History
On 13 March 1850 a company of theatre enthusiasts (Nicholson, Dibold, Goodrich and Bonney) calling themselves the "Dramatic Amateurs" or "Amateur Dramatic Society", put on several plays at the New Queen's Theatre, [2] then changed their name to Adelaide Garrick Club. [3] The New Queen's Theatre closed its doors shortly afterwards and following productions were put on in the Victoria Theatre. Was this the same as the Royal Victoria Theatre (the remodelled Queen's Theatre)?
The Queen's Theatre is a building of historic importance in Playhouse Lane, Adelaide, South Australia. It is the oldest intact theatre in mainland Australia, having originally been built in 1840, the only earlier one in Australia being the still-operational Theatre Royal in Hobart, Tasmania. It was not the first theatre to open in Adelaide however; there were two earlier, less sophisticated earlier venues created in 1838–9.
The Garrick Cricket Club was formed in 1875, which staged several successful annual entertainments at White's Rooms, that of 1876 including Breaking the Spell (an operetta by Offenbach) with W. R. Pybus on piano.
White's Rooms, later known as Adelaide Assembly Room, was a privately owned function centre which opened in 1856 on King William Street, Adelaide, South Australia. It became Garner's Theatre in 1880, then passed through several hands, being known as the Tivoli theatre, Bijou theatre, Star picture theatre and finally in 1916 the Majestic Theatre and Hotel.
Jacques Offenbach was a German-French composer, cellist and impresario of the romantic period. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffmann remains part of the standard opera repertory.
William Richard Pybus was a South Australian organist, pianist and music teacher.
In 1889 the Garrick Club was re-formed or its name revived, with Misses Beddome, Schrader, Dora Moulden, and Nelson, and Messrs. Angel, Guy Boothby, Cook, G. V. S. Dunn, C. M. Gribble, R. Herbert, H. R. Holder, M. Marcus, A. L. Parker, and Lewes Wicksteed as prominent members. Their productions included an operetta written in South Australia.
Guy Newell Boothby was a prolific Australian novelist and writer, noted for sensational fiction in variety magazines around the end of the nineteenth century. He lived mainly in England. He is best known for such works as the Dr Nikola series, about an occultist criminal mastermind who is a Victorian forerunner to Fu Manchu, and Pharos, the Egyptian, a tale of Gothic Egypt, mummies' curses and supernatural revenge. Rudyard Kipling was his friend and mentor, and his books were remembered with affection by George Orwell.
In 1892 the Garrick Dramatic Club was founded by Edward Reeves and John Henry Lyons. [4] Membership was invited from the city's elocutionists: E. Reeves, C. Morgan, Benjamin H. Gillman, E. H. Shaw, H. T. Sparrow, R. A. C. Herbert, A. Norton, C. C. Paltridge, J. H. Lyons, Miss Wadham, Aileen Bancroft and Miss Pizey [5] and soon reached a high standard of performance, with critics enthusiastic rather than generous. Later members included Walter Bentley, E. H. Shaw, Mary Bancroft, Beatrice Gordon, Marion Woodcock, Charles Morgan, Richard Herbert, J. D. Furlonge, Frank Seaton, Fairfax Kendal, Tom Potts, Kate Shirley, Marian Daniels and Alexander Cochrane. The club appears to have folded after a triumphant 1899 season which ended anticlimactically with a poorly-attended finale at the Theatre Royal.
The Theatre Royal on Hindley Street, Adelaide was a significant venue in the history of the stage in South Australia.
