Geschenk des Augenblicks - Gift of the Moment | ||||
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Studio album by Hans-Joachim Roedelius | ||||
Released | 1984 | |||
Recorded | 1983 | |||
Genre | Neoclassical new age, new age, ambient | |||
Length | 47:25 | |||
Label | Editions EG | |||
Producer | Hans-Joachim Roedelius | |||
Hans-Joachim Roedelius chronology | ||||
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Geschenk des Augenblicks – Gift of the Moment is the eleventh solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello.
Hans-Joachim Roedelius is a German experimental, ambient and electronic musician and composer. He is best known as a co-founder of the krautrock groups Cluster and Harmonia and for his work in the ambient jazz trio Aquarello.
Cluster were a German experimental musical group consisting of Hans-Joachim Roedelius and Dieter Moebius. They recorded albums in a wide variety of styles across electronic, avant-garde, and rock music, and influenced the development of contemporary popular electronic and ambient music. Cluster was active from 1971 until 2010, releasing a total of 15 albums, including collaborations with Brian Eno, Conny Plank, and Michael Rother. Musician, writer and rock historian Julian Cope places three Cluster albums in his Krautrock Top 50 and The Wire places Cluster's debut album Cluster '71 in their "One Hundred Records That Set The World On Fire".
Harmonia is a Krautrock supergroup from Germany. They formed as a collaboration between Michael Rother of Neu! and Hans-Joachim Roedelius and Dieter Möbius of Cluster and later included the British musician Brian Eno.
The piano music which is central to this album was recorded in Roedelius' home studio. Further instrumentation, transfer to multitrack and first mixing took place in late February, 1983 at Lux Mundi studio in Rotterdam, the Netherlands. The pieces were completed at Roedelius' home with the Erpel Portable Studio the following May. The album was finished in October, 1983 at The Hit Box Studio, Vienna, Austria. It was released by Editions EG in 1984 [1] and first reissued on by Editions EG on CD in 1991. It has subsequently been reissued jointly by E.G.Records and Virgin Records in 1997 [2] and was reissued again on both CD and 180 gram vinyl LP by the Bureau B label on January 17, 2011. It is Roedelius' best selling solo album to date. [3] [4]
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Multitrack recording (MTR)—also known as multitracking, double tracking, or tracking—is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.
In sound recording and reproduction, audio mixing is the process of combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.
All the music of Geschenk des Augenblicks - Gift of the Moment was composed or co-composed by Roedelius. "Adieu Quichotte", "Troubador", "Gefundene Zeit (Time Regained) " and "Das Sanfte (Mellowness)" were co-composed by Arjen Uittenbogaard, who plays cello on the album. "Wurzeln Des Glücks (Roots Of Joy)" was co-composed by violinist Tjitse Letterie. [1] [5]
The cello ( CHEL-oh; plural cellos or celli) or violoncello ( VY-ə-lən-CHEL-oh; Italian pronunciation: [vjolonˈtʃɛllo]) is a string instrument. It is played by bowing or plucking its four strings, which are usually tuned in perfect fifths an octave lower than the viola: from low to high, C2, G2, D3 and A3. It is the bass member of the violin family, which also includes the violin, viola and the double bass, which doubles the bass line an octave lower than the cello in much of the orchestral repertoire. After the double bass, it is the second-largest and second lowest (in pitch) bowed string instrument in the modern symphony orchestra. The cello is used as a solo instrument, as well as in chamber music ensembles (e.g., string quartet), string orchestras, as a member of the string section of symphony orchestras, most modern Chinese orchestras, and some types of rock bands.
Roedelius biographer Stephen Iliffe described the music of Geschenk des Augenblicks - Gift of the Moment and the effect of the move to Editions EG in his book Painting with Sound: The life and music of Hans-Joachim Roedelius:
His music has grown a bit too sweet (read New Age!)" complained Dag Erik Asbjornsen. But EG Records gives him a wider audience of folk unaware of the Cluster legend, not to mention an independent chart placing between Nick Cave and The Smiths. [6]
The review on the Piccadilly Records website talks about Roedelius' move away from electronic music on this album:
If Lustwandel and Jardin au Fou had seen the process set in motion, this was the album that completed the transition. [...] Roedelius focused on the grand piano, sometimes accompanied by a cello, violin and guitar. Distant echoes of a not so distant musical past could only be detected in the occasional appearance of sparse chords played on a polyphonic synthesizer. The album wore a veil of delicate melancholy: no vibrant folk dances, no colourful carousels, no cheerful melodies. [3]
Cluster & Eno is a collaborative album by the German electronic music group Cluster and English ambient musician Brian Eno. The style of this album is a collection of gentle melodies: a mixture of Eno’s ambient sensibilities and Cluster's avant-garde style.
