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Deutsches Historisches Institut in Rom | |
Type | German humanities institute abroad |
---|---|
Established | 1888 |
Director | Martin Baumeister |
Location | , , |
Website | http://www.dhi-roma.it/ |
The German Historical Institute in Rome, short DHI Rome, is the oldest of the German historical institutes abroad. Its purpose is to conduct research in the history of both Italy and Germany, and investigate particularly the German-Italian relations in a wider international context from medieval times to the present day. [1]
The "Deutsche Historische Institut in Rom", short DHI Rome, was founded as "Prussian Historical Station" in 1888 after the opening of the Vatican Secret Archives. It conducts historical basic research, promotes young academics and is a services facility. As such, the DHI Rome supports German scientists and institutions in their relevant research and promotes the cooperation of German, Italian and international historians.
In 1960 a Department of Music History was created at the institute, working on the musical cultures of Germany and Italy as well as their relationships in the music history of Europe.
Traditionally, guests, scholarship recipients and research fellows of the German Historical Institute in Rome work in the Vatican Secret Archives and the Vatican Library. Since the 1960s, they focus increasingly on further church and state archives and libraries situated in Rome. The director sides with an Academic Advisory Board.
The DHI Rome was included in the Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland (Max Weber Foundation – German Humanities Institutes Abroad) (founded in 2002 in Bonn), together with further humanities institutes of the Federal Republic of Germany.
The Institute frequently organizes scientific conferences, colloquials and presentations on topics of Italian history and music history as well as the German-Italian relations. It issues several scholarships annually for young Ph.D. and post-doc scholars in the fields of history and music history. German scientists may apply for a one-year guest professorship granted once annually. Several internships of six weeks each are directed at students of history or music history, who focus on German-Italian relations or Italian (music) history. A course of Roman studies in autumn and a course of music history in the spring grants students insights in local history and monuments.
The DHI Rome issues several editions since 1892, reflecting the institute's spectrum of research. They include:
The Repertorium Germanicum is a collection of regesta, gathering all "German" topics in the Vatican registers and cameral stock from the Great Schism to the reformation (1378–1517) since 1897.
In addition to the Repertorium Germanicum, the RPG (issued since 1998) offers a fundamental source edition for German history of the late Middle Ages.
Since 1892, a collection of historical sources concerning the Papal diplomacy of the 16th and 17th centuries.
This is a source collection of the instructions for the papal nuncios and delegates at European courts, issued since 1984.
A gathering of musical monuments selected and edited by the Department of Music History since 1973. It focuses on renowned Italian music from the times between 1600 and 1900.
Since 1905, this series publishes scientific monographs and anthologies on Italian and German history from the early Middle Ages to modern times.
In order to make the institute's research proceedings known among Italian academics, a series for editions and srtudies in Italian language was founded in 2005.
This series of editions published by the Music History Department includes anthologies, conference acts of events at the DHI Rome, and monographs since 1963.
Since 1898, the institute's journal deals with the relations between Germany and Italy and other topics of Italian history from the early Middle Ages to contemporary history. It includes the director's annual report, conference acts and reports of events at the institute and a large review section.
Published in cooperation with the Arbeitsgemeinschaft für die neueste Geschichte Italiens three time a year since 1974, this journal has introduced over 60.000 scientific publications in the humanities.
The DHI Rome has both a History Library and a Music History Library. The first specializes in Italian and German history as well as the binational relations, including approximately 171,000 volumes and 667 current journals. The Music History Library has 57,000 media units, including monographs, music and sound carriers, and 440 journals. It comprises a collection of 1,500 rare Librettos (numbers as of 2012). The library catalogues are also available online. The archive secures all writings of the institute and its precedent institutions from 1888 to today.
Guibert or Wibert of Ravenna was an Italian prelate, archbishop of Ravenna, who was elected pope in 1080 in opposition to Pope Gregory VII and took the name Clement III. Gregory was the leader of the movement in the church which opposed the traditional claim of European monarchs to control ecclesiastical appointments, and this was opposed by supporters of monarchical rights led by the Holy Roman Emperor. This led to the conflict known as the Investiture Controversy. Gregory was felt by many to have gone too far when he excommunicated the Holy Roman Emperor Henry IV and supported a rival claimant as emperor, and in 1080 the pro-imperial Synod of Brixen pronounced that Gregory was deposed and replaced as pope by Guibert.
Carl Erdmann was a German historian who specialized in medieval political and intellectual history. He is noted in particular for his study of the origins of the idea of crusading in medieval Latin Christendom, as well as his work on letter collections and correspondence among secular and ecclesiastical elites in the eleventh century. He is often mentioned alongside Percy Ernst Schramm and Ernst H. Kantorowicz as one of the most influential and important German scholars of medieval political culture in the twentieth century. His promising and remarkably prolific career was cut short by his death in the German army at the end of World War II. His grandson Martin Erdmann is a professor for experimental particle physics at the RWTH Aachen University.
Giuseppe Garampi was an Italian scholar and collector of documents and books.
Roman Historical Institutes are collegiate bodies established at Rome, for the purpose of historical research, mostly in the Vatican archives. These have been set both by ecclesiastical authority, and by national governments.
Ferrante II Gonzaga was Count of Guastalla and, from 1621, Duke of Guastalla.
Cesare II Gonzaga was Duke of Guastalla.
Gregory of Catino was a monk of the Abbey of Farfa and "one of the most accomplished monastic historians of his age." Gregory died shortly after 1130, possibly in 1133.
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Günter Weitling is a Lutheran theologian, historian, and author.
Michael Matheus is a German historian.
The Teutonic Order Research Centre, is a research institution at the Julius-Maximilian University of Würzburg. It is dedicated to the history of the Teutonic Order, with a particular focus on the regional history of Franconia.
Hermine "Erminia" Speier was a German archaeologist. One of the few female archaeologists of her time, she was the first female employee of the Vatican Museums and one of the first professional women to be employed by the Vatican. She was a pioneering contributor to the collections of archaeological photographs and is often credited as being the first archaeological photo-archivist.
The German Historical Institute Paris (GHIP) or Institut historique allemand (IHA) is an international research institute situated in Paris, France.
Wilderich von Walderdorff from the Walderdorff family was Prince-Bishop of Vienna and Reichsvizekanzler (Vice-Chancellor) of the Holy Roman Empire (1660-1669).
Péter Tusor is an associate professor of history at Pázmány Péter Catholic University, Hungary, where he specializes in church history. He is a doctor of the Hungarian Academy of Sciences (D.Sc.).
Ulrich Pfisterer is a German art historian whose scholarship focuses on the art of Renaissance Italy. He is currently a professor of art history at Ludwig Maximilian University of Munich and the director of the Zentralinstitut für Kunstgeschichte.
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Antonio Masini was born in Florence. During the last years of his life in Rome he was the Kapellmeister of the Cappela Giulia in Rome and furthermore the chamber musician of the former Queen of Sweden Kristina during her stay in Rome.