special video segments for The Daily titled "Behind the Scenes". [3] The team has since done another webseries for Wired , "Design-fx". [4] [5]
Mike Seymour also founded the Motus Lab at the University of Sydney, having got a Ph.D in Digital Humans, and having been involved in the Epic Games MEETMIKE Siggraph project.
Special effects are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world.
Wētā FX, formerly known as Weta Digital, is a New Zealand digital visual effects company based in Miramar, Wellington. It was founded by Peter Jackson, Richard Taylor, and Jamie Selkirk in 1993 to produce the digital special effects for Heavenly Creatures. The company went on to produce some of the highest-grossing films ever made, such as the Lord of the Rings trilogy and Avatar. Considered one of the most influential film companies of the 21st century, Wētā FX has won several Academy Awards and BAFTAs.
Shake is a discontinued image compositing package used in the post-production industry developed by Nothing Real for Windows and later acquired by Apple Inc. Shake was widely used in visual effects and digital compositing for film, video and commercials. Shake exposed its node graph architecture graphically. It enabled complex image processing sequences to be designed through the connection of effects "nodes" in a graphical workflow interface. This type of compositing interface allowed great flexibility, including the ability to modify the parameters of an earlier image processing step "in context". Many other compositing packages, such as Blender, Blackmagic Fusion, Nuke and Cineon, also used a similar node-based approach.
Vegas Pro is a video editing software package for non-linear editing (NLE). First release of Vegas Beta was in 11 June 1999. It was originally published by Sonic Foundry, then by Sony Creative Software, and now by Magix. The software runs on Windows operating systems.
Cinefex launched in 1980, was a quarterly journal covering visual effects in films. Each issue featured lengthy, detailed articles that described the creative and technical processes behind current films, the information drawn from interviews with the effects artists and technicians involved. Each issue also featured many behind-the-scenes photographs illustrating the progression of visual effects shots – from previsualization to final – as well as the execution of miniatures, pyrotechnics, makeup and other related effects.
Autodesk Media and Entertainment is a division of Autodesk which offers animation and visual effects products, and was formed by the combination of multiple acquisitions. In 2018, the company began operating as a single operating segment and reporting unit.
Nuke is a node-based digital compositing and visual effects application first developed by Digital Domain, and used for television and film post-production. Nuke is available for Microsoft Windows 7, OS X 10.9, Red Hat Enterprise Linux 5, and newer versions of these operating systems. Foundry has further developed the software since Nuke was sold in 2007.
Evan Jacobs is an American visual effects and 3D stereoscopic supervisor. Jacobs has overseen visual effects and served as miniatures supervisor on the feature films such as Olympus Has Fallen, Ed Wood, What the #$*! Do We Know?!, and Resident Evil: Extinction.
iFanboy is a weekly audio podcast which focuses on comic books, comic book publishing, and comic book creators. It stars Josh Flanagan, Ron Richards, and Conor Kilpatrick. The first episode of the audio podcast was released on November 2, 2005, and the first episode of the video podcast on January 17, 2007. They were bought by the Boulder-based Graphic.ly in 2010 to add the ready-built community of iFanboy to their digital comics platform. In early 2013, iFanboy amicably split from Graphic.ly and once again became an independently run website by the iFanboys. Shortly thereafter, Ron Richards - a founder of the site and podcast - stepped down as one of the hosts of the show for a position at Image Comics. On September 1, 2013, Flanagan and Kilpatrick issued a joint statement announcing a scale back of day-to-day operations on the iFanboy website. New content - such as reviews, feature articles, previews and the new comic pull list - would no longer be created. Despite scaling back written content, they plan to continue the weekly podcast and infrequent Book- and Talksplodes, with Paul Montgomery. In 2014, Montgomery left iFanboy for the website Panels. In 2015, Ron Richards who had left Image comics returned to iFanboy. The original iFanboys continue on the podcast.
CafeFX was an award-winning feature film visual effects facility offering visual effects production and supervision, CG character creation, and 3D animation. Founded in 1993 by Jeff Barnes and David Ebner, CafeFX was located in a 36,000-square-foot (3,300 m2) studio on an eight-acre campus in Santa Maria in Santa Barbara County. Its commercial and music video division, Santa Monica-based The Syndicate, was a creative design, branding services, and digital production studio, specializing in live action direction, visual effects, animation, motion graphics, and telecine. CafeFX and The Syndicate were held by umbrella corporation ComputerCafe Group, which has also established Sententia Entertainment, a long form production company.
