Giallo a Venezia | |
---|---|
Directed by | Mario Landi |
Written by | Aldo Serio |
Produced by | Gabriele Crisanti |
Starring | Leonora Fani |
Cinematography | Franco Villa |
Edited by | Mario Salvatori |
Music by | Berto Pisano |
Distributed by | Variety Distribution |
Release date |
|
Running time | 91 minutes |
Country | Italy |
Language | Italian |
Giallo a Venezia (Giallo in Venice) is a 1979 Italian giallo film directed by Mario Landi. The film released on December 31, 1979 in Italy and starred Leonora Fani. It is known primarily for its extremely graphic scenes of sex and gore, including a woman's leg being slowly sawed off with a long knife. [1] [2] There is also a Brazilian VHS version containing XXX scenes under the title Pesadelo em Veneza. [3]
The film follows a detective investigating the murder of a married couple involving a sexually abusive cocaine addict husband while, at the same time, an unknown killer commits multiple grisly murders.
While filming the scene in which Mariangela Giordano was tied to a kitchen table, the telephone cords were put on her wrists and ankles so tight that they cut into her flesh. She had visible marks on those places for three months. [4]
Moviefone gave a mixed review for the film, saying that it "is one worth seeing for fans of the subgenre" but that overall it was "simply not on par with most of the Italian greats". [5] In the book Italian Horror Film Directors one critic noted that Giallo a Venezia is a "perfect example of how a filmmaker can go too far in his quest to achieve the perfect synthesis of horror and repulsion." [6]
Paolo Mereghetti wrote that it: [7]
"deserves (or perhaps does not deserve) to be remembered as one of the most idiotic Italian thrillers ever made, a collage of soft-porn sequences and dismemberments of rare brutality that fall into the void, in a childish attempt to astonish."
Horror author Brandon Halsey wrote: [8]
"While Giallo a Venezia may lack the social commentary of Lucio Fulci or the swooping camera-work and visual styling of Dario Argento, it is still a giallo that can comfortably stand on merits of its own."
Leonora Fani is an Italian former film actress.
Joan Lui is a 1985 Italian musical-comedy film by Adriano Celentano. It was the fourth and the last films Celentano wrote, starred in and directed.
Mario Landi was an Italian director known for his giallo movies such as Giallo a Venezia and his television series Le inchieste del commissario Maigret.
Mariangela Giordano was an Italian film and television actress.
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Il ficcanaso is a 1981 Italian giallo-comedy film directed by Bruno Corbucci.
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I fichissimi is a 1981 Italian comedy film directed by Carlo Vanzina. The film consists in a story of rival punks in Milan and it is loosely based on the William Shakespeare's tragedy Romeo and Juliet.
Fantozzi subisce ancora is a 1983 Italian comedy film directed by Neri Parenti. It is the fourth chapter in the Fantozzi film series of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.
Fantozzi va in pensione is a 1988 Italian comedy film directed by Neri Parenti. It is the sixth chapter in the Fantozzi film series of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.
Carnal Circuit is a 1969 Italian-German giallo written and directed by Alberto De Martino.
Fantozzi – Il ritorno is a 1996 Italian comedy film directed by Neri Parenti. It is the ninth chapter in the Fantozzi film series of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.
Dove volano i corvi d'argento is a 1977 Italian crime-drama film written and directed by Piero Livi and starring Corrado Pani, Jenny Tamburi, Flavio Bucci and Renzo Montagnani.
The Avenger of Venice is a 1964 adventure film written and directed by Pierro Pierotti and Carlo Campogalliani and starring Brett Halsey and Gianna Maria Canale. It is based on a novel by Michel Zevaco.
merita di essere ricordato (o forse non lo merita) come uno dei thriller italiani più cretini mai realizzati, collage di sequenze porno-soft e di squartamenti di rara efferatezza che cascano nel vuoto, nel puerile tentativo di stupire.