Giovanni Battista Ramenghi (1521, Bologna - 1601, Bologna) was an Italian painter. He is sometimes known as Bagnacavallo junior or Bagnacavallo the Younger to distinguish him from his father Bartolomeo Ramenghi (known as Bagnacavallo). [1]
Giovanni Battista Ramenghi (1521, Bologna - 1601, Bologna) was an Italian painter. He is sometimes known as Bagnacavallo junior or Bagnacavallo the Younger to distinguish him from his father Bartolomeo Ramenghi (known as Bagnacavallo). [1]
He trained in his father's studio and accompanied Primaticcio on his trip to France, where he was influenced for a time by the Fontainebleau School. Working to meet the strictures of the Counter-Reformation, Ramenghi was one of the most conservative painters of the Bolognese school of the time, moving on from Raphael but refusing to be influenced by the early work of the young Annibale Carracci
Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicholas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci.
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Crucifixion with Saints or Crucifixion with Mourners and Saints Bernardino of Siena, Francis of Assisi and Petronius is a 1583 oil on canvas, now in the church of Santa Maria della Carità in Bologna. The work was originally sited in the Macchiavelli chapel in San Nicolò di San Felice, Bologna, next to Santa Maria della Carità, which was destroyed by bombing during the Second World War. It was then temporarily moved to the Soprintendenza di Bologna and finally to its current home.
Madonna and Child with Saints, Madonna and Child Enthroned with the Infant St John the Baptist, St John the Evangelist and Saint Catherine of Alexandria or the San Giorgio Madonna is a 1593 oil on canvas painting by Annibale Carracci, originally in the Landini chapel in the church of San Giorgio in Poggiale, Bologna. During the 19th century the conservation conditions there worsened and it was moved to the Accademia di Belle Arti for restoration, before being moved to its current home in the then-new Pinacoteca Nazionale di Bologna.. It is signed and dated "ANNI CARR FE MDXCIII".
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