Jonathan D. Egstad is a special effects designer and software developer. He was born October 21, 1965 in Minneapolis, Minnesota, USA. He graduated from Fitchburg State College with a degree in communications. He lives in the San Francisco Bay Area with his wife and two sons. In 2005, Egstad was interviewed by Fxguide where they referred to him as "one of the most talented digital effects supervisors in the film industry today."
Boris FX is a visual effects and video editing software plug-in developer based in Boston, Massachusetts, USA. The developer is best known for its four flagship products, Continuum, Sapphire, Mocha, and Silhouette.
The Life, also known as We Are ODST is a television and cinema advertisement launched in 2009 by Microsoft to promote the first-person shooter Halo 3: ODST in the United States. The 150-second piece follows a young soldier through enlistment, training, and battle as an Orbital Drop Shock Trooper (ODST), analogous to a paratrooper that drops from space to a battlefield. The Life was created by advertising agency T.A.G., an offshoot of McCann Erickson. Production of the commercial itself was handled by production company Morton/Jankel/Zander (MJZ). It was directed by Rupert Sanders, and post-production was conducted by Asylum. It was filmed in Hungary, just outside Budapest in a coal mine and abandoned factories to give the sequence an "Eastern Bloc" aesthetic. The commercial and its associated campaign proved hugely successful; on the week of its launch, Halo 3: ODST became the top-selling game for the Xbox 360 worldwide, and over 2.5 million copies were sold within the first few weeks of release. The Life went on to win a number of honours from the advertising and entertainment industries, including two Clio Awards, a London International Advertising Award and several honours from the Cannes Lions International Advertising Festival, the most prestigious awards ceremony in the advertising industry.
GenArts, Inc. was a Cambridge, Massachusetts-based developer of visual effects software for the film, broadcast and advertising industries. A majority of traditional video content such as movies, commercials, television shows, newscasts and music videos included at least some special effects created in a GenArts product. GenArts created visual effects software and plugins that integrate visual effects such as glows, lightning, fire and fluids into post-production video editing software from companies like Apple, Adobe, Autodesk and The Foundry.
Foundry is a British visual effects software development company with headquarters in London, and offices in Manchester and in Austin, Texas.
In film and television, de-aging is a visual effects technique used to make an actor look younger, especially for flashback scenes. This is often accomplished via digitally editing the image or using computer-generated imagery (CGI) overlays or touch-ups. Some movies will even create de-aged digital actors from scratch or with a mixture of stand-ins and CGI.
The Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in models, miniatures, have been deemed worthy of recognition. Originally, the award was given separately to artists in both film and television, with the categories "Best Models and Miniatures in a Motion Picture" and "Best Models and Miniatures in a Televised Program, Music Video or Commercial". In 2004, there was only one category, recognizing only work in motion pictures with "Outstanding Models and Miniatures in a Motion Picture". In 2005, television was honored, once again, with "Outstanding Models and Miniatures in a Broadcast Program, Commercial or Music Video". Television series and/or televised content would be honored, intermittently, until 2015, when the category was redesigned to honor any motion media project. It has continued to do so since then.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Visual Effects Society Award for Outstanding Animated Character in an Episode or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting from 2002. Since its inception, the award's title has gone through several title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in a Live Action Televised Program, Music Video or Commercial" and given to the best character animation in a televised program, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Broadcast Program", and given to visual effects artists for work on a specified character. The category was again re-titled the following year, this time to "Outstanding Performance by an Animated Character in a Live Action Broadcast Program, Commercial, or Music Video". In 2008, it was titled "Outstanding Animated Character in a Live Action Broadcast Program or Commercial", but changed in 2014 to "Outstanding Performance of an Animated Character in a Commercial, Broadcast Program, or Video Game" and once again the next year to "Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project". In the title changed to "Outstanding Animated Performance in an Episode or Real-Time Project" and, finally, in 2017 to "Outstanding Animated Character in an Episode or Real-Time Project"
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