Gillian Laub | |
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Born | April 24, 1975 New York |
Occupation | Photographer & Filmmarker |
Nationality | American |
Website | |
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Gillian Laub (April 24, 1975) [1] is an American photographer and filmmaker, based in New York.
Laub was born in 1975 and raised in Chappaqua, New York. [1] She graduated from the University of Wisconsin-Madison with a degree in comparative literature before studying photography at the International Center of Photography in New York City.
Dorothea Lange was an American documentary photographer and photojournalist, best known for her Depression-era work for the Farm Security Administration (FSA). Lange's photographs influenced the development of documentary photography and humanized the consequences of the Great Depression.
Diane Arbus was an American photographer. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity." In his 2003 New York Times Magazine article, "Arbus Reconsidered", Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography ". Arbus's imagery helped to normalize marginalized groups and highlight the importance of proper representation of all people.
William Eugene Smith was an American photojournalist. He has been described as "perhaps the single most important American photographer in the development of the editorial photo essay." His major photo essays include World War II photographs, the visual stories of an American country doctor and a nurse midwife, the clinic of Albert Schweitzer in French Equatorial Africa, the city of Pittsburgh, and the pollution which damaged the health of the residents of Minamata in Japan. His 1948 series, Country Doctor, photographed for Life, is now recognized as "the first extended editorial photo story".
Sally Mann HonFRPS is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Minor Martin White was an American photographer, theoretician, critic, and educator. He had an intense interest in how people viewed and thought about photographs and a personal vision guided by several spiritual and intellectual philosophies.
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
Mary Ellen Mark was an American photographer known for her photojournalism, documentary photography, portraiture, and advertising photography. She photographed people who were "away from mainstream society and toward its more interesting, often troubled fringes".
Aperture magazine, based in New York City, is an international quarterly journal specializing in photography. Founded in 1952, Aperture magazine is the flagship publication of Aperture Foundation.
Nancy Wynne Newhall was an American photography critic. She is best known for writing the text to accompany photographs by Ansel Adams and Edward Weston, but was also a widely published writer on photography, conservation, and American culture.
Stephen Shore is an American photographer known for his images of scenes and objects of the banal, and for his pioneering use of color in art photography. His books include Uncommon Places (1982) and American Surfaces (1999), photographs that he took on cross-country road trips in the 1970s.
Rosalind Fox Solomon is an American photographer based in New York City.
Alessandra Sanguinetti is an American photographer. A number of her works have been published and she is a member of Magnum Photos. She has received multiple awards and grants, including a Guggenheim Fellowship.
LaToya Ruby Frazier is an American artist.
A. J. Meek is an American photographer, teacher, and writer. Meek is known for his selenium toned silver gelatin contact prints made with an 8 x 20 banquet camera of landscapes in Louisiana and the American West and for images that are a balance between the documentary tradition and the fine arts.
Cig Harvey is a British fine art photographer known for her surreal images of nature and family. Her work has been compared to René Magritte and has been described as revealing "the mysticism in the mundane." Harvey's work has been exhibited internationally and is included in the collections of The Museum of Fine Arts, Houston and Farnsworth Art Museum.
Ruth Thorne-Thomsen is an American photographer who resides in Philadelphia. Important collections of her work are held by the Philadelphia Museum of Art, the Nelson-Atkins Museum, and the Art Institute of Chicago. She was married to the photographer Ray K. Metzker until his death in 2014.
Kwame Brathwaite was an American photojournalist and activist known for popularizing the phrase "Black is Beautiful" and documenting life and culture in Harlem and Africa.
Zora J. Murff is an American photographer, curator, and educator. He is currently based in Fayetteville, Arkansas and teaches photography at the University of Arkansas. Murff's work focuses on social and cultural constructs including race and criminality, and grapples with how photography is used as a technology to perpetuate intentions and desires. His series, Corrections, is a visual exploration of kids in the juvenile criminal justice system in Eastern Iowa.
Jonathan Green is an American writer, historian of photography, curator, teacher, museum administrator, photographer, filmmaker and the founding Project Director of the Wexner Center for the Arts. A recognized authority on the history of American photography, Green’s books Camera Work: A Critical Anthology (1973) and American Photography: A Critical History 1945–1980 (1984) are two notable commentaries and frequently referenced and republished accounts in the field of photography. At the same time Green’s acquisitions, exhibitions and publications consistently drew from the edges of established photographic practice rather than from its traditional center. He supported acquisitions by socially activist artists like Adrian Piper and graffiti artist Furtura 2000, and hosted exhibitions on Rape, AIDS, new feminist art, and the work of photographer, choreographer and dancer Arnie Zane, the Diana camera images of Nancy Rexroth, the Polaroids and imitation biplanes of folk artist Leslie Payne, and the digital photographic work of Mexican photographer Pedro Meyer. This alternative focus help prime Green and the competition jury to choose an unconventional, deconstructive architect, Peter Eisenman, previously known primarily as a teacher and theorist, as the architect for the Wexner Center for the Arts. Green has held professorial and directorial positions at Massachusetts Institute of Technology, Ohio State University, and University of California, Riverside.