Geoffrey Chadsey | |
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| Born | March 23, 1967 |
| Nationality |  United States |
| Education | Harvard University, California College of the Arts |
Geoffrey Chadsey (born March 23, 1967) is an American artist known for his painting and drawings, based in Brooklyn, New York. [1] He is best known for his depictions of men, consisting of dense curving and parallel lines reminiscent of engraving to delineate imperfect bodies that often shift between genders. [2]
Chadsey was born in Philadelphia, Pennsylvania. In 1989, he received an AB in visual and environmental studies from Harvard University, and in 1995, an MFA in Photography and Drawing from California College of the Arts. [1] [3]
His conspicuously flawed bodies are often androgynous, as in Portrait II, in the collection of the Honolulu Museum of Art. [4] The Honolulu Museum of Art and the San Francisco Museum of Modern Art are among the public collections holding work by Geoffrey Chadsey. [4] [5] [6]
The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum located in San Francisco, California. A nonprofit organization, SFMOMA holds an internationally recognized collection of modern and contemporary art, and was the first museum on the West Coast devoted solely to 20th-century art. The museum's current collection includes over 33,000 works of painting, sculpture, photography, architecture, design, and media arts, and moving into the 21st century. The collection is displayed in 170,000 square feet (16,000 m2) of exhibition space, making the museum one of the largest in the United States overall, and one of the largest in the world for modern and contemporary art.
Richard Diebenkorn was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings. Known as the Ocean Park paintings, these paintings were instrumental to his achievement of worldwide acclaim.
Jay DeFeo was a visual artist who became celebrated in the 1950s as part of the spirited community of Beat artists, musicians, and poets in San Francisco. Best known for her monumental work The Rose, DeFeo produced courageously experimental works throughout her career, exhibiting what art critic Kenneth Baker called “fearlessness.”
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