Ghosts | |
---|---|
Studio album by | |
Released | 2012 |
Genre | Techno |
Length | 60:23 |
Label | Imbalance Computer Music |
Producer | Monolake |
Ghosts is the seventh album from German techno music producer, Monolake (also known as Robert Henke). It is the second part of what is claimed to be a trilogy of three albums, that began with Monolake's sixth album, Silence. [1] [2] Although the album follows a primarily techno aesthetic, it also incorporates elements of drum n' bass, dubstep, and ambient music. [3]
Review scores | |
---|---|
Source | Rating |
Beats Per Minute [4] | 80% |
PopMatters [5] | |
Resident Advisor | |
Sputnik Music [6] | |
Exclaim! [7] | Favorable |
Some of the sounds of this album are notable in that they were created by sampling recordings that included frequencies outside of the range of human hearing (above 20 kHz), and then transposed down into the audible range. In order to make this possible, the entire album was produced at a 96 kHz sampling rate (contrasted with the typical 44.1 kHz rate). [8] Despite wide-based praise for the sound design of the album, [9] other reviewers commented that this came at this expense of the album's emotional impact. [10]
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The Fairlight CMI is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital.
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A sampler is an electronic musical instrument that records and plays back samples. Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music.
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