Richard Earl Thomas is an American actor. He is best known for his leading role as budding author John-Boy Walton in the CBS drama series The Waltons for which he won an Emmy Award. He also received another Emmy nomination and two Golden Globe Award nominations for that role.
Paul Henreid was an Austrian-American actor, director, producer, and writer. He is best remembered for two film roles: Victor Laszlo in Casablanca and Jerry Durrance in Now, Voyager, both released in 1942.
Boxcar Bertha is a 1972 American romantic crime drama film directed by Martin Scorsese and produced by Roger Corman, from a screenplay by Joyce H. Corrington and John William Corrington. Made on a low budget, the film is a loose adaptation of Sister of the Road, a pseudo-autobiographical account of the fictional character Bertha Thompson. It was Scorsese's second feature film.
Gladys Marlene Wasden, known professionally as Abby Dalton, was an American actress, known for her television roles on the sitcoms Hennesey (1959–1962) and The Joey Bishop Show (1962–1965), and the primetime soap opera Falcon Crest (1981–1986).
George White's Scandals were a long-running string of Broadway revues produced by George White that ran from 1919–1939, modeled after the Ziegfeld Follies. The "Scandals" launched the careers of many entertainers, including W. C. Fields, the Three Stooges, Ray Bolger, Helen Morgan, Ethel Merman, Ann Miller, Eleanor Powell, Bert Lahr and Rudy Vallée. Louise Brooks, Dolores Costello, Barbara Pepper, and Alice Faye got their show business start as lavishly dressed chorus girls strutting to the "Scandal Walk". Much of George Gershwin's early work appeared in the 1920–24 editions of Scandals. The Black Bottom, danced by Ziegfeld Follies star Ann Pennington and Tom Patricola, touched off a national dance craze.
Mara Corday is an American retired showgirl, model, actress, Playboy Playmate, and 1950s cult figure.
Tarzan and the Mermaids is a 1948 American adventure film based on the Tarzan character created by Edgar Rice Burroughs. Directed by Robert Florey, it was the last of twelve Tarzan films to star Johnny Weissmuller in the title role, with the following sixteen films in the series featuring alternating actors between main and supporting, while maintaining a single continuity. It was also the first Tarzan film since 1939 not to feature the character Boy, adopted son of Tarzan and Jane.
Barbara Bostock is a retired American actress. She was sometimes credited as Barbara Lawson.
Mame is a 1974 Technicolor musical film in Panavision based on the 1966 Broadway musical of the same name and the 1955 novel Auntie Mame by Patrick Dennis.
The Giant Claw is a 1957 American monster film from Columbia Pictures, produced by Sam Katzman, directed by Fred F. Sears, that stars Jeff Morrow and Mara Corday. Both Sears and Katzman were well known as low-budget B film genre filmmakers. The film was released as a double feature with The Night the World Exploded.
Auntie Mame is a 1958 American Technirama Technicolor comedy film based on the 1955 novel of the same name by Edward Everett Tanner III and the 1956 play of the same name by Jerome Lawrence and Robert Edwin Lee. This film version stars Rosalind Russell and was directed by Morton DaCosta. It is not to be confused with a musical version of the same story that appeared on Broadway in 1966 and was later made into a 1974 film, Mame, starring Lucille Ball as the titular character.
The Scarlet Letter is a 1926 American silent drama film based on the 1850 novel of the same name by Nathaniel Hawthorne and directed by Swedish filmmaker Victor Sjöström. Prints of the film survive in the MGM/United Artists film archives and the UCLA Film and Television Archive. The film is now considered the best film adaptation of Hawthorne's novel.
Bachelor in Paradise is a 1961 American Metrocolor, CinemaScope romantic comedy film starring Bob Hope and Lana Turner. Directed by Jack Arnold, it was written by Valentine Davies and Hal Kanter, based on a story by Vera Caspary.
A Guy Could Change is a 1946 American drama film starring Allan Lane and Jane Frazee. The supporting cast features 13-year-old Robert Blake, Wallace Ford, Adele Mara and Gerald Mohr. A Guy Could Change was the final film of director William K. Howard.
The Saga of the Viking Women and Their Voyage to the Waters of the Great Sea Serpent is a 1958 American action-adventure horror film directed by Roger Corman. It stars Abby Dalton, Susan Cabot and June Kenney.
Trackdown is a 1976 American crime drama exploitation film directed by Richard T. Heffron and starring James Mitchum and Karen Lamm.
The Falcon and the Co-eds is a 1943 film under the direction of William Clemens, and produced by Maurice Geraghty, the same team that had worked on The Falcon in Danger (1943) and would stay together for the next film in the Falcon series. The Falcon and the Co-eds was the seventh of 16 in the Falcon series. The story and screenplay was by Ardel Wray, a frequent collaborator with Val Lewton in his RKO horror series, who added supernatural elements to the proceedings.
Girl Rush is a 1944 American comedy film directed by Gordon Douglas and written by Robert E. Kent. The film stars Wally Brown, Alan Carney, Frances Langford, Barbara Jo Allen, Robert Mitchum, Paul Hurst, Patti Brill and Sarah Padden. The film was released on October 25, 1944, by RKO Pictures.
The Ride Back is a 1957 American Western film directed by Allen H. Miner and written by Antony Ellis. The film stars Anthony Quinn, William Conrad, Lita Milan, Victor Millan and Jorge Trevino and was produced by Conrad. It was released on April 29, 1957, by United Artists. It was partially filmed in Wildwood Regional Park in Thousand Oaks, California.
Damn Citizen is a 1958 American film noir crime film directed by Robert Gordon and starring Keith Andes, Margaret Hayes and Gene Evans.
