Lovers and Luggers | |
---|---|
Directed by | Ken G. Hall |
Written by | Frank Harvey Edmund Barclay |
Based on | novel by Gurney Slade |
Produced by | Ken G. Hall |
Starring | Lloyd Hughes Shirley Ann Richards |
Cinematography | Frank Hurley George Heath |
Edited by | William Shepherd |
Music by | Hamilton Webber |
Production company | |
Distributed by | British Empire Films (Aust) Paramount Pictures (UK) [1] Astor Pictures (USA) |
Release dates |
|
Running time | 99 mins (Australia) 96 mins (Uk) [2] 65 mins (USA) |
Country | Australia |
Language | English |
Budget | £24,000 [3] [4] |
Lovers and Luggers is a 1937 Australian film directed by Ken G. Hall. It is an adventure melodrama about a pianist (Lloyd Hughes) who goes to Thursday Island to retrieve a valuable pearl.
It was retitled Vengeance of the Deep in the US and United Kingdom.
In London, concert pianist Daubenny Carshott is feeling dissatisfied with his life and wanting a masculine adventure; he also desires the beautiful Stella Raff. Stella agrees to marry him if he brings back a large pearl with his own hands from Thursday Island. Daubenny notes a painting in Stella's apartment from "Craig Henderson" but when asked Stella is evasive about the artist.
Daubenny travels to Thursday Island where he buys a lugger and a house from the villainous Mendoza. He makes friends on the island, including another diver, Bill Craig, the drunken duo of McTavish and Dorner, and the boisterous Captain Quidley. He also meets Quidley's daughter, the beautiful Lorna, who likes to dress in men's clothing so she can walk around on her own at night. Lorna and Daubenny become friends and she secretly falls in love with him but Daubenny assumes she is in love with Craig.
Captain Quidley teaches Daubenny to dive. Quidley, Lorna, Daubenny and Mendoza all go out diving for pearls. Daubenny finds a pearl, to the fury of Mendoza, who believes since Daubenny used his lugger that Mendoza should have a share. Daubenny disagrees and the two men fight on board the lugger, causing the pearl to drop over the side.
Both men get in their diving suits and go down to retrieve the pearl. Mendoza dies and Daubenny is trapped. Bill Craig risks his life to rescue Daubenny.
Back on Thursday Island, Stella has arrived, accompanied by an aristocratic friend, Archie. Daubenny discovers that Bill Craig is Craig Henderson, and was also in love with Stella, and sent on a similar mission to find a pearl. Daubenny and Craig both reject Stella.
Daubenny decides to leave Thursday Island on his boat. Lorna reveals she is in love with him, not Craig, and the two kiss and decide to get married. They sail off into the sunset with Captain Quidley.
Author | Gurney Slade, |
---|---|
Language | English |
Genre | adventure |
Publication date | 1928 |
Publication place | United Kingdom |
The script was based on a 1928 novel by Gurney Slade, from whom Cinesound obtained the film rights in late 1936. [7] In the novel, Daubenny travels to "Lorne" (Broome, thinly-disguised) rather than Thursday Island. Lorna is not related to Captain Quid, but actually is Stella's half-sister. There are two other British expatriates diving for pearls in addition to Craig, Chillon and Major Rawlings. Daubney does not romance Lorna and is reunited with a reformed Stella at the end. Lorna winds up with Craig. [8]
Although the novel was set in Broome Ken G. Hall had Cinesound screenwriter Frank Harvey relocate the story to Thursday Island because it was easier to access. [9]
Hall gave the lead role to American actor Lloyd Hughes, who had been a star in the silent era and since then mostly worked on stage. [10] Hall had met Hughes when the director visited Hollywood in 1935. [11] The actor went on to make The Broken Melody for Hall.
This was the first of what would be several character roles Alec Kellaway played for Ken G. Hall. The cast included a Hong Kong actor called Charlie Chan. [12]
James Raglan was signed on a seven-week contract. [13]
Hall was enthusiastic about the project because of his love for the tropics, although budget considerations meant most of the film had to be shot in the studio, with only the second unit going to Thursday Island under Frank Hurley. Hurley also shot some footage at Port Stephens and Broken Bay. [14] Cinesound built one of its largest ever sets to recreate Thursday Island. [15]
A tank was built to shoot the underwater scenes. However the water was not clear, so the scenes were shot at North Sydney Olympic Pool. [16] [17] Hall would direct scenes on boats by radio. [18]
In June, Hall paid tribute to art director Eric Thompson saying, "we have had almost incessant rain since we began production some five weeks ago with the result that we have been compelled to keep on working 'exteriors,' and immediately we finish one set Eric's boys have to start demolishing and assembling a new set for the next take". [19] Stuart F. Doyle resigned from Cinesound during production but was kept on to supervise the finishing of the movie. [20]
Reports of the budget ranged from £18,000 [21] [22] to £24,000.
