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Joseph Louis Wilfrid Pelletier, was a Canadian conductor, pianist, composer, and arts administrator. He was instrumental in establishing the Montreal Symphony Orchestra, serving as the orchestra's first artistic director and conductor from 1935 to 1941. He had a long and fruitful partnership with the Metropolitan Opera in New York City that began with his appointment as a rehearsal accompanist in 1917; ultimately working there as one of the company's conductors in mainly the French opera repertoire from 1929 to 1950. From 1951 to 1966 he was the principal conductor of the Orchestre Symphonique de Québec. He was also a featured conductor for a number of RCA Victor recordings, including an acclaimed reading of Gabriel Fauré's Requiem featuring baritone Mack Harrell and the Montreal Symphony Orchestra and chorus.
Jean Vallerand, CQ was a composer, music critic, violinist, conductor, arts administrator, writer, and music educator from Quebec. As a composer he was active from 1935 to 1969. An associate of the Canadian Music Centre, he was appointed a Knight of the National Order of Quebec in 1991.
The Conservatoire de musique et d'art dramatique du Québec (CMADQ) is a public network of nine state-subsidised schools offering higher education in music and theatre in Quebec, Canada. The organization was established in 1942 as a branch of the Ministère des Affaires culturelles du Québec by the government of Quebec during the premiership of Maurice Duplessis. Orchestra conductor Wilfrid Pelletier and composer Claude Champagne are credited for their zeal in promoting this project, and the two men led the organization as director and assistant director for its first several years. The organization's current director general is Nathalie Letendre.
The Conservatoire de musique du Québec à Montréal (CMQM) is a music conservatory located in Montreal, Quebec, Canada. In addition to the Montreal region, the school takes in students from nearby cities, including Granby, Joliette, St-Jean, Saint-Jérôme, Sherbrooke, and Salaberry-de-Valleyfield. The school is the first of nine conservatories in Quebec which form the Conservatoire de musique et d'art dramatique du Québec (CMADQ). The current director is Manon Lafrance. In addition to practice rooms, classrooms and rehearsal halls, the conservatory contains 85 teaching studios, a 225-seat theater, a concert hall of 225 seats, a recital hall with 100 places, and a large music multimedia center with a recording studio. The conservatoire is also home to a substantial musical library.
The Conservatoire de musique du Québec à Québec (CMQQ) is a music conservatory located in Quebec City, Quebec, Canada. Founded by the Quebec government in 1944, it became the second North American music institution of higher learning to be entirely state-subsidized. The conservatoire is part of a network of 7 conservatories in Quebec, the Conservatoire de musique et d'art dramatique du Québec (CMADQ), and was the second school in the CMADQ network to be established. Orchestra conductor Wilfrid Pelletier served as the school's first director from 1944 through 1946. The current director is Jean-Fabien Schneider.
Michel Brunet Perrault is a Canadian composer, conductor, music educator, and percussionist. As a composer, his work largely pulls on Canadian folk melodies and his compositions include classical of harmony and counterpoint. Perrault has been commissioned to write works for such notable organizations as the Canadian Broadcasting Corporation, Les Grands Ballets Canadiens, and the Victoria Symphony Orchestra. From the late 1970s through the 1990s he wrote a considerable amount of music for the Gerald Danovitch Saxophone Quartet. Much of his music has been published by his own publishing company, Les Publications Bonart.
Joseph Eugène Raymond-Marie Daveluy was a Canadian composer, organist, music educator, and arts administrator. An associate composer of the Canadian Music Centre, his compositional output consisted mainly of works for solo organ. He had an active international career as a recitalist and concert performer from 1946 through the 1990s. He held a number of church posts in Montreal, including serving as organist of St-Jean-Baptiste Church (1946–1951), Immaculée-Conception Church (1951–1954), and St-Sixte Church (1954–1959). In 1980, he was named a Member of the Order of Canada. He was married to pianist Hilda Metcalfe.
Isabelle Delorme was a Canadian composer, pianist, and music educator. As a composer, her works are lyrical in nature and follow more traditional ideas of harmony as opposed to the avant-garde music that was in vogue in her day. She was an active recitalist but is best remembered for her impact as a teacher of music theory.
Jacques Faubert is a Canadian composer, conductor, and music educator, known for founding the Mont-Royal Symphony Orchestra.
