Geoffrey Chadsey | |
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| Born | March 23, 1967 |
| Nationality |  United States |
| Education | Harvard University, California College of the Arts |
Geoffrey Chadsey (born March 23, 1967) is an American artist known for his painting and drawings, based in Brooklyn, New York. [1] He is best known for his depictions of men, consisting of dense curving and parallel lines reminiscent of engraving to delineate imperfect bodies that often shift between genders. [2]
Chadsey was born in Philadelphia, Pennsylvania. In 1989, he received an AB in visual and environmental studies from Harvard University, and in 1995, an MFA in Photography and Drawing from California College of the Arts. [1] [3]
His conspicuously flawed bodies are often androgynous, as in Portrait II, in the collection of the Honolulu Museum of Art. [4] The Honolulu Museum of Art and the San Francisco Museum of Modern Art are among the public collections holding work by Geoffrey Chadsey. [4] [5] [6]
The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum and nonprofit organization located in San Francisco, California. SFMOMA was the first museum on the West Coast devoted solely to 20th-century art, and has built an internationally recognized collection with over 33,000 works of painting, sculpture, photography, architecture, design, and media arts. The collection is displayed in 170,000 square feet (16,000 m2) of exhibition space, making the museum one of the largest in the United States overall, and one of the largest in the world for modern and contemporary art.
Richard Diebenkorn was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings. Known as the Ocean Park paintings, these paintings were instrumental to his achievement of worldwide acclaim. Art critic Michael Kimmelman described Diebenkorn as "one of the premier American painters of the postwar era, whose deeply lyrical abstractions evoked the shimmering light and wide-open spaces of California, where he spent virtually his entire life."
Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".
Stephanie Syjuco, is a Filipino-born American conceptual artist and educator. She works in photography, sculpture, and installation art. Born in the Philippines, she moved to the San Francisco Bay Area in 1977. She lives in Oakland, California, and teaches art at the University of California, Berkeley.
Robert Alan Bechtle was an American painter, printmaker, and educator. He lived nearly all his life in the San Francisco Bay Area and whose art was centered on scenes from everyday local life. His paintings are in a Photorealist style and often depict automobiles.
Jean Conner née Sandstedt is an American artist.
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Paul John Wonner was an American artist best known for his still-life paintings done in an abstract expressionist style. Born in Tucson, Arizona, he received a B.A. in 1952, an M.A. in 1953, and an M.L.S. in 1955―all from the University of California, Berkeley. He rose to prominence in the 1950s as an abstract expressionist associated with the Bay Area Figurative Movement, along with his partner, Theophilus Brown, whom he met in 1952 while attending graduate school. In 1956, Wonner started painting a series of dreamlike male bathers and boys with bouquets. In 1962, he began teaching at the University of California, Los Angeles. By the end of the 1960s, he had abandoned his loose figurative style and focused exclusively on still lifes in a hyperrealist style. Wonner died April 23, 2008, in San Francisco, California.
Squeak Carnwath is an American contemporary painter and arts educator. She is a professor emerita of art at the University of California, Berkeley. She has a studio in Oakland, California, where she has lived and worked since 1970.
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Toyin Ojih Odutola is a Nigerian-American contemporary visual artist known for her vivid multimedia drawings and works on paper. Her unique style of complex mark-making and lavish compositions rethink the category and traditions of portraiture and storytelling. Ojih Odutola's artwork often investigates a variety of themes from socio-economic inequality, the legacy of colonialism, queer and gender theory, notions of blackness as a visual and social symbol, as well as experiences of migration and dislocation.
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