Let George Do It | |
---|---|
Directed by | Ken G. Hall |
Written by | George Wallace Frank Harvey |
Based on | story by Hal Carleton |
Produced by | Ken G. Hall |
Starring | George Wallace Joe Valli |
Cinematography | George Heath |
Edited by | William Shepherd |
Music by | Hamilton Webber Maurie Gilman |
Production company | |
Distributed by | British Empire Films (Aust) ABFD (UK) |
Release dates |
|
Running time | 79 mins (Australia) |
Country | Australia |
Language | English |
Budget | £21,000 [1] [2] |
Let George Do It is a 1938 comedy starring popular stage comedian George Wallace. It was the first of two films Wallace made for Ken G. Hall at Cinesound Productions, the other one being Gone to the Dogs (1939). [3] Hall later called Wallace "in my opinion, easily the best comedian that this country has produced." [4]
The plot concerns a man, Joe Blake, who works as a stage hand in a vaudeville theatre headlined by Mysto the magician. When he finds out that the girl he is in love with, Molly, is getting married, he gets drunk with his friend Happy Morgan and decides to commit suicide. Joe offers to leave all his possessions to a gangster, Zilch, if Zilch will arrange a painless death for Joe.
The next day Joe finds out he has received an inheritance and wants to live, but Zilch and his men, including Unk, abduct Joe and demand half his money. Joe escapes with the help of Clara, a woman who has a crush on him, resulting in a wild speedboat chase across Sydney harbour.
Stuart F. Doyle signed George Wallace to a contract with Cinesound in February 1937. It was originally announced that he would be making Gone to the Dogs, set against a background of greyhound racing. [5] That turned out to be Wallace's second Cinesound movie; this was the first. Ken Hall later said:
Wallace... was a visual comic and easily, in my opinion, the best comedian that this country has produced. He was a pantomime comedian in the Chaplin tradition which belongs on the screen. He didn’t have to say the words, he could tell it all with a look, an expression or a movement. Wallace was a naturally funny man. No ‘funny’ make-up such as Mo [Roy Rene] used. Just himself. He didn’t get as far as he should have done, although he did exceptionally well for us and we had great success with his pictures. [6]
As with most Cinesound comedies of the late 1930s, Hall employed a team of comedy writers to help with the script along with credited screenwriters Wallace and Frank Harvey. This consisted of Hall, cartoonist Jimmy Bancks, [7] Bill Maloney and Hal Carleton. [8] The story followed a formula developed in Wallace's Ticket in Tatts: "George is given a simple labourer's job... Quite innocently is fired... He then becomes involved in a simple wish-fulfilment device... the device is complicated by an equally simple set of stereotyped gangsters who have no motivation beyond innate greed for greater wealth, and in each situation they are foiled, usually accidentally, by George and his friends." [9] Hall later said:
We worked every detail out with the writers. But George would have something that he’d done in vaudeville and he’d show me. For instance, in Let George Do It he slides across the scene on the back of his neck — that was part of his vaudeville act. He said, “Can you use it?" and I said, “Of course we can fit it in”. So we had a scene writtenspecially for a comedy sequence - the first time in Australia — and we had a trio that sang in the bar. Wallace got great laughs out of that trio. It really surprised the public when four extras started to sing in an Australian picture with an integrated score... Wallace had tremendous ability as a fall-down dancer; nobody could fall better or easier. Every comic I know worshipped at the throne of Wallace for the way he could fall without hurting himself. This is a very difficult thing to do, you know, although George had little short legs and almost no distance to fall! [6]
The male romantic lead was played by Neil Carlton, a Melbourne-born actor who had appeared in films in England. "I've been searching for a juvenile of Carlton's type ever since I have been directing", said Hall during production. "He's handsome, a good actor, and possesses a fine singing voice; stands 6 ft 1 in. in his socks, weighs 14 St., and is a splendid all-round athlete." [10]
Filming commenced on 30 January 1938 [11] and finished on 22 March. [12] During the shooting of a speedboat chase scene on Sydney Harbour, the boat crashed into a racing eight near Double Bay, cutting it in half and injuring three rowers. [13]
There were several musical numbers which demonstrated Wallace's ability to sing and dance. [14] A water ballet, choreographed by Leon Kellaway, brother of Cecil Kellaway, was shot but was mostly cut in the interests of keeping the film at a fast pace. [1]
Hall later wrote that the two films he made with Wallace "were very substantial hits". [15] Variety wrote "it broke records everywhere." [16]
The famous tenor Richard Tauber saw the movie when touring Australia. [17]
It was released in Britain in 1940 as In the Nick of Time, to avoid confusion with the 1940 George Formby film Let George Do It! .
Kenneth George Hall was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. He was the first Australian to win an Academy Award.
Roy Rene was an Australian comedian and vaudevillian. As the bawdy character Mo McCackie, Rene was one of the most well-known and successful Australian comedians of the early 20th century, and the local answer to Charlie Chaplin.
