Gerald Cohen | |
---|---|
Birth name | Gerald Cohen |
Born | 1960 New York, New York |
Genres | Opera, Choral Music, Orchestra music |
Occupation(s) | Composer, pianist, cantor |
Instrument(s) | Piano, Vocals |
Years active | 1982–present |
Gerald Cohen (born 1960 in New York, NY) is an American composer and cantor. He is currently the cantor at Shaarei Tikvah in Scarsdale, New York and is based in Yonkers. [1] Cohen serves on the faculties of Jewish Theological Seminary [2] and Hebrew Union College. [3] Cohen's compositions are published by Oxford University Press, G. Schirmer/AMP, and Transcontinental Music Publications. [1]
Cohen earned a B.A. in music from Yale University in 1982. [1] Shortly afterwards, he began working as a cantor while attending Columbia University where he received a Doctor of Musical Arts degree (D.M.A.) [1] in composition, with distinction, in 1993. His principal composition teachers were Jack Beeson, Mario Davidovsky, George Edwards, and Andrew Thomas. Jacob Mendelson was Cohen's primary cantorial studies teacher. [4] Cohen's music has been commissioned by chamber ensembles including: the Cassatt String Quartet, [5] Verdehr Trio, [6] Franciscan String Quartet, [7] Chesapeake Chamber Music, [8] Grneta Ensemble, [9] Wave Hill Trio, [10] Bronx Arts Ensemble, [11] and Brooklyn Philharmonic Brass Quintet; [12] by choruses including the New York Virtuoso Singers, [13] Canticum Novum Singers, [14] Syracuse Children's Chorus, [7] St. Bartholomew's Church in New York City, [15] Zamir Chorale of Boston, [16] Usdan Center Chorus, [17] the Cantors Assembly of America, [14] HaZamir: The International Jewish High School Choir, [18] and the Westchester Youth Symphony. [19] Battery Dance Company commissioned his Songs of Tagore [20] which accompanied dance performances on tours throughout India and Eastern Europe.
Cohen's music has been performed by the Borromeo String Quartet, [21] Pittsburgh Symphony Orchestra, [22] San Diego Symphony, [13] Westchester Philharmonic, [13] Riverside Symphony, [8] Plymouth Music Series Orchestra, New York Concert Singers, Princeton Pro Musica, and many other ensembles and soloists. [23]
Cohen's music reflects his embracing of both Western classical traditions and his Jewish roots. Ken Smith, writing for Gramaphone, says of Cohen's style:
Cohen composes with a strong sense of tradition -- one that embraces Brahms, Bartok and Britten on one hand and his own Jewish heritage on the other. Which side becomes more prominent depends, it seems, on how deeply any particular piece is rooted to text. A cantor himself, Cohen's songs and his Passover Cantata V'higad'ta L'vincha display a linguistic fluidity and a melodic gift that hints at what the Hebrew liturgy might be like today if Britten had changed faiths. Once away from the language, however, the Jewish roots recede into a broader modernist context. His String Quartet No. 2, likewise, uses traditional structures, namely sonata form in the outer movements encasing a slow and lyrical elegy to his late father. The composer's self-described synthesis of art, religion and family in this piece reveals a very personal modernism that makes for more difficult listening -- imagine Bartok spiked with Hebraic modal and metric shifts -- but offers greater emotional rewards as well. [24]
Cohen cites both his experience as a cantor and the western classical tradition (Beethoven, Mahler, and Copland) as equal influences. In a 2002 interview for New Music Box, he said, "in a way what I'm trying to do is have that all come together, perhaps not completely consciously, but just that those are also different sides of me which I want to project into whatever I'm writing." [4]
Cohen's best known work is a "shimmering setting" [25] of Psalm 43.
He is the composer of three operatic works: the 2013 opera Steal a Pencil for Me, based on a true story of love in a WWII concentration camp, which Lucid culture described as "…mesmerizingly hypnotic, intricately contrapuntal" music, with moments of "…Bernard Herrmann-esque, shivery terror…". [26] His opera Sarah and Hagar (2008), based on the story from the book of Genesis, and Seed (2011), a one-act opera about love and choices for a post-apocalyptic couple, have been performed in concert form.
