George D. Parker

Last updated

George D. Parker (1873-1937) was an Australian actor, writer and director who worked extensively in Australian theatre during the 1920s and 1930s, mostly for J.C. Williamson Ltd. He was later employed by Cinesound Productions as a dialogue director and screenwriter (in collaboration with Vic Roberts), as well as running the Cinesound Talent School with Frank Harvey. According to Hall, "Parker was much more slick in his handling of dialogue" than him around the time of The Silence of Dean Maitland [1] but he did not work with Cinesound after Grandad Rudd .

Contents

Parker was working in radio just prior to his death. [2]

Theatre

Filmography

Related Research Articles

<span class="mw-page-title-main">Ken G. Hall</span> Australian film director

Kenneth George Hall, AO, OBE, better known as Ken G. Hall, was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. He was the first Australian to win an Academy Award.

<span class="mw-page-title-main">Cinesound Productions</span> Australian film production company

Cinesound Productions Pty Ltd was an Australian feature film production company, established in June 1931, Cinesound developed out of a group of companies centred on Greater Union Theatres, that covered all facets of the film process, from production, to distribution and exhibition.

<span class="mw-page-title-main">John Longden</span> English actor (1900–1971)

John Longden was a British film actor. He appeared in more than 80 films between 1926 and 1964, including six films directed by Alfred Hitchcock.

<span class="mw-page-title-main">Frank Harvey (Australian screenwriter)</span> Australian screenwriter

Frank Harvey was a British-born actor, producer and writer best known for his work in Australia.

Edmond Seward was a Hollywood screenwriter who had originally attended Northwestern University and worked as a journalist, before doing some writing for Disney.

<i>On Our Selection</i> (1932 film) 1932 film

On Our Selection is a 1932 comedy based on the Dad and Dave stories by Steele Rudd. These had been turned into a popular play by Bert Bailey and Edmund Duggan in 1912, which formed the basis for the screenplay. Bailey repeats his stage role as Dad Rudd. He also wrote the script with director Ken G. Hall.

The Silence of Dean Maitland is a 1934 Australian film directed by Ken G. Hall, and based on Maxwell Gray's 1886 novel of the same name. It was one of the most popular Australian films of the 1930s.

<i>Strike Me Lucky</i> 1934 Australian film

Strike Me Lucky is a 1934 Australian comedy musical film starring popular stage comic vaudevillian Roy Rene in his first and only film. It was the fourth feature film from Cinesound Productions but proved a box office disappointment. Director Ken G. Hall says it was the only one of his features not to go into profit within a few years of release, although he says it eventually covered costs.

<i>Grandad Rudd</i> 1935 Australian film

Grandad Rudd is a 1935 comedy featuring the Dad and Dave characters created by Steele Rudd and based on a play by Rudd. It was a sequel to On Our Selection, and was later followed by Dad and Dave Come to Town and Dad Rudd, MP.

It Isn't Done is a 1937 Australian comedy film about a grazier who inherits a barony in England.

Gone to the Dogs is a 1939 musical comedy vehicle starring George Wallace. It was the second of two films he made for director Ken G. Hall, the first being Let George Do It (1938).

<span class="mw-page-title-main">Bert Bailey</span>

Albert Edward Bailey, better known as Bert Bailey, was a New Zealand-born Australian playwright, theatrical manager and stage and screen actor best known for playing Dad Rudd, in both mediums, the character from the books penned by Steele Rudd.

Edmund Piers Barclay was an English-Australian writer known for his work in radio drama. Radio historian Richard Lane called him "Australian radio's first great writer and, many would say, Australian radio's greatest playwright ever."

Vic Roberts was an English-born writer who worked in theatre, film and radio. He is best known for writing vaudeville sketches for Roy Rene in the 1920s and 1930s although there is some debate as to the exact extent of his contribution. He had a background in English musical hall and was hired to work for Rene by Sir Benjamin Fuller. After his initial trip to Australia, Roberts returned to England but then decided to stay in Australia.

Alec Kellaway (1894–1973) was a South African–born actor best known for his work in Australian theatre and film, notably playing a number of character roles for director Ken G. Hall. He was the brother of Cecil Kellaway. He also worked as a producer in vaudeville and helped run the Talent School at Cinesound Productions.

Fred MacDonald (1895–1968), was an Australian actor best known for playing Dave Rudd opposite Bert Bailey on stage and screen, starting with the original 1912 production of On Our Selection. He also played a similar role, Jim Hayseed, several times on screen for director Beaumont Smith.

<i>Cinesound Varieties</i> 1934 Australian film

Cinesound Varieties is a 1934 Australian variety short film from director Ken G. Hall made to go out on a double-bill with the full-length feature, The Silence of Dean Maitland (1934). Only 18 minutes of the film survive today.

William Freshman was an Australian-born actor, scriptwriter and director. He moved to England as a child and worked in the British film industry, writing over 20 screenplays and working as an associate producer at British International Pictures. He also wrote the play The Last of the Ladies.

George Heath was an Australian cinematographer best known for his collaboration with Ken G. Hall for whom he shot several features. According to one observer, he fitted into the Cinesound world far more than his predecessor, Frank Harley - "Heath adapted much more easily to studio work and soon developed into a technician of world class. His work on the features was always attuned to the demands of the film and its future audience: his images show few of the pretensions to grandeur which are to be found in the work of Hurley, and instead his photography is clear, expressive and undemanding."

Frank Coffey was an Australian author, cameraman, director, and screenwriter who worked mostly on the production of documentaries. For a number of years, he was in-house writer for Cinesound Productions.

References

  1. Philip Taylor, 'Ken G. Hall', Cinema Papers January 1974 p 86
  2. "THEATRICAL PRODUCER DEAD". The Sunday Times . Perth: National Library of Australia. 30 May 1937. p. 6. Retrieved 21 September 2011.
  3. Item at National Film and Sound Archive