This article provides insufficient context for those unfamiliar with the subject.(February 2019) |
George Heath (1901 - 1968) was an Australian cinematographer best known for his collaboration with Ken G. Hall for whom he shot several features. [1] According to one observer, he fitted into the Cinesound world far more than his predecessor, Frank Harley - "Heath adapted much more easily to studio work and soon developed into a technician of world class. His work on the features was always attuned to the demands of the film and its future audience: his images show few of the pretensions to grandeur which are to be found in the work of Hurley, and instead his photography is clear, expressive and undemanding." [2]
Sidney Alderman Blackmer was an American Broadway and film actor active between 1914 and 1971, usually in major supporting roles.
Kenneth George Hall, AO, OBE, better known as Ken G. Hall, was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. He was the first Australian to win an Academy Award.
Cinesound Productions Pty Ltd was an Australian feature film production company, established in June 1931, Cinesound developed out of a group of companies centred on Greater Union Theatres, that covered all facets of the film process, from production, to distribution and exhibition.
Shirley Ann Richards was an Australian actress and author who achieved notability in a series of 1930s Australian films for Ken G. Hall before moving to the United States, where she continued her career as a film actress, mainly as a Metro-Goldwyn-Mayer starlet. Her best known performances were in It Isn't Done (1937), Dad and Dave Come to Town (1938), An American Romance (1944), and Sorry, Wrong Number (1948). In the 1930s, she was the only Australian actor under a long-term contract to a film studio, Cinesound Productions. She subsequently became a lecturer and poet.
Dad and Dave Come to Town is a 1938 Australian comedy film directed by Ken G. Hall, the third in the 'Dad and Dave' comedy series starring Bert Bailey. It was the feature film debut of Peter Finch and is one of the best known Australian films of the 1930s.
Mr. Chedworth Steps Out is a 1939 Australian comedy film directed by Ken G. Hall starring Cecil Kellaway. Kellaway returned to Australia from Hollywood to make the film, which features an early screen appearance by Peter Finch.
Frank Harvey was a British-born actor, producer and writer best known for his work in Australia.
On Our Selection is a 1932 comedy based on the Dad and Dave stories by Steele Rudd. These had been turned into a popular play by Bert Bailey and Edmund Duggan in 1912, which formed the basis for the screenplay. Bailey repeats his stage role as Dad Rudd. He also wrote the script with director Ken G. Hall.
Grandad Rudd is a 1935 comedy featuring the Dad and Dave characters created by Steele Rudd and based on a play by Rudd. It was a sequel to On Our Selection, and was later followed by Dad and Dave Come to Town and Dad Rudd, MP.
Tall Timbers is a 1937 action melodrama set in the timber industry directed by Ken G. Hall and starring Frank Leighton and Shirley Ann Richards.
Gone to the Dogs is a 1939 musical comedy vehicle starring George Wallace. It was the second of two films he made for director Ken G. Hall, the first being Let George Do It (1938).
Dad Rudd, M.P. is a 1940 comedy that was the last of four films made by Ken G. Hall starring Bert Bailey as Dad Rudd. It was the last feature film directed by Hall prior to the war and the last made by Cinesound Productions, Bert Bailey and Frank Harvey.
Come Up Smiling is a 1939 Australian comedy film starring popular American stage comedian Will Mahoney and his wife Evie Hayes. It was the only feature from Cinesound Productions not directed by Ken G. Hall.
Joseph George McParlane, known as Joe Valli, was a Scottish-Australian actor who worked in vaudeville and films. He had a long-running vaudeville partnership with Pat Hanna as "Chic and Joe".
George D. Parker (1873-1937) was an American-born actor, writer and director who worked extensively in Australian theatre during the 1920s and 1930s, mostly for J.C. Williamson Ltd. He was later employed by Cinesound Productions as a dialogue director and screenwriter, as well as running the Cinesound Talent School with Frank Harvey. According to Hall, "Parker was much more slick in his handling of dialogue" than him around the time of The Silence of Dean Maitland but he did not work with Cinesound after Grandad Rudd.
Alec Kellaway (1894–1973) was a South African–born actor best known for his work in Australian theatre and film, notably playing a number of character roles for director Ken G. Hall. He was the brother of Cecil Kellaway. He also worked as a producer in vaudeville and helped run the Talent School at Cinesound Productions.
William Freshman was an Australian-born actor, scriptwriter and director. He moved to England as a child and worked in the British film industry, writing over 20 screenplays and working as an associate producer at British International Pictures. He also wrote the play The Last of the Ladies.
Pagewood Studios was a film studio in Sydney, Australia, that was used to make Australian, British and Hollywood films for twenty years.
Frank Coffey was an Australian author, cameraman, director, and screenwriter who worked mostly on the production of documentaries. For a number of years, he was in-house writer for Cinesound Productions.
Ronald Whelan was an Australian actor, assistant director and unit manager. He was the son of actor Albert Whelan.