Title | Year | Label | Catalog No. | Notes | ||||
---|---|---|---|---|---|---|---|---|
Sea of Reeds: Chamber Music of Gerald Cohen | 2014 | Parma | Contains Variously Blue, Sea of Reeds, Yedid Nefesh, and Grneta Variations | |||||
Gerald Cohen: Generations | 2007 | New World Records | NWCR879 | Contains Trio for viola, cello and piano; Four Songs on Hebrew Texts; String Quartet No. 2; and V'higad'ta L'vincha (And You Shall Tell Your Child) | ||||
Opera
Instrumental Chamber Music
Orchestral Music (including works with voice)
Choral Music
'Solo Vocal Music
Works for Synagogue
Awards
Commissioning grants received
Residencies
Mark-Anthony Turnage is an English composer of contemporary classical music.
Shulamit Ran is an Israeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at the Mannes College of Music. Her Symphony (1990) won her the Pulitzer Prize for Music. She was the second woman to win the Pulitzer Prize for Music, the first being Ellen Taaffe Zwilich in 1983. Ran was a professor of music composition at the University of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.
Samuel Hans Adler is an American composer, conductor, author, and professor. During the course of a professional career which ranges over six decades he has served as a faculty member at both the University of Rochester's Eastman School of Music and the Juilliard School. In addition, he is credited with founding and conducting the Seventh Army Symphony Orchestra which participated in the cultural diplomacy initiatives of the United States in Germany and throughout Europe in the aftermath of World War II. Adler's musical catalogue includes over 400 published compositions. He has been honored with several awards including Germany's Order of Merit – Officer's Cross.
Chen Yi is a Chinese-American composer of contemporary classical music and violinist. She was the first Chinese woman to receive a Master of Arts (M.A.) in music composition from the Central Conservatory of Music in Beijing. Chen was a finalist for the 2006 Pulitzer Prize for Music for her composition Si Ji, and has received awards from the Koussevistky Music Foundation and American Academy of Arts and Letters, as well as fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2010, she was awarded an Honorary Doctorate from The New School and in 2012, she was awarded the Brock Commission from the American Choral Directors Association. She was elected to the American Academy of Arts and Letters in 2019.
Augusta Read Thomas is an American composer and University Professor of Composition in the Department of Music at the University of Chicago, where she is also director of the Chicago Center for Contemporary Composition.
Patrick Larley is a British composer.
Hendrik Pienaar Hofmeyr is a South African composer. Born in Cape Town, he furthered his studies in Italy during 10 years of self-imposed exile as a conscientious objector. While there, he won the South African Opera Competition with The Fall of the House of Usher. He also received the annual Nederburg Prize for Opera for this work subsequent to its performance at the State Theatre in Pretoria in 1988. In the same year, he obtained first prize in an international competition in Italy with music for a short film by Wim Wenders. He returned to South Africa in 1992, and in 1997 won two major international composition competitions, the Queen Elisabeth Music Competition of Belgium and the first edition of the Dimitris Mitropoulos Competition in Athens. His 'Incantesimo' for solo flute was selected to represent South Africa at the ISCM World Music Days in Croatia in 2005. In 2008 he was honoured with a Kanna award by the Kleinkaroo National Arts Festival. He is currently Professor and Head of Composition and Theory at the South African College of Music at the University of Cape Town, where he obtained a DMus in 1999.
Bradley Ellingboe is an American composer, conductor, and bass-baritone singer.
Raymond Wilding-White ; was an American composer of contemporary classical music and electronic music, and a photographer/digital artist.
Ofer Ben-Amots is an Israeli-American composer and teacher of music composition and theory at Colorado College. His music is inspired by Jewish folklore of Eastern-European Yiddish and Judeo-Spanish Ladino traditions. The interweaving of folk elements with contemporary textures creates the dynamic tension that permeates and defines Ben-Amots' musical language.
Stefans Grové was a South African composer. Before his death the following assessment was made of him: "He is regarded by many as Africa's greatest living composer, possesses one of the most distinctive compositional voices of our time".
David Frederick Stock was an American composer and conductor.
Ronald Geoffrey Corp, is a composer, conductor and Anglican priest. He is founder and artistic director of the New London Orchestra (NLO) and the New London Children's Choir. Corp is musical director of the London Chorus, a position he took up in 1994, and is also musical director of the Highgate Choral Society.
Richard Collins St. Clair is an American composer, pedagogue, poet and pianist.
Bernard Clements Barrell was an English musician, music educator and composer.