After the Heat is a 1978 album by Brian Eno, Dieter Moebius and Hans-Joachim Roedelius, credited to "Eno Moebius Roedelius". The album represents the second collaboration by the trio, the first being 1977's Cluster & Eno. As with the previous album, After the Heat was created in collaboration with the influential "krautrock" producer Conny Plank.
Time Regained could refer to:
Kluster is a German experimental musical group whose work often resembles later industrial music.
Cluster is the eponymous debut studio album by German electronic music outfit Cluster. It was recorded in 1971 and released the same year by record label Philips. It is also the only album on which Conrad Plank is credited as a member.
Apropos Cluster is a full-length studio album by Dieter Moebius and Hans-Joachim Roedelius also known as German electronic music outfit Cluster. It was also their first album after an eight-year-long hiatus.
Tracks and Traces is the one and only album credited to Harmonia '76, but it is generally regarded as the third album by the highly influential Krautrock/Kosmische Musik group Harmonia. Harmonia was formed by the addition of Neu! guitarist Michael Rother to Cluster, the duo of Hans-Joachim Roedelius and Dieter Moebius. British ambient musician Brian Eno joined the group at Harmonia's studio in Forst, Germany for the September 1976 recording sessions which resulted in this album.
Durch die Wüste is the first full-length solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. The title is German for "Through the Desert."
Jardin Au Fou is the second solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster. The title is French for "Madman's Garden".
Selbstportrait is the third solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. The title is German for "Self Portrait", a title which clearly reflects the gentle, introspective nature of this album of ambient or new-age music. The original Sky Records release was subtitled Teil 1 Sanfte Musik, German for "Part 1, Soft Music."
Selbstportrait – Vol. II is the fourth solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia and Aquarello. The title is German for "Self Portrait - Vol. II", a title which clearly reflects the gentle, introspective nature of this album of ambient or new-age music. It is the second of seven albums in Roedelius' Selbsportrait series of recordings. The album is subtitled "Freundliche Musik", German for "Friendly Music".
Neverless is a collaboration between ambient composers and musicians Hans-Joachim Roedelius and Morgan Fisher. Basic tracks were recorded at Roedelius Studio in Austria and The Handmade Studio in Tokyo. Tracks were overdubbed and mixed by Morgan Fisher at The Handmade Studio between July, 2002 and August, 2003. All tracks were composed or improvised by Roedelius and Fisher with the exceptions of "However" by Roedelius, Fisher, and Felix Jay, and "Inparticular" by Roedelius, Fisher, and Fabio Capanni.
Lustwandel is the sixth solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. All the pieces on the album were composed by Roedelius with the sole exception of "Wilkommen", which was composed by Roedelius and Will Roper. It was released by Sky Records in 1981 and has been reissued on CD by Sky Records in Germany in 1992 and by the Gyroscope label in the United States in 1996.
Offene Türen is the eighth solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. The music of Offene Türen is more avant-garde than other Roedelius solo albums of the 1970s and 1980s. It can best be compared to Cluster's Curiosum which was released by Sky Records that same year.
Wenn Der Südwind Weht is the seventh solo album by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. All the pieces on the album were composed by Roedelius. It was released by Sky Records in 1981 and has been reissued on CD by Sky Records in Germany by the Gyroscope label in the United States in 1996. The Bureau-B label reissued Wenn Der Südwind Weht in the European Union on both CD and 180 gram vinyl LP in 2010.
Flieg' Vogel fliege is the ninth solo album by keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. According to Roedelius biographer Stephen Iliffe this album is also titled Selbstportrait IV, but that name does not appear on the album sleeve or label. Flieg' Vogel fliege was recorded at Roedelius' home studio and completed at Erpelstudio, Vienna, Austria. Flieg' Vogel fliege was released by Sky Records on vinyl in 1982. Flieg' Vogel fliege was the final album Roedelius recorded for Sky Records.
Auf leisen Sohlen is a compilation by Sky Records of works by German keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello. It is subtitled Das Beste von H. J. Roedelius and includes tracks from seven of the eight albums he recorded for Sky Records during that period. All music included in this collection was composed by Hans-Joachim Roedelius.
Wasser im Wind is the tenth solo album by keyboardist Hans-Joachim Roedelius, best known for his work with Cluster, Harmonia, and Aquarello.