Cinesound Varieties | |
---|---|
Directed by | Ken G. Hall |
Written by | Vic Roberts George D. Parker |
Produced by | Ken G. Hall |
Starring | Fred Bluett |
Cinematography | Frank Hurley |
Production company | |
Release date |
|
Running time | 60 mins |
Country | Australia |
Language | English |
Budget | £2,500 [1] |
Box office | £2,000 [1] |
Cinesound Varieties is a 1934 Australian variety short film from director Ken G. Hall made to go out on a double-bill with the full-length feature, The Silence of Dean Maitland (1934). Only 18 minutes of the film survive today. [2]
There were two main components of the film:
1) 'Evolution of a Waltz' - a musical presentation with Hamilton Webber and the State Orchestra illustrating the evolution of the waltz from the age of Mozart to Irving Berlin
2) 'Nautical Nonsense' - a musical comedy revue, featuring several Australian variety stars including
There were also appearances by Emanel Aarons at the grand organ and an adagio dance by the Orlandos. [4]
The movie was made in two weeks in a local showground because Charles Chauvel was using Cinesound's studio for a film. There were also a number of scenes shot on Sydney harbour. [5]
"It was written in a hurry and it was a bad effort," said Hall later. "I'm not proud of it." [6]
Contemporary reviews were poor. The Sydney Morning Herald wrote that:
Pace is the essence of a variety show, and pace is what Cinesound Varieties definitely lacks... The text which holds everything together is painfully weak, and the humour deplorable. These are two points in which every Australian film so far, except On Our Selection has come desperately to grief; and, even in On Our Selection, the actors and the photographs had to triumph over unfavourable material. Talk of winning success in oversea markets will remain so much beating of empty air as long as producers continue to give text and narrative value last place in their attention, instead of putting these matters first. Sooner or later, the literary side of things must come into its own. [7]
"It is difficult to believe that Cinesound Varieties comes from the same studio as The Silence of Dean Maitland - if it did," said the reviewer from The Argus. "In it all those things that should not be done are done and all that should be done are left undone." [8]
"A sadly overdressed musical revue which has inherited all the evils the talkies were ever heir to, except the American slang," said The Advertiser. [9]
According to a contemporary trade report it is likely the film lost an estimated £1,200. [1]
Kenneth George Hall was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. He was the first Australian to win an Academy Award.
Cinesound Productions Pty Ltd was an Australian feature film production company. Established in June 1931, Cinesound developed out of a group of companies centred on Greater Union Theatres that covered all facets of the film process, from production to distribution and exhibition. Cinesound Productions established a film studio as a subsidiary of Greater Union Theatres Pty Ltd based on the Hollywood model. The first production was On Our Selection (1932), which was an enormous financial success.
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The Silence of Dean Maitland is a 1934 Australian film directed by Ken G. Hall, and based on Maxwell Gray's 1886 novel of the same name. It was one of the most popular Australian films of the 1930s.
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The Silence of Dean Maitland is a 1914 Australian silent film directed by Raymond Longford. It is an adaptation of the 1886 novel of the same name by Maxwell Gray which was later filmed by Ken G. Hall in 1934. It is considered a lost film.
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George D. Parker (1873-1937) was an Australian actor, writer and director who worked extensively in Australian theatre during the 1920s and 1930s, mostly for J.C. Williamson Ltd. He was later employed by Cinesound Productions as a dialogue director and screenwriter, as well as running the Cinesound Talent School with Frank Harvey. According to Hall, "Parker was much more slick in his handling of dialogue" than him around the time of The Silence of Dean Maitland but he did not work with Cinesound after Grandad Rudd.
Kitty Bluett was an English-Australian actress and singer for radio, television and film. She played Ted Ray’s wife on the BBC radio show Ray's a Laugh from 1949 to 1961, the "longest running husband-wife radio show ever" with an estimated audience of 10 million. She appeared in several films, including A Son Is Born (1946), alongside Ron Randell. She was the first female radio DJ in Australia.