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Gayil Nalls (born July 17, 1953) [1] is an American interdisciplinary artist and theorist living in New York City and Hudson Valley, New York. Her artistic practice originates in philosophical investigations of personal and collective sensory experiences, [2] [3] memory and identity, and often include the relationship of these experiences to disappearing ecologies. [4] [5] [6] [7] She is an influential contributor to the aesthetics of crowds and human massing. [8] [9] [10] [11] [12] Her multimedia work frequently unites scientific and technological approaches to art-making, exploring the boundaries between the two. [13] [14]
Nalls was born July 17, 1953, in Washington, D.C. She studied at Virginia Commonwealth University, Parsons School of Design, American University, Central Saint Martins, and The Corcoran College of Art and Design. In 2007, she earned her Ph.D. in the aesthetics and science of olfaction from The University of East London in the United Kingdom. [15] [16] She was the visiting artist professor at the Institut Superieur International Du Parfum ISIPCA, Versaille, France in 1998. Nalls currently serves as an associate senior researcher at SMARTLab, and is an adjunct associate professor at the school of mechanical and materials engineering, University College Dublin.
Nalls’ work has been featured in thirty solo exhibitions, including six at galleries in New York City. Her work has also been included in over 100 group exhibitions. [15] Her paintings, sculptures, photographs, videos, prints and olfactory sculptures can be found in the collections of institutions such as The Metropolitan Museum of Art, [17] [18] the Luther W. Brady Art Gallery at George Washington University, the National Museum of American Art, [19] and the Hunter Museum of American Art, which holds four works from her iconoclastic period, and numerous other public and private collections. She has created several multimedia installation works and large-scale public commissions as well.
She is currently director of the World Sensorium / Conservancy and editor of Plantings, WS/C’s journal.
In the 1980s, Nalls’ paintings were a pronounced iconoclastic aesthetic, controversial both philosophically and spiritually. They challenged traditional belief systems and advocated environmental wholeness—living systems—web of life thinking. In the 1982 exhibition curated by Lee Fleming, Washington Iconoclassicism, at Washington Project for the Arts, Washington, DC and Artemisia Gallery, Chicago, IL, Ms. Fleming wrote in the catalog that Nalls creates, “decidedly unpastoral visions.” Saying further that: “Placing human objects under the fierce heat of Modernism, she creates situations which pose the fragility of human effort and decoration (including art) against the forbidding façade of passing ideal.” [20]
While Nalls continues to work across several media, her artistic practice has grown progressively more conceptual over the course of her career. She is best known for her olfactory sculpture, World Sensorium' [21] ', an ongoing project that premiered at the Times Square 2000 millennial celebration in New York City." [22] [23] [24] [25] [26] [27] [28] [ excessive citations ] Following ten years of ethnobotanical research, including a world survey establishing the most culturally relevant natural scent of each nation and territory, Nalls composed World Sensorium from botanical essences blended proportionally according to each nation’s fraction in the overall world population in the year 2000. [29] For the Times Square 2000 millennial celebration, the “world scent”, as it is described by Nalls, dropped over the crowd at midnight on specially-designed, microencapsulated paperworks. [30]
Calling upon her own scientific research into the link between scent, memory, neurology, and crowd theory, [31] World Sensorium seeks to evoke a global memory and evolve a metabolic and empathetic collective in addition to the technological collective created through mass media coverage. [32]
In 2005, Nalls completed the September 11 Memorial for The City of White Plains, New York. In 2012, Nalls exhibited The Smell of a Critical Moment, a project which investigated the unique role of chemical communication within participants of Occupy Wall Street––the odors that carry information that influences human emotions, behavior and judgments, as well as our sense of beauty. [33]
Nalls continues to create numerous works that affect mood and behavior by smell or ingestion. In 2015 her olfactory art was featured in two museum exhibitions: There’s Something in the Air, at The Museum Villa Rot in Germany and The Smell of War at Kasteel de Lovie, in Belgium, and in Five Senses at Stary Browar in Poznań, Poland.