A charity ball was held to promote the release of the film. [23] The film was released in both the US and England. It was the last Australian film sold to Britain as a British quota picture before the British quota laws were amended. [21]
Reviews were positive, the critic from The Sydney Morning Herald calling it "Australia's finest picture to date." [24] The Bulletin called it "a jolly good entertainer...a great advance even on "Tall Timbers". It hasn't spectacle as unique as the timber drive in that film, but it has an altogether better story, more interesting scenes, more action, more varied characters, and it deals with a more colorful cross-section of life...It is almost incredibly better film than the narrative outline might seem to permit." [25]
The movie was profitable but was a slight disappointment at the box office, and Ken G. Hall thought this helped make Greater Union's then-managing director Norman Rydge disillusioned with feature production. [26]
Variety said it and Broken Melody performed better in the "nabes and stix" but were not as successful as Gone to the Dogs and Dad and Dave Come to Town which "smashed records everywhere". [27]
However Hall said in 1972 that "I think I like it best of all the pictures that I've made. Because of the backgrounds. I'd go tomorrow to make a film about the Tropics." [28]
Kenneth George Hall was an Australian film producer and director, considered one of the most important figures in the history of the Australian film industry. He was the first Australian to win an Academy Award.
Cinesound Productions Pty Ltd was an Australian feature film production company. Established in June 1931, Cinesound developed out of a group of companies centred on Greater Union Theatres that covered all facets of the film process, from production to distribution and exhibition. Cinesound Productions established a film studio as a subsidiary of Greater Union Theatres Pty Ltd based on the Hollywood model. The first production was On Our Selection (1932), which was an enormous financial success.
Shirley Ann Richards was an Australian actress and author who achieved notability in a series of 1930s Australian films for Ken G. Hall before moving to the United States, where she continued her career as a film actress, mainly as a Metro-Goldwyn-Mayer starlet. Her best known performances were in It Isn't Done (1937), Dad and Dave Come to Town (1938), An American Romance (1944), and Sorry, Wrong Number (1948). In the 1930s, she was the only Australian actor under a long-term contract to a film studio, Cinesound Productions. She subsequently became a lecturer and poet.
Mr. Chedworth Steps Out is a 1939 Australian comedy film directed by Ken G. Hall starring Cecil Kellaway. Kellaway returned to Australia from Hollywood to make the film, which features an early screen appearance by Peter Finch.
The Broken Melody is a 1938 Australian drama film directed by Ken G. Hall and starring Lloyd Hughes, based on a best-selling novel by F. J. Thwaites. Hall later said in 1974 that "This was a film that I’m particularly keen about still."
Frank Harvey was a British-born actor, producer, and writer, best known for his work in Australia.
The Squatter's Daughter is a 1933 Australian melodrama directed by Ken G. Hall and starring Jocelyn Howarth. One of the most popular Australian films of the 1930s, it is based on a 1907 play by Bert Bailey and Edmund Duggan which had been previously adapted to the screen in 1910.
The Silence of Dean Maitland is a 1934 Australian film directed by Ken G. Hall, and based on Maxwell Gray's 1886 novel of the same name. It was one of the most popular Australian films of the 1930s.
Strike Me Lucky is a 1934 Australian comedy musical film starring popular stage comic vaudevillian Roy Rene in his first and only film. It was the fourth feature film from Cinesound Productions but proved a box office disappointment. Director Ken G. Hall claimed it was the only one of his features not to go into profit within a few years of release, although the film eventually covered costs.
Thoroughbred is a 1936 Australian race-horse drama film directed by Ken G. Hall, partly based on the life and career of Phar Lap. Hollywood star Helen Twelvetrees was imported to Australia to appear in the film. The film also stars Frank Leighton and John Longden.
It Isn't Done is a 1937 Australian comedy film about a grazier who inherits a barony in England.
Tall Timbers is a 1937 action melodrama set in the timber industry directed by Ken G. Hall and starring Frank Leighton and Shirley Ann Richards.
Let George Do It is a 1938 comedy starring popular stage comedian George Wallace. It was the first of two films Wallace made for Ken G. Hall at Cinesound Productions, the other one being Gone to the Dogs (1939). Hall later called Wallace "in my opinion, easily the best comedian that this country has produced."
Gone to the Dogs is a 1939 musical comedy vehicle starring George Wallace. It was the second of two films he made for director Ken G. Hall, the first being Let George Do It (1938).
Dad Rudd, M.P. is a 1940 comedy that was the last of four films made by Ken G. Hall starring Bert Bailey as Dad Rudd. It was the last feature film directed by Hall prior to the war and the last made by Cinesound Productions, Bert Bailey and Frank Harvey.
Come Up Smiling is a 1939 Australian comedy film starring popular American stage comedian Will Mahoney and his wife Evie Hayes. It was the only feature from Cinesound Productions not directed by Ken G. Hall.
Typhoon Treasure is a 1938 Australian adventure film directed by Noel Monkman and starring Campbell Copelin, Gwen Munro, and Joe Valli. It is set in New Guinea although shot on the Great Barrier Reef and the Queensland coast. It was Monkman's first dramatic feature film after several years making documentaries.
The Man They Could Not Hang is a 1934 Australian film directed by Raymond Longford about the life of John Babbacombe Lee, whose story had been filmed previously in 1912 and 1921.
Alec Kellaway was a South African–born actor best known for his work in Australian theatre and film, notably playing a number of character roles for director Ken G. Hall. He was the brother of Cecil Kellaway. He also worked as a producer in vaudeville and helped run the Talent School at Cinesound Productions.
Cinesound Varieties is a 1934 Australian variety short film from director Ken G. Hall made to go out on a double-bill with the full-length feature, The Silence of Dean Maitland (1934). Only 18 minutes of the film survive today.
This article was published in hardcopy in Australian Dictionary of Biography, Volume 15, (Melbourne University Press), 2000