Cinesound Productions Pty Ltd was an Australian feature film production company. Established in June 1931, Cinesound developed out of a group of companies centred on Greater Union Theatres that covered all facets of the film process, from production to distribution and exhibition. Cinesound Productions established a film studio as a subsidiary of Greater Union Theatres Pty Ltd based on the Hollywood model. The first production was On Our Selection (1932), which was an enormous financial success.
Shirley Ann Richards was an Australian actress and author who achieved notability in a series of 1930s Australian films for Ken G. Hall before moving to the United States, where she continued her career as a film actress, mainly as a Metro-Goldwyn-Mayer starlet. Her best known performances were in It Isn't Done (1937), Dad and Dave Come to Town (1938), An American Romance (1944), and Sorry, Wrong Number (1948). In the 1930s, she was the only Australian actor under a long-term contract to a film studio, Cinesound Productions. She subsequently became a lecturer and poet.
George Stephenson "Onkus" Wallace, was an Australian comedian, actor, vaudevillian and radio personality. During the early to mid-20th century, he was one of the most famous and successful Australian comedians on both stage and screen, with screen, song and revue sketch writing amongst his repertoire. Wallace was a small tubby man with goggle eyes, a mobile face and croaky voice who appeared in trademark baggy trousers, checkered shirt and felt hat. His career as one of Australia's most popular comedians spanned four decades from the 1920s to 1960 and encompassed stage, radio and film entertainment. Ken G. Hall, who directed him in two films, wrote in his autobiography that George Wallace was the finest Australian comedian he had known.
Dad and Dave Come to Town is a 1938 Australian comedy film directed by Ken G. Hall, the third in the 'Dad and Dave' comedy series starring Bert Bailey. It was the feature film debut of Peter Finch and is one of the best known Australian films of the 1930s.
Mr. Chedworth Steps Out is a 1939 Australian comedy film directed by Ken G. Hall starring Cecil Kellaway. Kellaway returned to Australia from Hollywood to make the film, which features an early screen appearance by Peter Finch.
The Broken Melody is a 1938 Australian drama film directed by Ken G. Hall and starring Lloyd Hughes, based on a best-selling novel by F. J. Thwaites. Hall later said in 1974 that "This was a film that I’m particularly keen about still."
On Our Selection is a 1932 comedy based on the Dad and Dave stories by Steele Rudd. These had been turned into a popular play by Bert Bailey and Edmund Duggan in 1912, which formed the basis for the screenplay. Bailey repeats his stage role as Dad Rudd. He also wrote the script with director Ken G. Hall.
Strike Me Lucky is a 1934 Australian comedy musical film starring popular stage comic vaudevillian Roy Rene in his first and only film. It was the fourth feature film from Cinesound Productions but proved a box office disappointment. Director Ken G. Hall claimed it was the only one of his features not to go into profit within a few years of release, although the film eventually covered costs.
Grandad Rudd is a 1935 comedy featuring the Dad and Dave characters created by Steele Rudd and based on a play by Rudd. It was a sequel to On Our Selection, and was later followed by Dad and Dave Come to Town and Dad Rudd, MP.
Orphan of the Wilderness is a 1936 Australian feature film from director Ken G. Hall about the adventures of a boxing kangaroo. It starred Brian Abbot who disappeared at sea not long after filming completed.
It Isn't Done is a 1937 Australian comedy film about a grazier who inherits a barony in England.
Lovers and Luggers is a 1937 Australian film directed by Ken G. Hall. It is an adventure melodrama about a pianist who goes to Thursday Island to retrieve a valuable pearl.
Tall Timbers is a 1937 action melodrama set in the timber industry directed by Ken G. Hall and starring Frank Leighton and Shirley Ann Richards.
Gone to the Dogs is a 1939 musical comedy vehicle starring George Wallace. It was the second of two films he made for director Ken G. Hall, the first being Let George Do It (1938).
Dad Rudd, M.P. is a 1940 comedy that was the last of four films made by Ken G. Hall starring Bert Bailey as Dad Rudd. It was the last feature film directed by Hall prior to the war and the last made by Cinesound Productions, Bert Bailey and Frank Harvey.
Come Up Smiling is a 1939 Australian comedy film starring popular American stage comedian Will Mahoney and his wife Evie Hayes. It was the only feature from Cinesound Productions not directed by Ken G. Hall.
Alec Kellaway was a South African–born actor best known for his work in Australian theatre and film, notably playing a number of character roles for director Ken G. Hall. He was the brother of Cecil Kellaway. He also worked as a producer in vaudeville and helped run the Talent School at Cinesound Productions.
George Heath was an Australian cinematographer best known for his collaboration with Ken G. Hall for whom he shot several features. According to one observer, he fitted into the Cinesound world far more than his predecessor, Frank Harley - "Heath adapted much more easily to studio work and soon developed into a technician of world class. His work on the features was always attuned to the demands of the film and its future audience: his images show few of the pretensions to grandeur which are to be found in the work of Hurley, and instead his photography is clear, expressive and undemanding."