Achille Fortier was a Canadian composer and music educator. His compositional output includes a modest amount of choral and chamber works, several songs and motets, and a small amount of symphonic music. A considerable portion of his compositions are religious in nature. Much of his work remains unpublished and some of his music is now lost as it was destroyed by a fire. The Bibliothèque et Archives nationales du Québec holds more than 30 of his original scores in its collection.
Charles Houdret was a Canadian conductor, cellist, radio producer, and composer. He began his career in Belgium and was highly active as a conductor throughout Europe during the 1940s. In 1952 he immigrated to Canada where he ultimately became a naturalized citizen. He was active as a radio producer, cellist, and conductor in Canada up through 1964, after which nothing is known about his whereabouts or activities.
Joseph Rodolphe Mathieu was a Canadian composer, pianist, writer on music, and music educator. The Canadian Encyclopedia states, "Considered too avant-garde for his time because of Debussy's influence on his music, Mathieu gained recognition too late to inspire the generation that followed." The pianist Léo-Pol Morin was one of the few important exponents of his work, notably including Mathieu's Chevauchée and Trois Préludes in his concert repertoire. Mathieu's song Un peu d'ombre (1913) was included in a number of recitals given by Marguerite Bériza and Sarah Fischer in Europe.
Henri Gagnon was a Canadian composer, organist, and music educator. He spent 51 years playing the organ at the Notre-Dame Basilica-Cathedral of Quebec City where, according to music historian François Brassard, he earned "a prestige similar to that of the famous organists of Europe". He was a much admired teacher and taught at several institutions, notably succeeding Wilfrid Pelletier as the second director of the Conservatoire de musique du Québec à Québec. As a composer, he produced mainly works for solo organ and piano; although he did write a few choral works and vocal pieces as well. One of his more popular works was Rondel de Thibaut de Champagne which Edward Johnson and Rodolphe Plamondon often performed in their recitals. Two of his works, Mazurka (1907) and Deux Antiennes, were recorded by the CBC Montreal Orchestra.
Romain Pelletier was a Canadian organist, choir conductor, composer, and music educator. His compositional output consists entirely of works for solo organ and motets. He was a founding member of the Société des artistes musiciens de Montréal and was a much admired teacher of counterpoint, fugue, and the organ.
Georges-Émile Tanguay was a Canadian composer, organist, pianist, and music educator. An associate of the Canadian Music Centre, his compositional output is relatively small; consisting of 4 orchestral works, 4 chamber music pieces, 9 works for solo piano, 2 works for solo organ, and 4 choral works. The library at Université Laval holds many of his original manuscripts and his personal papers.
François Morel was a Canadian composer, pianist, conductor, and music educator. An associate of the Canadian Music Centre, he was made a Knight of the National Order of Quebec in 1994 and was awarded the Prix Denise-Pelletier in 1996. He has had his works premiered by the CBC Symphony Orchestra, the Montreal Symphony Orchestra, and the Philadelphia Orchestra.
Frédéric Pelletier was a Canadian choir conductor, music educator, composer, music critic, journalist, civil servant, military officer, and physician. He was one of the principal music critics in Montreal during the first half of the 20th century, having worked in that capacity for every major publication in Montreal at one time or another. He was also a professor of music history at several institutions and worked as a choirmaster in several Montreal churches. His compositional output was mainly dedicated to sacred choral works, including several motets and carols, 2 oratorios, a Requiem Mass, and a Stabat Mater. He also wrote some works for solo organ, some songs, and a number of harmonizations of Canadian folk tunes.
Jocelyne Binet was a Canadian composer, pianist, and music educator. She studied in Montreal and Paris, France, and returned to compose and teach music in Canada.
Rachel Laurin was a Canadian organist, composer and music educator in Quebec.
Fleurette Beauchamp-Huppé was a Canadian pianist, teacher and soprano. She was the winner of a prize awarded by the Canadian Institute of Music each year from 1930 to 1932 and earned the Prix de Paris in 1933. Beauchamp-Huppé gave recitals, and performed the works of various pianists on CBC Radio and CKAC. She was also a teacher, mainly at the Conservatoire de musique du Québec à Montréal. There were two accompaniment studios inaugurated by the Conservatiore de musique du Québec à Montréal to recognize Beauchamp-Huppé and the conservatory named a student grant after her.
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