In 2016, she co-curated a public forum, exhibition and screening of her interview series Exceptional Voices at El Barrio ArtSpace in New York. [34]
For many years she ran The Massing Lab, a site focused on collective behavior and protests.[ citation needed ]
A sensorium (/sɛnˈsɔːrɪəm/) is the apparatus of an organism's perception considered as a whole. It is the "seat of sensation" where it experiences, perceives and interprets the environments within which it lives. The term originally entered English from the Late Latin in the mid-17th century, from the stem sens- ("sense"). In earlier use it referred, in a broader sense, to the brain as the mind's organ. In medical, psychological, and physiological discourse it has come to refer to the total character of the unique and changing sensory environments perceived by individuals. These include the sensation, perception, and interpretation of information about the world around us by using faculties of the mind such as senses, phenomenal and psychological perception, cognition, and intelligence.
Chandler Burr is an American journalist, author, and museum curator.
Aromachology is the study of the influence of odors on human behavior and to examine the relationship between feelings and emotions. Those who practice aromachology are aromachologists. Aromachologists analyze emotions such as relaxation, exhilaration, sensuality, happiness and well-being brought about by odors stimulating the olfactory pathways in the brain and, in particular, the limbic system. Different wearers are thought to have unique physiological and psychological responses to scents, especially those not manufactured synthetically but based on real scents. The word "aromachology" is derived from "aroma" and "physio-psychology", the latter being the study of aroma. This term was coined in 1989 by what is now the Sense of Smell Institute (SSI), a division of The Fragrance Foundation. The SSI defines aromachology as "a concept based on systematic, scientific data collected under controlled conditions". The term is defined as the scientifically observable influence of smell on emotions and moods. Consumers use aromachology to alleviate time pressures, for relaxation or stimulation and as a component of other activities that generate a feeling of well-being.
Rachel Sarah Herz is a Canadian and American psychologist and cognitive neuroscientist, recognized for her research on the psychology of smell.
Martynka Wawrzyniak is a New York City-based, Polish-American mixed-media artist who works in photography, video, performance, sculpture, and installation.
Permutatude theory is an ongoing conceptual framework for exploring mass collective psychology and global social evolution as developed by interdisciplinary artist and theorist Gayil Nalls. Permutatude identifies information and communication technologies (ICTs) as a medium for expanding human massing events and their meaning, while also serving as a forum for collective actions, increasing the potential for change to social systems.
The World Sensorium is an olfactory art project initiated by Gayil Nalls, an interdisciplinary artist based in New York. Nalls conceived the project intending to foster cross-cultural understanding through shared sensory experiences with the aim to cultivate an awareness of humanity’s collective connection to nature and its impact on the human spirit and psyche.
Martin Harrison is a British art historian, author and curator, noted for his work on photography, on the medium of stained glass and its history, and as an authority on the work of the painter Francis Bacon.
Sissel Tolaas is a Norwegian artist and researcher known for her work with smell.
Anicka Yi is a conceptual artist whose work lies at the intersection of fragrance, cuisine, and science. She is known for installations that engage the senses, especially the sense of smell; and, for her collaborations with biologists and chemists. Yi lives and works in New York City.
Jenny Marketou is a Greek multidisciplinary artist, lecturer, and author noted for her interventions and technology based projects.
The Institute for Art and Olfaction is a non-profit organization devoted to advancing public, artistic and experimental engagement with scent. It was founded in 2012.
Olfactory art is an art form that uses scents as a medium. Olfactory art includes perfume as well as other applications of scent.
Peter de Cupere is an olfactory artist who lives and works in Antwerp. De Cupere creates work intended to explore experiences of smelling.
Wolfgang Paul Georgsdorf is an Austrian media artist, director, sculptor, musician, author, researcher, and inventor based in Berlin. He was founder and spokesman of Opal-so-nicht which resulted in a successful case against Gazprom and BASF in Dahme-Heideseen Nature Park, Brandenburg, Germany.
Josely Carvalho is a Brazilian artist who is based in New York City and Rio de Janeiro.
Clara Ursitti is a Canadian-Italian artist based in Glasgow, Scotland. She was born in North Bay, Ontario in 1968.
Olfactory heritage is an aspect of cultural heritage concerning smells that are meaningful to a community due to their connections with significant places, practices, objects or traditions, and can therefore be considered part of the cultural legacy for future generations.
Brian Goeltzenleuchter is an American conceptual artist and educator who works in olfactory art, social practice, and image making.
Maki Ueda is a Japanese artist. She is currently based in Okinawa and Tokyo, Japan.
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