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A Dyson sphere is a hypothetical megastructure that encompasses a star and captures a large percentage of its solar power output. The concept is a thought experiment that attempts to imagine how a spacefaring civilization would meet its energy requirements once those requirements exceed what can be generated from the home planet's resources alone. Because only a tiny fraction of a star's energy emissions reaches the surface of any orbiting planet, building structures encircling a star would enable a civilization to harvest far more energy.
The Astounding Award for Best New Writer is given annually to the best new writer whose first professional work of science fiction or fantasy was published within the two previous calendar years. It is named after Astounding Science Fiction, a foundational science fiction magazine. The award is sponsored by Dell Magazines, which publishes Analog.
Gordon Rupert Dickson was a Canadian-American science fiction writer. He was inducted into the Science Fiction and Fantasy Hall of Fame in 2000.
An overwhelming majority of fiction is set on or features the Earth, as the only planet home to humans. This also holds true of science fiction, despite perceptions to the contrary. Works that focus specifically on Earth may do so holistically, treating the planet as one semi-biological entity. Counterfactual depictions of the shape of the Earth, be it flat or hollow, are occasionally featured. A personified, living Earth appears in a handful of works. In works set in the far future, Earth can be a center of space-faring human civilization, or just one of many inhabited planets of a galactic empire, and sometimes destroyed by ecological disaster or nuclear war or otherwise forgotten or lost.
Robert Silverberg is an American author and editor, best known for writing science fiction. He is a multiple winner of both Hugo and Nebula Awards, a member of the Science Fiction and Fantasy Hall of Fame, and a Grand Master of SF. He has attended every Hugo Award ceremony since the inaugural event in 1953.
Science fantasy is a hybrid genre within speculative fiction that simultaneously draws upon or combines tropes and elements from both science fiction and fantasy. In a conventional science fiction story, the world is presented as being scientifically logical, while a conventional fantasy story contains mostly supernatural and artistic elements that disregard the scientific laws of the real world. The world of science fantasy, however, is laid out to be scientifically logical and often supplied with hard science-like explanations of any supernatural elements.
In American science fiction of the 1950s and '60s, psionics was a proposed discipline that applied principles of engineering to the study of paranormal or psychic phenomena, such as extrasensory perception, telepathy and psychokinesis. The term is a blend word of psi and the -onics from electronics. The word "psionics" began as, and always remained, a term of art within the science fiction community and—despite the promotional efforts of editor John W. Campbell, Jr.—it never achieved general currency, even among academic parapsychologists. In the years after the term was coined in 1951, it became increasingly evident that no scientific evidence supports the existence of "psionic" abilities.
Science Fantasy, which also appeared under the titles Impulse and SF Impulse, was a British fantasy and science fiction magazine, launched in 1950 by Nova Publications as a companion to Nova's New Worlds. Walter Gillings was editor for the first two issues, and was then replaced by John Carnell, the editor of New Worlds, as a cost-saving measure. Carnell edited both magazines until Nova went out of business in early 1964. The titles were acquired by Roberts & Vinter, who hired Kyril Bonfiglioli to edit Science Fantasy; Bonfiglioli changed the title to Impulse in early 1966, but the new title led to confusion with the distributors and sales fell, though the magazine remained profitable. The title was changed again to SF Impulse for the last few issues. Science Fantasy ceased publication the following year, when Roberts & Vinter came under financial pressure after their printer went bankrupt.
Victor Gollancz Ltd was a major British book publishing house of the twentieth century and continues to publish science fiction and fantasy titles as an imprint of Orion Publishing Group.
Planetary romance, also known as sword and planet, is a subgenre of science fiction in which the bulk of the action consists of adventures on one or more exotic alien planets, characterized by distinctive physical and cultural backgrounds. Some planetary romances take place against the background of a future culture where travel between worlds by spaceship is commonplace; others, particularly the earliest examples of the genre, do not, and invoke flying carpets, astral projection, or other methods of getting between planets. In either case, it is the planetside adventures which are the focus of the story, not the mode of travel.
Edwin Charles Tubb was a British writer of science fiction, fantasy and western novels. The author of over 140 novels and 230 short stories and novellas, Tubb is best known for The Dumarest Saga, an epic science-fiction saga set in the far future. Michael Moorcock wrote, "His reputation for fast-moving and colourful SF writing is unmatched by anyone in Britain."
Social science fiction is a subgenre of science fiction, usually soft science fiction, concerned less with technology/space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions.
Byron Conrad Haskin was an American film and television director, special effects creator and cinematographer. He is best known for directing The War of the Worlds (1953), one of many films where he teamed with producer George Pal.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
There have been many attempts at defining science fiction. This is a list of definitions that have been offered by authors, editors, critics and fans over the years since science fiction became a genre. Definitions of related terms such as "science fantasy", "speculative fiction", and "fabulation" are included where they are intended as definitions of aspects of science fiction or because they illuminate related definitions—see e.g. Robert Scholes's definitions of "fabulation" and "structural fabulation" below. Some definitions of sub-types of science fiction are included, too; for example see David Ketterer's definition of "philosophically-oriented science fiction". In addition, some definitions are included that define, for example, a science fiction story, rather than science fiction itself, since these also illuminate an underlying definition of science fiction.
Fantastic Universe was a U.S. science fiction magazine which began publishing in the 1950s. It ran for 69 issues, from June 1953 to March 1960, under two different publishers. It was part of the explosion of science fiction magazine publishing in the 1950s in the United States, and was moderately successful, outlasting almost all of its competitors. The main editors were Leo Margulies (1954–1956) and Hans Stefan Santesson (1956–1960); under Santesson's tenure the quality declined somewhat, and the magazine became known for printing much UFO-related material. A collection of stories from the magazine, edited by Santesson, appeared in 1960 from Prentice-Hall, titled The Fantastic Universe Omnibus.
Wilson Allen Wallis was an American economist and statistician who served as president of the University of Rochester. He is best known for the Kruskal–Wallis one-way analysis of variance, which is named after him and William Kruskal.
Space Science Fiction Magazine was a US science fiction magazine published by Republic Features Syndicate, Inc. as part of a package of radio shows and related genre magazines. It was edited by Michael Avallone, though the masthead listed Lyle Kenyon Engel as editor instead. Two issues appeared, both in 1957. It published short stories by well-known writers, including Arthur C. Clarke and Jack Vance, but it was not successful, and the magazine ceased publication late in 1957.
Satellite Science Fiction was an American science-fiction magazine published from October 1956 to April 1959 by Leo Margulies' Renown Publications. Initially, Satellite was digest-sized and ran a full-length novel in each issue with a handful of short stories accompanying it. The policy was intended to help it compete against paperbacks, which were taking a growing share of the market. Sam Merwin edited the first two issues; Margulies took over when Merwin left, and then hired Frank Belknap Long for the February 1959 issue. That issue saw the format change to letter size, in the hope that the magazine would be more prominent on newsstands. The experiment was a failure and Margulies closed the magazine when the sales figures came in.
Space travel, or space flight is a classic science-fiction theme that has captivated the public and is almost archetypal for science fiction. Space travel, interplanetary or interstellar, is usually performed in space ships, and spacecraft propulsion in various works ranges from the scientifically plausible to the totally fictitious.
References
- ↑ "Authors : Wallis, George C : SFE : Science Fiction Encyclopedia". www.sf-encyclopedia.com. Retrieved 20 August 2021.
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